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Lorde Solar Power Tour

For the first time in 5 years, Frontier Touring and Eccles Entertainment are thrilled to announce formidable pop queen Lorde will return to stages around New Zealand and Australia in February and March 2023. Kicking off in her native New Zealand, Lorde’s Solar Power Tour will head through Brisbane, Melbourne and Sydney, before wrapping up in Perth on Saturday 18 March.  

With special guests Fazerdaze & Riiki Reid (NZ only), Marlon Williams and the Yarra Benders (Akl only), MUNA (Bri, Mel, Syd only) and Laura Jean (Per only).

The concert at Bowl of Brooklands has been cancelled. Ticket holders can obtain a refund from their original point of purchase.

Previously Sat 5 Mar 2022. Tickets for the original performances will be valid for the rescheduled dates without taking further action. Ticket holders will be contacted directly by the original ticketing agency with details.  Patrons unable to attend new show dates may obtain a full refund. Refund requests must be submitted prior to Fri 10 Dec 2021.

TUE 7 MAR 2023 SHOW

Purchases for Tue 7 Mar show are valid for Wed 8 Mar, and no further action is required. If you can no longer attend the show, please use the refund link provided by ticketing agent to request a refund prior to Friday 18th November 2022 11:59 pm. THU 10 MAR 2022 SHOW Previously Thu 10 Mar 2022. Tickets for the original performances will be valid for the rescheduled dates without taking further action. Ticket holders will be contacted directly by the original ticketing agency with details. Patrons unable to attend new show dates may obtain a full refund. Refund requests must be submitted prior to Fri 10 Dec 2021

Previously Sun 13 Mar 2022. Tickets for the original performances will be valid for the rescheduled dates without taking further action. Ticket holders will be contacted directly by the original ticketing agency with details.  Patrons unable to attend new show dates may obtain a full refund. Refund requests must be submitted prior to Fri 10 Dec 2021.

Previously Sat 12 Mar 2022. Tickets for the original performances will be valid for the rescheduled dates without taking further action. Ticket holders will be contacted directly by the original ticketing agency with details.  Patrons unable to attend new show dates may obtain a full refund. Refund requests must be submitted prior to Fri 10 Dec 2021.

Previously Wed 16 Mar 2022. Tickets for the original performances will be valid for the rescheduled dates without taking further action. Ticket holders will be contacted directly by the original ticketing agency with details.  Patrons unable to attend new show dates may obtain a full refund. Refund requests must be submitted prior to Fri 10 Dec 2021.

Previously Tue 15 Mar 2022. Tickets for the original performances will be valid for the rescheduled dates without taking further action. Ticket holders will be contacted directly by the original ticketing agency with details.  Patrons unable to attend new show dates may obtain a full refund. Refund requests must be submitted prior to Fri 10 Dec 2021.

FRI 17 MAR 2023 SHOW

Purchases for Fri 17 Mar show are valid for Sat 18 Mar, and no further action is required. If you can no longer attend the show, please use the refund link provided by ticketing agent to request a refund prior to Friday 18th November 11:59 pm. SAT 19 MAR 2022 SHOW

Previously Sat 19 Mar 2022. Tickets for the original performances will be valid for the rescheduled dates without taking further action. Ticket holders will be contacted directly by the original ticketing agency with details.  Patrons unable to attend new show dates may obtain a full refund. Refund requests must be submitted prior to Fri 10 Dec 2021.

If you have purchased tickets to the show on Wednesday 1 March 2023, your new show date is Thursday 20 April 2023. Your tickets remain valid for the new shows. Ticketmaster will email all ticket holders with their show details.

If you purchased a ticket to the show Thursday 2 March 2023, your new date is Friday 21 April 2023. Your tickets remain valid for the new shows. Ticketmaster will email all ticket holders with their show details.

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Lorde announces Australia-New Zealand Solar Power tour for 2022, release date for new album

By Áine Ryan | 3 years ago

Lorde is set to perform in Australia and New Zealand for the first time in five years.

The 'Green Light' singer, whose real name is Ella Yelich-O'Connor, will kick off her Solar Power tour in New Zealand on February 27 next year before visiting Brisbane, Melbourne and Sydney. She will wrap up in Perth on Saturday, March 19. See the full dates below.

Lorde also announced in her newsletter that her next studio album will be released on August 20.

The announcement says Lorde will release it in "a first-of-its kind, discless format" to honour "the natural world." See the tracklist below.

Lorde teased an announcement earlier this week when she shared a mysterious video on her website showing her sitting cross-legged on the sand. The video was captioned "SOLSTICE", referring to the Winter-Summer Solstice (June 21 local time), and sent fans into a frenzy.

The Australian-New Zealand leg of the tour is part of this morning's global tour announcement, which includes stops across Europe, the United Kingdom and North America.

Tickets go on sale on Monday, July 5, but there will be a Frontier pre-sale on Wednesday, June 30.

The album and tour news comes just two weeks after the 24-year-old New Zealand-born singer dropped her single 'Solar Power' — her first release in four years and the first single from her upcoming album of the same name.

"The album is a celebration of the natural world, an attempt at immortalising the deep, transcendent feelings I have when I'm outdoors," Lorde said recently.

"In times of heartache, grief, deep love or confusion, I look to the natural world for answers. I've learnt to breathe out, and tune in. This is what came through."

RELATED: Five things to know about Lorde's boyfriend Justin Warren

Lorde's Solar Power album tracklist

1. The Path 2. Solar Power 3. California 4. Stoned in the Nail Salon 5. Fallen Fruit 6. Secrets From a Girl (Who's Seen It All) 7. The Man with An Axe 8. Dominoes 9. Big Star 10. Leader of a New Regime 11. Mood Ring 12. Oceanic Feeling

Lorde's Solar Power tour dates

Sunday, February 27 Neudorf Vineyards | Upper Moutere NZ All Ages* ticketmaster.co.nz | Ph: 0800 111 999

Tuesday, March 1 Days Bay | Lower Hutt NZ All Ages* ticketmaster.co.nz | Ph: 0800 111 999

Wednesday, March 2 Black Barn Vineyards | Havelock North NZ All Ages* ticketmaster.co.nz | Ph: 0800 111 999

Friday, March 4 TSB Bowl Of Brooklands | New Plymouth NZ All Ages* ticketek.co.nz | Ph: 0800 842 538

Saturday, March 5 Outer Fields at Western Springs | Auckland NZ All Ages* ticketmaster.co.nz | Ph: 0800 111 999

Thursday, March 10 Riverstage | Brisbane AU All Ages* ticketmaster.com.au | Ph: 136 100

Saturday, March 12 Sidney Myer Music Bowl | Melbourne AU All Ages* ticketek.com.au | Ph: 132 849

Tuesday, March 15 Aware Super Theatre | Sydney AU All Ages* ticketek.com.au | Ph: 132 849

Saturday, March 19 Belvoir Amphitheatre | Perth AU 18+ moshtix.com.au | Ph: 1300 438 849

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Lorde announces first Australian tour in five years

New Zealand singer Lorde has announced she’ll tour Australia for the first time in five years. Check out her Solar Power Tour dates.

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Lorde has announced her first Aussie tour in five years.

The singer will kick off her Solar Power Tour in New Zealand in February, 2022 before heading to Australia next March.

Lorde will perform in Brisbane (March 10), Melbourne (March 12) and Sydney (March 15), before wrapping up in Perth (March 19).

For venues and ticket info, click here .

The announcement comes after Lorde released her new single, Solar Power , earlier this month.

The song is the title track from her third album which will be released on August 20.

The song’s artwork featured a revealing photo of the singer which quickly went viral online .

Speaking to triple j Breakfast, Lorde said about the cheeky photo: “It is funny, I keep thinking ‘Oh, this person that I know has seen my butt.’”

She continued: “It’s a specific experience thinking about everyone in your life seeing your butt. I have no regrets. I love this cover and am happy for this to be how people see my butt.

“I was sent a couple of memes. They were very funny; I liked them. I’m so out of touch with meme culture but I’m down. All the memes!”

Lorde added that she’s “not really on the internet” these days which she “loves”.

“But it does mean I miss a lot and I really don’t know what’s being said about me,” she added. “I like it that way.”

Taylor Swift marked the 100th show of her massive Eras tour by dropping some big news about her future career plans.

R&B singer Chris Brown’s latest concert did not go to plan – and he couldn’t hide his frustration as he hung around helplessly.

