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Bless The Fall - Officially Licensed Merchandise

Bless The Fall is an American metalcore band from Scottsdale, Arizona, formed in 2004. Members have included Matt Traynor, Jared Warth, Eric Lambert, Beau Bokan, Elliott Gruenberg, Michael Frisby, Craig Mabbitt, Miles Bergsma and Andrew Barr. Discography includes: His Last .... Show More Walk (2007), Witness (2009), Awakening (2011), Hollow Bodies (2013) and To Those Left Behind (2015). Tours include: 2009 South American Tour, 2010 European Fall Tour, 2011 Australian Tour, Asian Tour June 2016, August Burnes Red European Tour 2010, August Burns Red 2012 Australasian Tour, August Burns Red/Blessthefall European Tour, August Burns Red/Blessthefall South American Tour, Back to Basics Tour, blessthefall United Kingdom 2013, Congregation Of The Damned Tour, Drop the Gloves Tour, Euro/UK Headline Tour, Europe Tour, Fall 2016, Fire & Ice Tour, Impericon Never Say Die! Tour 2012, Impericon Progression Tour 2016, March of Madness 2017, Mexico Tour 2016, Never Say Die, Nut Up Or Shut Up Tour, South American Tour 2014, South American Tour 2015, Story of the Year, Taste of Chaos 2008, The All Stars Tour 2011, The Atticus Tour 2009, The Bangover Tour, The Constant Tour, The Cool Tour, The Crowd Surf America Tour, The Fearless Friends Tour, The Hollow Bodies Tour 2014, The Moving On Tour, The Moving On Tour (Off Date), The Nut Up or Shut Up Tour, The Powerless Rise Tour, The Retrograde Tour, The Still Reckless Tour, To Those Left Behind Tour, Tour And Loathing 2007, UK // European Tour 2015, Vans Warped Tour 2007, Vans Warped Tour 2012, Vans Warped Tour 2013, Vans Warped Tour 2015, Vans Warped Tour 2017 and With As I Lay Dying, Demon Hunter, War of Ages. Show Less

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WAKE THE DEAD out now! Hollow Bodies Anniversary Tour this Summer.

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Blessthefall: Hollow Bodies 10 Year Anniversary Tour

Caskets, kingdom of giants, dragged under.

Blessthefall

Our actions ripple over time. It can take months or even years to feel the impact of the choices we make. These days, the aftershocks of blessthefall’s music reverberate louder than ever before. Following a decade-plus highlighted by fan favorite albums and countless sold out shows, the Arizona quartet— Beau Bokan [vocals], Eric Lambert [guitar], Jared Warth [bass], and Elliott Gruenberg [guitar]—have only fortified an unbreakable connection with audiences worldwide.

Returning from a four-year period of dormancy, they strengthen this bond like never before with a series of singles for Rise Records and their forthcoming seventh full-length LP.

“On social media, I don’t post anything about the band, but I will see fans talking about us,” notes Beau. “It’s been years, and it blows me away that they’re still interested and they’ve been influenced by our music in a positive way. So, our comeback is for them.”

Blessthefall’s music has continued to resonate. The group notched back-to-back Top 25 debuts on the Billboard 200 with Hollow Bodies [2013] and To Those Left Behind [2015], while 2018’s Hard Feelings marked their third straight Top 5 bow on the Top Alternative Albums Chart. With the latter, Unclear claimed the band “may have struck serious gold,” while Alternative Press applauded how “blessthefall blend old-school vibes and a fresh new sound.” Speaking to their enduring legacy, they’ve racked up hundreds of millions of streams with “Hey Baby, Here’s That Song You Wanted” at 33.8 million Spotify streams followed by “Hollow Bodies” at 26.2 million Spotify streams in addition to landing syncs in franchises such as Splinter Cell. 

In the wake of a successful 10-year anniversary tour to celebrate Witness in 2019, blessthefall went quiet for the next two years. Between the Global Pandemic and various other gigs, the members still kept the lines of communication open.