She’s suddenly hotter than ever, but it all got too much for this rising pop star during a recent concert as she wept at the crowd.

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Lorde  

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Lorde, born Ella Marija Lani Yellic O’Connor on 7 November 1996, is an electro-pop singer and songwriter from Devonport, New Zealand.

Lorde signed to Universal Music Group in her early teens and was soon paired with producer and songwriter Joel Little (who has won Grammy Awards for songwriting and was the lead singer for New Zealand pop punk band, Goodnight Nurse). Little co-wrote and produced most of Lorde’s works, her first being “The Love Club EP” in March 2013. The EP reached the number two positions in national record charts in New Zealand and Australia.

A few months later Lorde released her debut single titled “Royals” and it was an instant, international hit. It even reached the top spot on the US Billboard Hot 100 chart, making Lorde the youngest solo artist to have a number one US hit single (the last artist to hold to title was Tiffany and her single “I Think We’re Alone Now” in 1987). “Royals” first gained so much recognition on YouTube for its video, directed by Joel Kefali, which received over 750,000 views.

“Pure Heroine,” Lorde’s debut “indietronica” album, was released later in 2013 and predictably achieved immediate chart success in her home country and Australia. The dream-pop album also reached number three on the US Billboard 200. Other than “Royals,” singles from the album include “Team,” “Glory and Gore” and “Tennis Court.”

Lorde has also collaborated with UK house and pop duo, Disclosure, who released a remix of “Royals” (combined with Aluna George’s “White Noise”). She has also become revered as one of the most influential teenagers in popular culture, famously speaking out about feminism being “completely natural” and condemning the media for photo shopping photographs of her; even tweeting an original image of herself next to the photo shopped one, stating “two photos from today, one edited so my skin is perfect and one real. remember flaws are ok :-)”

Live reviews

The Melodrama World Tour Brisbane

Lorde of the Riverstage

The best time to see an artist perform is when they have less than three albums, you are pretty much guaranteed to get an awesome set without filler and no exclusions. In this respect Lorde did not disappoint and along with Porter Robinson (also at the Riverstage in February) was one of the best gigs of the year.

Melodrama is an interesting album, despite receiving critical acclaim, I often glean that some yearned for a repeat of Pure Heroine. At 40 minutes the album at face value do not appear substantial, but those will be some of the best minutes of the year, emotionally charged, unique, at times energetic and more diverse than her first offering.

Lorde opened with Homemade Dynamite, a great way to start. Magnets was a special treat, I didn’t expect that the Disclosure track would make it into the set despite it’s strong showing in the 2015 Triple J Hottest 100. Lorde weaved here own personal narrative through the set, recalling the stories behind tracks Tennis Court (a personal favourite), A World Alone and the Louvre.

Lorde covered Springsteen’s I’m on Fire with guitarist Ray Suen, and worked in 400 Lux, a seminal moment which slowed the tempo at the midpoint of the set. Paying homage to Brisbane band Powderfinger, “I was raised on Powderfinger. That was my shit,” she said before blending an intro from My Happiness into Liability.

Pure Heroine tracks Royals and Team were well received, and built the intensity to the final song Green Light, cue the confetti storm. Lorde returned to play Loveless as the encore.

On the down side, there were no tracks from Hunger Games, Meltdown or Yellow Flicker Beat could have been worked well with the set. Writer in the Dark was a curious omission.

All in all, one of the best shows of the year, on a beautiful night, and well supported by George Maple, who will be playing in Brisbane this coming February.

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Lorde is revolutionary for her age. Her first album to go big is one of the few that I can listen to all the way through and love every song that plays. "Pure Heroin" is exactly right, it's so addictive. Lorde is only 17 but speaks to issues and a lifestyle that is so much more than the other teenagers making music right now. There's real depth to it, unlike Kesha or Miley Cyrus - and her voice is amazing! I saw her live in Austin earlier this year, and it was incredible - her stage presence is so delightful and you can tell she is loving every minute of her success right now. She played all the songs on her album and talked a bit about them - but not so much that you just wanted her to get on with the show. Her music is so simple but her voice is so strong and powerful that it doesn't need any fluff in it. I love how she embraces her flaws and encourages us all to do so as well. You'll find her commenting on photoshopped pictures of herself ousting the editing that was done. She also tries to be conscious of the audience she is playing to - she knows that young people, girls especially, are listening to her music and she wants to portray the message of strength and independence; this is a welcome message from the boy dependent, superficial, materialistic songs that are being made by most pop music artists. She really stands out. Doesn't try to be sexy or show the world that she's growing up, it's much more grounded than that. If you haven't listened yet, I highly recommend it. I know I'll be waiting for her next album.

Omg. Where do I start? Amazinggggg.

The show all started when Tove Styrke got on stage. She was alright. I did like her cover of liability.

Next was Run The Jewels. And they focused on 3 things, People yelling “R T J!”, middle fingers, and flashing lights that could give you a seizure. I couldn’t even understand what they were saying. They had talent though.

Then, the queen came on. She started with Sober, like blue lights. Next was Homeade Dynamite and Tennis court. Amazing. Then colorful stage for magnets. Then Buzzcut Season and 400 lux, then came a new version of ribs. Then the louvre, hard feelings, and yellow flicker beat. Then she sat down, gave a 7 minute speech, and sang both writer in the dark and liabillity. Both really beautiful. Then she got up and sang Sober ll, and Supercut. Then, came the hits. ROYALSSSS. She invited us to sing and we all lost our voices. Then came Perfect Places. With a child choir which was cute. Then the last song was green light, she sang it and before the confetti, she told us to jump, and “fucking lose it”. Then there was A LOT (almost too much) CONFETTIII!!!! Then she went off. Then came back on for the encore, It had Loveless, then a non released catchy song called “Precious Metals”, then her last song (for real) was Team. She went down to General Admission at the end. And gave everyone high fives. IT WAS AMAZING. Definitely go see her if she’s coming near you.

Oh Lorde she is not one to disappoint! Singing all the favourites from her most recent album 'Pure Heroine' and more of her latest songs I hadn't even discovered before. While performing at Festival Hall, in Melbourne I didn’t think the venue put Lorde’s talent to justice but maybe it was just the seating. I feel like Lorde deserved a much larger ‘stadium-like’ venue to allow as many people as possible to witness one of the most prominent artists in the "post-millennial" era. Only a 17 year old from New Zealand, I don’t think you can get anymore unique than that! I was worried it was going to be one of those ‘one set stage’ performances but Lorde managed to have a costume change in the middle of her hit song “Team”! Along with varying Special effects including lights, cameras and a lot of action in the background while she was singing. There was a revolving chandelier, many different coloured lights, and a screen to allow those not in the mosh pit to see her face up close, adding to the atmosphere. Her accompanying act was way better than I expected, SAFIA has now got a new number one fan. The concert overall was very memorable leaving me wanting to relive all the songs performed on the night from both acts. Can’t wait for another concert from the one and only, Lorde!

EPIC. Fireworks, smoke, flashing lights ... costume changes, short videos, chat sessions ... this was one of the best concerts I’ve been to ! Somehow it didn’t feel super super extravagant and large scale though, which I loved because it made the whole experience so much more intimate. We arrived at around 6, and because that was when the gates opened we expected people to have been already lining up for ages and we thought we would get a terrible place in the mosh pit but we were actually still so close to the front! I loved how Lorde chatted to us like friends and really interacted with the audience. She comes across as such a wonderful, kind and genuine young woman, and it was so gorgeous to watch her sing and dance her beautiful heart out. She played a lot of her old music from Pure Heroine as well which was awesome - including Royals, Team, Tennis Court, Buzzcut Season and Ribs. She also played Magnets (by Disclosure) and a beautiful rendition of I’m on Fire (Bruce Springsteen) in combination with 400 Lux. That was possibly my favorite performance of the night. Green Light was the finale and was absolutely awesome of course. I would highly recommend you see Lorde live for an amazing once in a lifetime experience!!

Oh my Lorde! I highly recommend all lovers of music to attend at least one Lorde concert - it was the best concert I've been to yet! Couldn't fault it; her tone was perfect, her dancing crazy and awesome, her humbleness astounded me especially how she informed the audience of meaning of her songs. The atompshere was buzzing! She captured her audience, with her use of the whole stage and just having a good time! The lights were great and added a good vibe to her performance. I thought it was lovely how she apologised for rescheduling her show "I'm so sorry for having to reschedule I became gravely ill in Las Vegas - mum told me I had to reschedule. I told her 'I'm going to Australia if I have to go on my own'. I also thought if I'm this sick I can't give you guys a proper performance- I wouldn't be able to dance around and get into it like I'm doing tonight!" I honestly cannot stress enough how great this show was - any age can go, sing their heart out and dance till their feet fall off. This young kiwi girl definetly has a "speeshil" (how she pronounces the word special) nack for performing and entertaining - knowing what the audience wants to see! If I was to rate it, honestly 10/10- had the best night ever!

At the center of the stage there’s a staircase on the top of a round structure. The whole thing is placed on a round platform.

During the first song, Leader of a New Regime, Lorde plays from behind a screen.

The support singers look like akward nerds dressed like The Beatles in the 60s. Their dresses are the color of the sun. Lorde's look is curated by Karla Welch.

She is really good at switching between her newer songs, with acoustic guitars, and the older ones with electronic bases.

In Buzzcut Season the support singers do a good job providing support voices. Their performance is quite staged, with them turning towards the audience only when they are singing.

It’s in this song that I realized how powerful the voice ensemble is.

Lorde’s songs, like Lana Del Rey’s, seem to describe a lazy life spent on the side of pools, just enjoying oneself.

During the songs she takes time to interact with the crowd, she reflects on what happened in Oslo last week, and she tells about her memories of visiting the city. She also shares how she got rid of stage fright.

A camera films her so that it is possible for everyone in the audience to see her expressions.

A great experience overall.

What can I not say about this queen bee? She's barely 18 years old (birthday in November) and it's exhilarating to watch her evolve. Today's pop music needs a facelift and a lot of us are counting on Lorde. She is currently touring smaller theater venues to get her feet wet. Sure, she could have accepted the offer to tour with Katy Perry and jumped right into the stadium crowd. But this is Lorde, and she already knows that she will be bigger, and she will do it her own way. For those of you who got to see her in theses smaller venues, consider yourself lucky because she will get bigger and bigger and pretty soon it will get harder to get that intimate experience. I'm one of those lucky ones and what I saw was just mind blowing. To me, she almost has that spellbinding Stevie Nicks presence. Her outfit was a simple two piece (with costume changes into different colors) yet she was more seductive than artists who show more skin.

Right now, her live performance is a bit unpolished, but what I saw was a taste of possible perfection to come. Give her two more years to work out the kinks and she will surely bring magic to stadiums across the world!

Shoutout to Lorde for being the most wonderful human being on the planet.. Only seventeen and across the world from her home of New Zeland touring?? Fricken amazing.

So I love Lorde and she made the wait to see her live sooo worth it! She played most of my favorite songs from her album Pure Heroine. The concert was crazy and up beat. Not to mention the awesome lights, fog bubbles, and confetti (WITH HER FACE ON IT) that covered the crowd!!! The venue I was at had GA so everyone was all squished together in an amazing pit of Lorde love and sweat, dancing and having the time of their lives. Definitely my favorite concert I've ever been to and I can not wait until she is back in the area so I can see her again!!! Some fun facts: All of her props that she uses on stage are from her home town in NZ The bass is sooo crazy, be ready! She spent a good six minutes just talking about her life and creating her album (Not gonna lie I was tearin up a little) It was actually the best night of my life

Lorde's first of two shows in Berkely 10/2/14 was nothing short of amazing. She sounds just like she does on her record with her powerful vocals. The atmosphere was incredible with her energetic dancing around stage, her multiple costume changes, visually beautiful setup and all around great music quality. She played her entire album along with 2 EP tracks (bravado and biting down), 2 covers (Kanye west and Bon iver), her single song No Better, and what made the night really special was premiering her single she dropped 2 days before Yellow Flicker Beat for the first time live. She reflected on the times she's been in the bay area before and made us all feel special and loved, everything about the show was great I couldn't have asked for a better show, and afterwords she met the fans, myself included making it one of the best concerts I've ever been to. She is incredibly sweet, kind, and talented. I would always recommend for others to see her live show, it'll make them say Praise the Lorde!

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Find out more about Lorde tour dates & tickets 2024-2025

Want to see Lorde in concert? Find information on all of Lorde’s upcoming concerts, tour dates and ticket information for 2024-2025.

Unfortunately there are no concert dates for Lorde scheduled in 2024.

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Lorde Confirms Special Guests For Australian Tour

The kiwi pop superstar brings her solar power world tour to australia next march., conor lochrie, conor lochrie's most recent stories.

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As Lorde’s highly-anticipated Australian tour edges closer, two stellar support acts have been confirmed.

For the first time in six years, the Kiwi pop superstar will return to venues across Australia as part of her Solar Power World Tour next March.

Beginning in Brisbane on Wednesday, March 8th, Lorde will then perform twice in both Melbourne and Sydney, before concluding the Australian leg in Perth on Saturday, March 18th (see full dates below).

After making their Australian debut at Sydney WorldPride in the same month, rising indie-pop trio MUNA will support Lorde at her Brisbane, Melbourne and Sydney shows.

Under Phoebe Bridgers’ Saddest Factory Records label, the three-piece released their self-titled third studio album this year to positive reviews.

And in Perth only, Sydney singer-songwriter Laura Jean will join Lorde for one special performance. A two-time nominee for the Australian Music Prize, Jean released her latest album, Amateurs , earlier this year.

Lorde’s tour is in support of her own third studio album, Solar Power , which debuted atop both the Australian and New Zealand Albums Charts.

“Like Lana Del Rey and Taylor Swift before her, the New Zealand star embraces mellowness on a third album shaded by climate anxiety and a rejection of celebrity,” The Guardian wrote in a positive review, while Pitchfork called Solar Power a “self-aware, scaled-back album.”

Lorde 2023 Australian Tour

with support from MUNA and Laura Jean*^

presented by Frontier Touring

Wednesday, March 8th Riverstage, Brisbane, AU Tickets: Ticketmaster

Friday, March 10th Sidney Myer Music Bowl, Melbourne, VIC Tickets: Ticketek

Saturday, March 11th Sidney Myer Music Bowl, Melbourne, VIC Tickets: Ticketek

Monday, March 13th Aware Super Theatre, Sydney, NSW Tickets: Ticketek

Tuesday, March 14th Aware Super Theatre, Sydney, NSW Tickets: Ticketek

Saturday, March 18th Belvoir Amphitheatre, Perth, WA Tickets: Moshtix

*MUNA performing in Brisbane, Melbourne and Sydney only ^Laura Jean performing in Perth only

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Lorde Setlists

8 Mar 2014 - Tower Theatre, Upper Darby, PA, USA

Main Glory and Gore , Biting Down , Tennis Court , White Teeth Teens , Buzzcut Season , Still Sane , Swingin Party by The Replacements , Bravado , Ribs , Easy by Son Lux , Royals , Team

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Lorde’s “Solar Power Tour” Lights Up Radio City Music Hall: Recap, Photos + Setlist

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The post Lorde ’s “Solar Power Tour” Lights Up Radio City Music Hall: Recap, Photos + Setlist appeared first on Consequence .

She has risen. Lorde returned to the stage in New York City — on Easter Monday, no less — just days after postponing a number of shows due to laryngitis. Maybe there was some residual throatiness to the Kiwi pop megastar, but it barely registered. The beauty of her full-fledged “Solar Power Tour” production at the iconic Radio City Music Hall was enough to cure any ill feelings.

Talking about “post-pandemic live music” is already becoming cliché, but we can’t discount how the last two years impacted performances. On one hand there are acts like Lorde’s opener, former Artist of the Month Remi Wolf . Here’s someone who broke out during a lockdown where the only music absorption came via streams and TikToks. Now, with touring back in full swing, she’s playing Radio City. Think about the mental gymnastics that have to take place when going from a small headlining set at Music Hall of Williamsburg to Radio City Music Hall opening for Lorde in just six months.

Could any young performer who’d barely gotten their stage legs handle such a big venue?

For Remi, the answer is a big, fat, stinking, steaming, star-making yes. With absolutely zero stage production and only a guitarist and drummer (and backing track) behind her, the Juno singer completely devoured her show. She used the ramparts on both sides of the stage, the aisles between the seats, and her own infectious energy to reach every inch of the great concert hall.

A lesser up-and-comer may have garnered polite applause as an opener in a city like this in a venue like that; Remi Wolf had the whole room on their feet by the end, proving she’s a performer only beginning to express her live dominance.

Remi Wolf, photo by Ben Kaye

Then on the other hand there’s Lorde. Firmly a modern pop icon, even a so-so received pandemic album isn’t going to slow her down. Where Remi could do little but dream of performing live over the last few years, Lorde and her resources were able to dream up whatever they wanted, knowing that when live returned, they could welcome it with open wallets.

This, perhaps, is why so many shows from major artists recently have been precisely choreographed theater experiences. The “Solar Power Tour” features a setlist broken down into Acts (literally; it’s on the production crew’s notes), each marked by a costume change (one of which takes place on stage in silhouette), all carefully blocked around a custom constructed set.

There’s definitely room for rearrangement, as a cursory look at Setlist.fm will reveal, which gives space for a few treats. On Monday night, that included only the second-ever performance of “Big Star” (a song Lorde introduced as one she “never thought [she’d] sing live”) and a partial cover of ROSALÍA’s “HENTAI.”

Lorde, photo by Ben Kaye

Still, the very nature of these sort of pre-plotted concerts saps some of the earnestness of the performance. You could make arguments about music – pop in particular – being most powerful in its abilities to manipulate emotion, same as a Broadway experience, so a theatrically laid out concert is just an extension of that dynamic. But the dichotomy of that is acknowledging everything an artist says and does in these situations is predetermined, which removes the spontaneity – or at least, the illusion of it – that can be such an important part of concerts.

So perhaps all the banter about her songs focusing on the way “emotions affect our bodies – how feelings can change the way we feel” was somewhat scripted; to some extent, isn’t most stage banter? What truly felt rehearsed about the “Solar Power Tour” was the small, deliberate movements of both the stage and Lorde’s band.

Dressed in matching mustard-colored suits, the musicians and backup singers moved slow and stiff through different songs, so subtle that sometimes you forgot they were there – which is kind of a shame, because there were moments when they really shined musically. It felt like a less energized David Byrne production, which isn’t meant as a criticism, as it fit the sort of melodramatic (pun) pop Lorde delivers at her best.

Plus, the meticulous positioning of the band members lent itself to the shapes (as my high school theater teacher would describe it) of the stage design. Lorde’s team came up with a relatively simple looking set: a staircase rising toward a vanishing point propped against what looked like the shell of a giant bass drum, positioned on a rotating base surround by asymmetrical stairs, all in front of a projection screen with a giant circle at its center. (Okay, it’s a little more complicated in description than in reality.)

It gave the impression of a giant sundial (see what Lorde did there?), and kept what was occasionally static choreography (save for when Lorde let herself go, as she’s wont to do) from seeming fully… well, static. Everything felt constantly layered and leveled, elevated even further by some incredible graphic design, like when that giant circle turned into an eclipse or was surrounded by mirrored projections of Lorde.

Look, there’s so much focus on the stage here because that’s precisely the type of show Lorde is bringing to audiences: one that’s about the design as much as the music. The tracks off Solar Power tended to blend together if you weren’t a superfan (and Radio City was filled to the brim with those; and no, Lorde didn’t shush the crowd at any point). Standouts included “Mood Ring,” “California,” “Stoned at the Nail Salon,” and the confetti-cannon assisted “Solar Power” itself. That the main highlights came from Melodrama (“Hard Feelings,” “Supercut,” the still perfect “Green Light”) and Pure Heroine (the one-two encore of “Royals” and “Team”) probably doesn’t shock to anyone.

So what becomes truly interesting is how it was all presented . The “Solar Power Tour” is very much Lorde in 2022, less about the bangers and more focused on subtler beauties. Her costume changes were often stunning (the dress worn for the encore was red carpet-worthy); the set, at worst, intriguing; and the songs themselves showcasing a matured, individualist pop performer comfortable in her identity. It was not like the raucous energy of Remi Wolf, but it was a fascinating and equally engaging contrast.

Both performers put on captivating performances, both from different sides of the post-pandemic spectrum. One tore up a large, empty stage, one fashioned a beautiful production based on her quieter aesthetics. The fact that both worked so well in a space the size of Radio City Music Hall demonstrates that no matter your approach, a good show is a good show — especially in 2022.

Setlist: Leader of a New Regime Homemade Dynamite Buzzcut Season Stoned at the Nail Salon Fallen Fruit The Path California Ribs Hard Feelings Big Star/HENTAI (ROSALÍA cover)/Liability Secrets From a Girl (Who’s Seen It All) Mood Ring Sober Supercut Perfect Places Solar Power Green Light Oceanic Feeling

Encore Royals Team

Lorde’s “Solar Power Tour” Lights Up Radio City Music Hall: Recap, Photos + Setlist Ben Kaye

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Taylor Swift’s Eras Tour: Every Surprise Song She’s Played So Far

By Ellise Shafer

Ellise Shafer

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Ever since the first night of Taylor Swift ‘s Eras Tour — when the pop star announced she’d be performing two surprise acoustic songs at every show — fans have been waiting with bated breath to find out which gems from her discography will be unearthed next.

Swift kicked off the tour in Glendale, Ariz. in March with “Mirrorball” from “Folklore” and “Tim McGraw” from her 2006 self-titled debut album. Now, Swift has taken the Eras Tour worldwide, starting in Japan on Feb. 7 and continuing to Australia, Singapore and Europe in the coming months.

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Below, find all the surprise songs Swift has performed on the Eras Tour, updating live.

• March 17 in Glendale, Ariz. — “Mirrorball” and “Tim McGraw”
• March 18 in Glendale, Ariz. — “State of Grace” and “This Is Me Trying”
• March 24 in Las Vegas, Nev. — “Our Song” and “Snow on the Beach”
• March 25 in Las Vegas, Nev. — “Cowboy Like Me” with Marcus Mumford and “White Horse”
• March 31 in Arlington, Texas — “Sad Beautiful Tragic” and “Ours”
• April 1 in Arlington, Texas — “Death by a Thousand Cuts” and “Clean”
• April 2 in Arlington, Texas — “Jump Then Fall” and “The Lucky One”
• April 13 in Tampa, Fla. — “Speak Now” and “Treacherous”
• April 14 in Tampa, Fla. — “The Great War” with Aaron Dessner and “You’re on Your Own, Kid”
• April 15 in Tampa, Fla. — “Mad Woman” with Aaron Dessner and “Mean”
• April 21 in Houston, Texas — “Wonderland” and “You’re Not Sorry”
• April 22 in Houston, Texas — “A Place in This World” and “Today Was a Fairytale”
• April 23 in Houston, Texas — “Begin Again” and “Cold as You”
• April 28 in Atlanta, Ga. — “The Other Side of the Door” and “Coney Island”
• April 29 in Atlanta, Ga. — “High Infidelity” and “Gorgeous”
• April 30 in Atlanta, Ga. — “I Bet You Think About Me” and “How You Get the Girl”
• May 5 in Nashville, Tenn. — “Sparks Fly” and “Teardrops on My Guitar”
• May 6 in Nashville, Tenn. — “Out of the Woods” and “Fifteen”
• May 7 in Nashville, Tenn. — “Would’ve, Could’ve, Should’ve” with Aaron Dessner and “Mine”
• May 12 in Philadelphia, Penn. — “Gold Rush” and “Come Back…Be Here”
• May 13 in Philadelphia, Penn. — “Forever & Always” and “This Love”
• May 14 in Philadelphia, Penn. — “Hey Stephen” and “The Best Day”
• May 19 in Foxborough, Mass. — “Should’ve Said No” and “Better Man”
• May 20 in Foxborough, Mass. — “Question…?” and “Invisible”
• May 21 in Foxborough, Mass. — “I Think He Knows” and “Red”
• May 26 in East Rutherford, N.J. — “Getaway Car” with Jack Antonoff and “Maroon”
• May 27 in East Rutherford, N.J. — “Holy Ground” and “False God”
• May 28 in East Rutherford, N.J. — “Welcome to New York” and “Clean”
• June 2 in Chicago, Ill. — “I Wish You Would” and “The Lakes”
• June 3 in Chicago, Ill. — “You All Over Me” with Maren Morris and “I Don’t Wanna Live Forever”
• June 4 in Chicago, Ill. — “Hits Different” and “The Moment I Knew”
• June 9 in Detroit, Mich. — “Haunted” and “I Almost Do”
• June 10 in Detroit, Mich. — “All You Had to Do Was Stay” and “Breathe”
• June 16 in Pittsburgh, Penn. — “Mr. Perfectly Fine” and “The Last Time”
• June 17 in Pittsburgh, Penn. — “Seven” with Aaron Dessner and “The Story of Us”
• June 23 in Minneapolis, Minn. — “Paper Rings” and “If This Was a Movie”
• June 24 in Minneapolis, Minn. — “Dear John” and “Daylight”
• June 30 in Cincinnati, Ohio — “I’m Only Me When I’m With You” and “Evermore”
• July 1 in Cincinnati, Ohio — “Ivy” with Aaron Dessner, “I Miss You, I’m Sorry” with Gracie Abrams and “Call It What You Want”
• July 7 in Kansas City, Miss. — “Never Grow Up” and “When Emma Falls in Love”
• July 8 in Kansas City, Miss. — “Last Kiss” and “Dorothea”
• July 14 in Denver, Colo. — “Picture to Burn” and “Timeless”
• July 15 in Denver, Colo. — “Starlight” and “Back to December”
• July 22 in Seattle, Wash. — “This Is Why We Can’t Have Nice Things” and “Everything Has Changed”
• July 23 in Seattle, Wash. — “Message in a Bottle” and “Tied Together With a Smile”
• July 28 in Santa Clara, Calif. — “Right Where You Left Me” and “Castles Crumbling”
• July 29 in Santa Clara, Calif. — “Stay Stay Stay” and “All of the Girls You Loved Before”
• Aug. 3 in Los Angeles, Calif. — “I Can See You” and “Maroon”
• Aug. 4 in Los Angeles, Calif. — “Our Song” and “You Are in Love”
• Aug. 5 in Los Angeles, Calif. — “Death by a Thousand Cuts” and “You’re on Your Own, Kid”
• Aug. 7 in Los Angeles, Calif. — “Dress” and “Exile”
• Aug. 8 in Los Angeles, Calif. — “I Know Places” and “King of My Heart”
• Aug. 9 in Los Angeles, Calif. — “New Romantics” and “New Year’s Day”
• Aug. 24 in Mexico City, Mexico — “I Forgot That You Existed” and “Sweet Nothing”
• Aug. 25 in Mexico City, Mexico — “Tell Me Why” and “Snow on the Beach”
• Aug. 26 in Mexico City, Mexico — “Cornelia Street” and “You’re on Your Own, Kid”
• Aug. 27 in Mexico City, Mexico — “Afterglow” and “Maroon”
• Nov. 9 in Buenos Aires, Argentina — “The Very First Night” and “Labyrinth”
• Nov. 11 in Buenos Aires, Argentina — “Is It Over Now?”/ “Out of the Woods” and “End Game”
• Nov. 12 in Buenos Aires, Argentina — “Better Than Revenge” and “Slut!”
• Nov. 17 in Rio de Janeiro, Brazil — “Stay Beautiful” and “Suburban Legends”
• Nov. 19 in Rio de Janeiro, Brazil — “Dancing With Our Hands Tied” and “Bigger Than the Whole Sky”
• Nov. 20 in Rio de Janeiro, Brazil — “Me!” and “So It Goes”
• Nov. 24 in São Paulo, Brazil — “Now That We Don’t Talk” and “Innocent”
• Nov. 25 in São Paulo, Brazil — “Safe and Sound” and “Untouchable”
• Nov. 25 in São Paulo, Brazil — “Say Don’t Go” and “It’s Time to Go”
• Feb. 7 in Tokyo, Japan — “Dear Reader” and “Holy Ground”
• Feb. 8 in Tokyo, Japan — “Eyes Open” and “Electric Touch”
• Feb. 9 in Tokyo, Japan — “Superman” and “The Outside”
• Feb. 10 in Tokyo, Japan — “Come In With the Rain” and “You’re on Your Own Kid”
• Feb. 16 in Melbourne, Australia — “Red” and “You’re Losing Me”
• Feb. 17 in Melbourne, Australia — “Getaway Car”/”August”/”The Other Side of the Door” and “This Is Me Trying”
• Feb. 18 in Melbourne, Australia — “Come Back Be Here”/”Daylight” and “Teardrops on My Guitar”
• Feb. 23 in Sydney, Australia — “How You Get the Girl” and “White Horse”/”Coney Island” with Sabrina Carpenter
• Feb. 24 in Sydney, Australia — “Should’ve Said No” and “New Year’s Day”/”Peace”
• Feb. 25 in Sydney, Australia — “Is It Over Now”/”I Wish You Would” and “Haunted”/”Exile”
• Feb. 26 in Sydney, Australia — “Would’ve, Could’ve, Should’ve”/”Ivy” and “Forever & Always”/”Maroon”
• March 2 in Singapore — “Long Story Short”/”The Story of Us” and “Clean”/”Evermore”
• March 3 in Singapore — “Mine”/”Starlight” and “I Don’t Wanna Live Forever”/”Dress”
• March 4 in Singapore — “Foolish One”/”Tell Me Why” and “This Love”/”Call It What You Want”
• March 7 in Singapore — “Death by a Thousand Cuts”/”Babe” and “Fifteen”/”You’re on Your Own, Kid”
• March 8 in Singapore — “Sparks Fly”/”Gold Rush” and “False God”/”Slut!”
• March 9 in Singapore — “Tim McGraw”/”Cowboy Like Me” and “Mirrorball”/”Epiphany”
• May 9 in Paris, France — “Paris” and “loml”
• May 10 in Paris, France — “Is It Over Now?”/”Out of the Woods” and “My Boy Only Breaks His Favorite Toys”
• May 11 in Paris, France — “Hey Stephen” and “Maroon”
• May 12 in Paris, France — “The Alchemy”/”Treacherous” and “Begin Again”/”Paris”
• May 17 in Stockholm, Sweden — “I Think He Know”/”Gorgeous” and “Peter”
• May 18 in Stockholm, Sweden –“Guilty as Sin?” and “Say Don’t Go”/”Welcome to New York”/”Clean”
• May 19 in Stockholm, Sweden — “Message in a Bottle”/”How You Get the Girl”/”New Romantics” and “How Did It End?”
• May 24 in Lisbon, Portugal — “Come Back Be Here”/”The Way I Loved You”/”The Other Side of the Door” and “Fresh Out the Slammer”/”High Fidelity”
• May 25 in Lisbon, Portugal — “The Tortured Poets Department”/”Now That We Don’t Talk” and “You’re on Your Own Kid”/”Long Live”
• May 29 in Madrid, Spain — “Sparks Fly”/”I Can Fix Him (No Really I Can)” and “I Look in People’s Windows”/”Snow on the Beach”
• May 30 in Madrid, Spain — “Our Song”/”Jump Then Fall” and “King of My Heart”
• June 2 in Lyon, France — “The Prophecy”/”Long Story Short” and “Fifteen”/”You’re on Your Own Kid”
• June 3 in Lyon, France — “Glitch”/”Everything Has Changed” and “Chloe or Sam or Sophia or Marcus”
• June 7 in Edinburgh, Scotland — “Would’ve, Could’ve, Should’ve”/”I Know Places” and “Tis the Damn Season”/”Daylight”
• June 8 in Edinburgh, Scotland — “The Bolter”/”Getaway Car” and “All of the Girls You Loved Before”/”Crazier”
• June 9 in Edinburgh, Scotland — “It’s Nice to Have a Friend”/”Dorothea” and “Haunted”/”Exile”

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Here's Kendrick Lamar's Setlist for 'The Pop Out' Concert

The Compton rapper performed Drake disses "Not Like Us," "Like That," "6:16 in LA," and "Euphoria."

Kendrick Lamar celebrated Juneteenth with a special one-night-only concert event.

His set at “The Pop Out: Ken and Friends” included all of his hit songs, including his latest, “Not Like Us,” which he played six times . He also performed the Drake disses, “Like That,” “6:16 in LA,” and “Euphoria.”

KENDRICK LAMAR’S POP OUT SETLIST 🗣️ • Euphoria • DNA. • ELEMENT. • ALRIGHT • SWIMMING POOLS • MONEY TREES • WIN • KING'S DEAD • 6:16 IN LA • COLLARD GREENS • THAT PART • KING KUNTA • M.A.A.D. CITY • HUMBLE. • LIKE THAT • STILL D.R.E • CALIFORNIA LOVE • NOT LIKE… pic.twitter.com/mSsXm4l6Xi — Complex Music (@ComplexMusic) June 20, 2024

After opening his set with “Euphoria,” Dot rounded out his performance with hits from good kid, m.A.A.d city , DAMN. , and To Pimp a Butterfly . For “6:16 in LA,” Lamar was joined by Ab-Soul; Jay Rock came on stage for “Win” and “King’s Dead,” and “Collard Greens” saw an appearance from Schoolboy Q. Dr Dre. arrived on stage last for “Still D.R.E,” “California Love,” and the six-peat finale, “Not Like Us.”

Kenny’s set was rounded out with “DNA.,” “Element,” “Alright,” “Swimming Pools,” “Money Trees,” “That Part,” “King Kunta,” “M.A.A.D. City,” “Humble.,” and “Like That.”

In addition to the Black Hippy reunion and Dre cameo, the show saw a set with Mustard, which featured performances from Tyler the Creator, YG, Steve Lacy, Roddy Ricch, Ty Dolla Sign, Dom Kennedy, Blxst, and 310babii.

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Set List: Kendrick Lamar’s Pop Out Concert

Relive the hits performed at the news-making Juneteenth concert.

17 Songs, 1 hour, 15 minutes

Featured Artists

Kendrick lamar, james blake, schoolboy q, metro boomin, africa, middle east, and india.

• Côte d’Ivoire
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• Guinea-Bissau
• Niger (English)
• Congo, Republic of
• Saudi Arabia
• Sierra Leone
• South Africa
• Tanzania, United Republic Of
• Turkmenistan
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Asia Pacific

• Indonesia (English)
• Lao People's Democratic Republic
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• New Zealand
• Papua New Guinea
• Philippines
• Solomon Islands
• Bosnia and Herzegovina
• France (Français)
• Deutschland
• Luxembourg (English)
• Moldova, Republic Of
• North Macedonia
• Portugal (Português)
• Türkiye (English)
• United Kingdom

Latin America and the Caribbean

• Antigua and Barbuda
• Argentina (Español)
• Bolivia (Español)
• Virgin Islands, British
• Cayman Islands
• Chile (Español)
• Colombia (Español)
• Costa Rica (Español)
• República Dominicana
• Ecuador (Español)
• El Salvador (Español)
• Guatemala (Español)
• Honduras (Español)
• Nicaragua (Español)
• Paraguay (Español)
• St. Kitts and Nevis
• Saint Lucia
• St. Vincent and The Grenadines
• Trinidad and Tobago
• Turks and Caicos
• Uruguay (English)
• Venezuela (Español)

The United States and Canada

• Canada (English)
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• United States
• Estados Unidos (Español México)
• الولايات المتحدة
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• March 13, 2023 Setlist

Lorde Setlist at Aware Super Theatre, Sydney, Australia

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Tour: Solar Power Tour Tour statistics Add setlist

• Song played from tape Sun King ( The Beatles  song) Play Video
• Leader of a New Regime Play Video
• Homemade Dynamite Play Video
• Buzzcut Season Play Video
• Stoned at the Nail Salon Play Video
• Fallen Fruit Play Video
• The Path Play Video
• California Play Video
• Ribs Play Video
• Hard Feelings Play Video
• Liability Play Video
• Secrets From a Girl (Who’s Seen It All) Play Video
• Mood Ring Play Video
• Sober Play Video
• Supercut Play Video
• Perfect Places Play Video
• Solar Power Play Video
• Green Light Play Video
• Oceanic Feeling Play Video
• Royals Play Video
• A World Alone Play Video

Edits and Comments

8 activities (last edit by event_monkey , 6 Jul 2023, 02:24 Etc/UTC )

Songs on Albums

• Fallen Fruit
• Leader of a New Regime
• Oceanic Feeling
• Secrets From a Girl (Who’s Seen It All)
• Solar Power
• Stoned at the Nail Salon
• Green Light
• Hard Feelings
• Homemade Dynamite
• Perfect Places
• A World Alone
• Buzzcut Season

Complete Album stats

More from Lorde

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Related News

Justin Timberlake Kicks Off Tour with Intense Floating Stage

On This Day: Lorde Became Youngest Solo Artist to Write #1 Song

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Setlist History: Lorde at Coachella 2017

Aware super theatre.

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Lorde Gig Timeline

• Mar 10 2023 Sidney Myer Music Bowl Melbourne, Australia Start time: 9:05 PM 9:05 PM
• Mar 11 2023 Sidney Myer Music Bowl Melbourne, Australia Start time: 9:05 PM 9:05 PM
• Mar 13 2023 Aware Super Theatre This Setlist Sydney, Australia Add time Add time
• Mar 14 2023 Aware Super Theatre Sydney, Australia Add time Add time
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Tour Update

Marquee memories: friedberg.

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• Hip-Hop 50 @ The Tiny Desk
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Meshell Ndegeocello: Tiny Desk Concert

Nikki Birch

Credit: Photo: Ben de la Cruz

This Black Music Month, Tiny Desk is giving the ladies their flowers. We’re releasing nine Tiny Desk concerts from Black women artists, from veterans who’ve paved the way for what we hear today in Black music, to those who are carving out their own paths.

Experiencing all of the Tiny Desks this Black Music Month has made many of my dreams come true, and Meshell Ndegeocello ’s performance was no exception. For 30 years, the Grammy-winning artist’s music has cast an unflinching gaze on love, race, sexuality and religion. Her new album out in August, No More Water: The Gospel of James Baldwin, zooms out to focus on the love of humanity as inspired by the writer and civil rights activist.

Her performance includes three songs from that album, starting with “Travel,” which features Kenita Miller’s swirling whispers alongside Jake Sherman’s organ and Ndegeocello’s bass, which ushers us into her church service. “Thus Sayeth The Lorde” references the writings of Audre Lorde: “If I did not define myself for myself, I’d be crunched into other people’s fantasies for me and eaten alive.” This conviction has been the binding agent of Ndegeocello’s career. Releasing her debut album at a time when many of the women who dominated Black music were singers who adopted an ultra-feminine aesthetic, as a bassist and vocalist, she gallantly eschewed that standard for androgyny, fully embracing her queer, two-spirit identity.

“Love” continues this theme, urging you to allow love to take over and accept yourself in the face of existential crisis. The final songs of Ndegeocello’s Tiny Desk Concert are fan favorites. First, we’re sent off into space with the playful “Virgo,” from Ndegeocello’s album The Omnichord Real Book. Then, she brings us back to Earth with the yearning “Outside Your Door.”

• “Thus Sayeth The Lorde”
• “Outside Your Door”
• Meshell Ndegeocello: vocals, bass
• Jake Sherman: organ
• Justin Hicks: vocals
• Abe Rounds: drums, vocals
• Chris Bruce: guitar
• Kenita Miller: vocals
• Kyle Miles: bass

TINY DESK TEAM

• Producer: Nikki Birch
• Director/Editor: Maia Stern
• Audio Technical Director: Josephine Nyounai
• Host/Series Producer: Bobby Carter
• Videographers: Maia Stern, Joshua Bryant, Kara Frame, Mitra I. Arthur
• Audio Engineer: Carleigh Strange
• Production Assistant: Ashley Pointer
• Photographer: Ben de la Cruz
• Animation: Jackie Lay
• Florist: Kelanda Edwards
• Tiny Desk Copy Editor: Hazel Cills
• Executive Producer: Suraya Mohamed
• Series Creators: Bob Boilen, Stephen Thompson
• VP, Visuals and Music: Keith Jenkins

Correction June 18, 2024

A previous version of this story misstated the album No More Water: The Gospel of James Baldwin as No Water: The Gospel of James Baldwin.

• Meshell Ndegeocello

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• All the Surprise Songs Taylor Swift Has Played On The Eras Tour So Far

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Over a year into Taylor Swift’s Eras tour , she has found ways to keep the show fresh and new for those who have been waiting since she opened in Phoenix, Arizona in March 2023 to see her. Since the tour began in the United States last year, Swift has released two rerecorded albums —  Speak Now (Taylor’s Version)  and  1989 (Taylor’s Version)  in addition to a brand-new double album,  The Tortured Poets Department. 

Related Stories

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Taylor Swift: Which Eras Tour Songs Didn’t Make Concert Film & Which Surprise Songs Got In

Every show on the Eras Tour involves an acoustic set where Swift performs at least two songs custom to that night’s show. At first, she wouldn’t allow herself repeats unless she messed up the lyrics to a song, but now, she has done away with that rule and gotten more creative by combining songs in mashups and playing up to four in a segment. The first song or three take place on guitar, and then she shifts to piano for the second half before diving beneath the stage to resume the setlist – which has since contracted and expanded to include a  Tortured Poets Department  era and set .

Below you’ll find Taylor Swift’s surprise songs that she has played most recently in Europe as well as a record of all those she has played on the entire tour so far.

International Leg 2024

• February 6 — “Holy Ground” and “Dear Reader”
• February 7 — “Eyes Open” and “Electric Touch”
• February 8 — “Superman” and “The Outside”
• February 9 — “Come In With the Rain” and “You’re On Your Own Kid”
• February 16 in — “Red” and “You’re Losing Me”
• February 17 — Mashup of “Getaway Car”/”August”/”The Other Side of the Door” and “This Is Me Trying”
• February 18 — Mashup of “Come Back… Be Here”/”Daylight” and “Teardrops on My Guitar”February 23 in Sydney, Australia – “How You Get the Girl” and Mashup of “White Horse/Coney Island” with Sabrina Carpenter
• February 24 — “Should’ve Said No (Naur)” and Mashup of “New Year’s Day/Peace”
• February 25 — Mashup of “Is It Over Now/I Wish You Would” and Mashup of “Haunted/Exile”
• February 26 — Mashup of “Would’ve Could’ve Should’ve/Ivy” and Mashup of “Forever & Always/Maroon”
• March 2  — Mashup of “long story short/The Story of Us” and Mashup of “Clean/evermore”
• March 3 — Mashup of “Mine/Starlight” and Mashup of “I Don’t Wanna Live Forever/Dress”
• March 4 — Mashup of “Foolish One/Tell Me Why” and Mashup of “This Love/Call It What You Want”
• March 7 — Mashup of “Death by a Thousand Cuts/Babe” and Mashup of “Fifteen/You’re On Your Own Kid”
• March 8 — Mashup of “Sparks Fly/gold rush” and “False God/Slut!”
• March 9 — Mashup of “Tim McGraw/Cowboy Like Me” and “Mirrorball/Epiphany”

RELATED: ‘Taylor Swift Vs Scooter Braun: Bad Blood’ Doc Set At Discovery+ UK

April 19 –  The Tortured Poets Department  release day

*Resuming her European tour in 2024 involved an additional set for the record-breaking   The Tortured Poets Department  complete with 7 staple songs. Most — “Fortnight (feat. Post Malone),” “Down Bad,” “But Daddy I Love Him,” “Who’s Afraid of Little Old Me?” “I Can Do It With A Broken Heart,” “The Smallest Man Who Ever Lived” from the first half and “So High School” from the second half. 

• May 9 — “Paris” and “loml”
• May 10 — Mashup of “Is It Over Now/Out of the Woods” and “My Boy Only Breaks His Favorite Toys”
• May 11 — “Hey Stephen” and “Maroon”
• May 12 — Mashup of “The Alchemy/Treacherous” and “Begin Again/Paris”
• May 17 — Mashup of “I Think He Knows/Gorgeous” and “Peter”
• May 18 — “Guilty as Sin” and Mashup of “Say Don’t Go/Welcome to New York/Clean”
• May 19 — Mashup of “Message in a Bottle/How You Get the Girl/New Romantics” and “How Did It End?”
• May 24 — Mashup of “Come Back…Be Here/The Way I Loved You/The Other Side of the Door” and Mashup of “Fresh Out the Slammer/High Infidelity”
• May 25 — Mashup of “Now That We Don’t Talk/The Tortured Poets Department” and Mashup of “You’re On Your Own Kid/Long Live”
• May 29 — Mashup of “Sparks Fly/I Can Fix Him (No Really I Can)” and Mashup of “I Look in People’s Windows/Snow on the Beach”
• May 30 – Mashup of “Our Song/Jump Then Fall” and “King of My Heart”
• June 2 – Mashup of “The Prophecy/Long Story Short” and Mashup of “Fifteen/You’re On Your Own Kid”
• June 3 – Mashup of “Glitch/Everything Has Changed” and “Chloe or Sam or Sophia or Marcus”
• June 7 – Mashup of “Would’ve Could’ve Should’ve/I Know Places” and Mashup of “‘Tis the Damn Season/Daylight”
• June 8 – Mashup of “The Bolter/Getaway Car” and Mashup of “All of the Girls You’ve Loved Before/Crazier”
• June 9 – Mashup of “It’s Nice to Have a Friend/Dorothea” and Mashup of “Haunted/Exile”
• June 13 – Mashup of “I Can See You/Mine” and Mashup of “Cornelia Street/Maroon”
• June 14 – “This Is What You Came For” and Mashup of “The Great War/You’re Losing Me”
• June 15 – “Carolina/No Body No Crime” and “The Manuscript/Red”
• June 18 – “I Forgot That You Existed/This Is Why We Can’t Have Nice Things” and “I Hate It Here/The Lakes”

RELATED: ‘Taylor Swift: The Eras Tour’ Writes Her Name As No. 7 In Deadline’s 2023 Most Valuable Blockbuster Tournament

• March 17 — Mirrorball” and “Tim McGraw”
• March 18— “State of Grace” and “This Is Me Trying”
• March 24 — “Our Song” and “Snow on the Beach” 
• March 25 — “Cowboy Like Me” with Marcus Mumford and “White Horse”
• March 31 — “Sad Beautiful Tragic” and “Ours”
• April 1 — “Death by a Thousand Cuts” and “Clean”
• April 2 — “Jump Then Fall” and “The Lucky One”
• April 13 — “Speak Now” and “Treacherous”
• April 14 — “The Great War” with Aaron Dessner and “You’re on Your Own, Kid”
• April 15— “Mad Woman” with Aaron Dessner and “Mean”
• April 21 — “Wonderland” and “You’re Not Sorry”
• April 22— “A Place in This World” and “Today Was a Fairytale” 
• April 23 — “Begin Again” and “Cold as You”
• April 28 — “The Other Side of the Door” and “Coney Island”
• April 29 — “High Infidelity” and “Gorgeous”
• April 30— “I Bet You Think About Me” and “How You Get the Girl”
• May 5 in — “Sparks Fly” +  Speak Now (Taylor’s Version) Album Announcement  and “Teardrops on My Guitar”
• May 6 — “Out of the Woods” and “Fifteen”
• May 7— “Would’ve, Could’ve, Should’ve” with Aaron Dessner and “Mine”
• May 12 — “Gold Rush” and “Come Back…Be Here”
• May 13 — “Forever & Always” and “This Love”
• May 14 — “Hey Stephen” and “The Best Day”
• May 19  — “Should’ve Said No” and “Better Man” 
• May 20 — “Question…?” and “Invisible” 
• May 21 — “I Think He Knows” and “Red”
• May 26 — “Getaway Car” with Jack Antonoff and “Maroon” 
• May 27 — “Holy Ground” and “False God”
• May 28 — “Welcome to New York” and “Clean”
• June 2 in “I Wish You Would” and “The Lakes”
• June 3 in — “You All Over Me” with Maren Morris and “I Don’t Wanna Live Forever”
• June 4 Chicago, Ill. — “Hits Different” and “The Moment I Knew”
• June 9 — “Haunted” and “I Almost Do”
• June 10 — “All You Had to Do Was Stay” and “Breathe”
• June 16 — “Mr. Perfectly Fine” and “The Last Time”
• June 17 — “Seven” with Aaron Dessner and “The Story of Us”
• June 23 — “Paper Rings” and “If This Was a Movie”
• June 24 — “Dear John” and “Daylight”
• June 30 — “I’m Only Me When I’m With You” and “Evermore”
• July 1— “Ivy” with Aaron Dessner, “I Miss You, I’m Sorry” with Gracie Abrams and “Call It What You Want”
• July 7 — “Never Grow Up” and “When Emma Falls in Love”
• July 8  — “Last Kiss” and “Dorothea”
• July 14 — “Picture to Burn” and “Timeless”
• July 15 — “Starlight” and “Back to December”
• July 22 in — “This Is Why We Can’t Have Nice Things” and “Everything Has Changed”
• July 23 — “Message in a Bottle” and “Tied Together With a Smile”
• July 28 — “Right Where You Left Me” and “Castles Crumbling”
• July 29 — “Stay Stay Stay” and “All of the Girls You Loved Before”
• August 3 – “I Can See You” and “Maroon”
• August 4 — “Our Song” and “You Are in Love”
• August 5 — “Death By a Thousand Cuts” and “You’re On Your Own Kid”
• August 7 —“Exile” and “Dress”
• August 8 —“I Know Places” and “King of My Heart”
• August 9 — “New Romantics”  + “1989 (Taylor’s Version)”Album Announcement  and “New Year’s Day”

RELATED: Taylor Swift Breaks Yet Another Record In The UK, After A Historical Week On Spotify

International Leg 2023

• August 24 — “I Forgot That You Existed” and “Sweet Nothing”
• August 25 — “Tell Me Why” and “Snow on the Beach”
• August 26 — “Cornelia Street” and “You’re on Your Own, Kid”
• August 27 —“Afterglow” and “Maroon”
• November 9 —“The Very First Night” and “Labyrinth”
• November 10 — Cancelled Due to Rain
• November 11 — “End Game” and Mash-Up of “Out of the Woods” & “Is It Over Now?”
• November 12 — “Better Than Revenge” and “Slut!”
• November 17 — “Stay Beautiful” and “Suburban Legends”
• November 19 — “Dancing. With Our Hands Tied” and “Bigger Than the Whole Sky”
• November 20 — “Me!” and “So It Goes”
• Nov. 24 — “Now That We Don’t Talk” and “Innocent”
• Nov. 25— “Safe and Sound” and “Untouchable” 
• Nov. 25 — “Say Don’t Go” and “It’s Time to Go”

RELATED: Matty Healy Reacts To Taylor Swift’s “Diss Track” From ‘The Tortured Poets Department’

Songs That Haven’t Been Played Yet:

From Taylor Swift (her debut album):

• “Mary’s Song (Oh My My My)”
• “A Perfectly Good Heart”

Fearless (Taylor’s Version)

• “Change”
• “Superstar”
• “We Were Happy”
• “That’s When (feat. Keith Urban)”
• “Don’t You”
• “Bye Bye Baby”

Speak Now (Taylor’s Version)

• “Foolish One”

Red (Taylor’s Version)

• “Girl at Home”
• “Forever Winter”
• “Run (feat. Ed Sheeran)”

1989 (Taylor’s Version)   –  All songs have been played at least once [except for “Sweeter Than Fiction (Taylor’s Version)]

Reputation  – One of two rerecorded albums awaiting release.

• “I Did Something Bad”
• “London Boy”
• “Soon You’ll Get Better (feat. The Chicks)”
• “It’s Nice to Have a Friend”
• “Epiphany”
• “Hoax”
• “Happiness”
• “Long Story Short”
• “Closure”

Midnights All songs have been played at least once.

The Tortured Poets Department

• “So Long London”
• “Florida!!!”
• “I Can Fix Him (No Really I Can)”
• “Clara Bow”
• “The Black Dog”
• “imgonnagetyouback”
• The Albatross
• “I Hate It Here”
• “thanK you aIMee”
• “The Prophecy”
• “Cassandra”
• “Peter”
• “Robin”

Grab-bag (songs not attached to specific albums):

• “I Heart ?”
• “Ronan”
• “Only the Young”
• “Renegade”
• “The Alcott”
• “Gasoline”
• “Beautiful Eyes”
• “Beautiful Ghosts”
• “Sweeter Than Fiction”

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Watch CBS News

Taylor Swift says Eras Tour will end in December

By Caitlin O'Kane

June 14, 2024 / 10:01 AM EDT / CBS News

It's the end of an era. Taylor Swift's long-running and history-making Eras Tour is coming to an end, the singer announced during a concert in Liverpool on Thursday.

During the show – which was the 100th of the tour – the singer said it was time to admit to herself and everyone that Eras will officially end in December.

"This has definitely been the most exhausting but all-encompassing, most joyful, most rewarding, most wonderful thing that has ever happened in my life, this tour," Swift told the crowd after saying it was blowing her mind that she was marking her 100th concert of the tour.

In videos captured by fans at the show, Swift said the 100th show was the first time she acknowledged to herself that the tour was going to end in December.

The Eras Tour, which includes 45 songs spanning all of Swift's albums, kicked off in March 2023 in Glendale, California. The international leg began in August 2023 with stops in Paris, Tokyo, Australia, and the U.K. 

The singer still has more than 50 shows left - some of which were added months after the tour began - with new dates in the U.S. and Canada at the end of the year.

The tour was a major hit with fans – many of whom struggled to snag tickets due to high interest and Ticketmaster issues – and became the first concert tour to gross more than $1 billion, hitting that figure at the end of December 2023, when an estimated 4.35 million tickets sold, according to Pollstar.

Swift even released a movie version of the tour last year for fans who missed it – and those who wanted to relive the magic again. The film earned an estimated $96 million  on its opening weekend. AMC  said  the movie even raked in $100 million in advanced ticket sales, and was the theater chain's highest-selling film in a single day, the company said. 

Not only did the film help get people back into struggling movie theaters, but the tour itself is credited with boosting the economy in some cities . The Federal Reserve Bank of Philadelphia said the tour helped boost travel and tourism in the region, and cities like Chicago, Cincinnati, and Tampa Bay reported the same, with tour attendees buying out hotel rooms and filling local restaurants and attractions.

As if it needed it, Swift revitalized the Eras Tour when she released her "The Tortured Poets Department" album in April and began incorporating new songs into the setlist.

• Taylor Swift
• United Kingdom

Caitlin O'Kane is a New York City journalist who works on the CBS News social media team as a senior manager of content and production. She writes about a variety of topics and produces "The Uplift," CBS News' streaming show that focuses on good news.

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Taylor Swift to end record-breaking Eras Tour in December, singer announces

Sorry Swifties, Taylor Swift will not extend her record-breaking, behemoth Eras Tour to 2025.

"This is the very first time I’ve ever acknowledged to myself and admitted that this tour is going to end in December," the singer said sentimentally during her "All Too Well" speech before the 10-minute song.

"This tour has really become my entire life, it's taken over everything, like I think I once had hobbies," she joked in her bedazzled red and black jacket. "All I do when I'm not on stage is sit at home and try to think of clever acoustic song mashups and think about what you might want to hear."

Her acoustic section has become a fan-favorite, unique to every city. The singer began mashing up songs in 2024. Swift still has about 30 songs in her vast discography left to perform.

"You have done so much to be with us," she continued. "You've made plans so far in advance. You planned what you were going to wear. You memorized lyrics. You got yourself here. You figured out parking. You figured out transportation, and I want spend the 100th show just thinking about that and living in that moment and being here with you, and just know I appreciate every single ounce of effort that you put in to be with us when this show reaches triple digits in shows. So thank you!"

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A show that 'spans 18 years of music'

In November 2022, Taylor Swift announced her magnum opus on social media , "I’m enchanted to announce my next tour: Taylor Swift | The Eras Tour, a journey through the musical eras of my career (past and present!) The first leg of the tour will be in stadiums across the US, with international dates to be announced as soon as we can!"

The original post only showed 27 concerts over the course of a year. The demand quickly escalated that number to 66 shows for year one and 86 for year two in 22 countries (U.S., Mexico, Argentina, Brazil, Japan, Australia, Singapore, France, Sweden, Portugal, Spain, Scotland, England, Wales, Ireland, Netherlands, Switzerland, Italy, Germany, Poland, Austria and Canada).

With album announcements , music video reveals, special guests appearances and a whole new "Tortured Poets" set unveiled in Paris, France, the tour has continued to evolve and impress. Swift has broken attendance records for many stadiums across the world and countries have welcomed the singer in innovative ways. A hidden language of Swift-ese has developed in the form of friendship bracelets, custom concert chants ("1, 2, 3 let's go b****" and "Where you going Taylor?") and unforgettable dance moves. Tens of thousands of fans log on to watch livestreams every concert night anticipating Swift's outfits and custom mashups of songs not included in the massive 46-song set list .

More: A year of the Eras Tour: A look back at Taylor Swift's record-breaking show

Swift's concert movie bypassed production studios as the singer worked directly with AMC as a distributor bringing fans dancing and singing in the aisles. The movie is available to watch on Disney+ .

No word on if she will release a second movie with the newly scrambled show and additional set.

Swift is only a third of the way through her 51 European stops. In the fall, she will come back to North America, heading to Miami, New Orleans and Indianapolis in October and November and then Canada. Her last show for 2024 is on Dec. 8 in Vancouver, British Columbia.

Don't miss any Taylor Swift news; sign up for the  free, weekly newsletter This Swift Beat.  

Follow Taylor Swift reporter Bryan West on  Instagram ,  TikTok  and  X as @BryanWestTV .