“We had just burnt out to a degree,” admits Beau. “We took some time off, stepped away, and started chatting. We’d always kept in touch, but it got to a point where we really missed what we had. We were watching the younger generation take an interest in our band and other groups we came up with, which was cool to see. If you’re passionate about anything, you can’t totally give it up—you’ve got to do it in some fashion. There were multiple things at play, and we finally began writing again.”

As the musicians kicked around ideas, the first single “Wake The Dead” materialized. It steamrolls out of the gate with a pummeling riff, battering ram drums, and ominous electronics. Beau’s screams bleed into a bold refrain, “What will you do when your world stops turning? Do you really want to wake the dead?”

“I love how it kicks in and melts your face off from the get-go,” he smiles. “It’s the general mood of our comeback. There’s no fucking around and we’re having a good time. We’ve been sleeping for five years since we put out new music. ‘Wake The Dead’ conveys the message, ‘Hey, we’re back with a vengeance’. We recaptured the energy of the band, and it reflects how we are on stage—all energy.”

In the end, blessthefall’s energy will never relent as they ignite this chapter.

“We’ve seen life after the band, and we’re coming back to it because we miss it and love it,” he leaves off. “I never took this for granted. The band gave me an opportunity to live my dream. Making music is something special. You can’t get that feeling doing anything else.”

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Kingdom of Giants

KINGDOM OF GIANTS is poised to soar beyond “best kept secret” status and into the modern metal and post-hardcore stratosphere, with a continuously evolving sound that pushes both the band and their audience forward. While firmly rooted in classic metalcore elements, familiar to fans of Killswitch Engage and As I Lay Dying or international counterparts like Architects UK and Northlane, the six-piece California band bravely color outside the lines of the safe and predictable.

The only “constant” in the KINGDOM OF GIANTS discography is the constant motion, as the group works tirelessly to ensure each album will take listeners on a rich, rewarding, and diverse journey. “Passenger”, the band’s fourth full-length and first in partnership with SharpTone Records, arrives like a bolt of lightning, heralding a torrential downpour across a desert of cookie-cutter clutter.

The band’s ability to recreate the depth and power of their recorded compositions on the stage has been demonstrated on stages across North America and Europe, as KINGDOM OF GIANTS built a reputation as road dogs on tours with Fit For A King, As I Lay Dying, Born Of Osiris, and Phinehas.

Dana Willax and bassist Jonny Reeves share vocal duties, blending a mixture of scream/sing storytelling drawn from each of their life experiences and emotional obstacles. It’s less of a traditional metalcore screamer / “clean vocalist” pairing and more akin to the tradeoff in bands like blink-182, in spirit and structure if not in sound. The triple guitar attack of Max Bremer, Red Martin, and Julian Perez saves the terrifyingly aggressive technical prowess flourishes for when they’ll have the most impact. They adeptly focus on steady and catchygrooves that lock in place with Reeves and drummer Truman Berlin, whose skills are among the top levels within the genre.

That identity around inventiveness was first forged a handful of years ago in Northern California. The earliest incarnation of the band hit the road before they’d entered a studio. “Ground Culture” (2014) was the first true introduction to the scene. “All the Hell You’ve Got to Spare” (2017) followed. Both records were quickly recognized in the underground press for their deliberate emotional intensity. KINGDOM OF GIANTS is unafraid to tackle tougher subjects within their songs. This is dark, heavy, often “evil” sounding music, but it’s all driven by a sense of optimism and purpose.

“Damaged Goods,” “Endure,” and “Cash Out” quickly became anthems to the ever-expanding group of dedicated followers who’ve proven loyal to the group. But it was with “Bleach,” produced and mixed by Willax himself, that the buzz around KINGDOM OF GIANTS became a deafening roar. The song was the first taste of the group’s fourth album, crafted with up-and-coming engineer Matt Thomas of AshTone Audio, winner of a local Producer of the Year award in Sacramento.

Like the brightest spots of latter day Bring Me The Horizon, “Passenger” is a deft blend of bottom-heavy modern metal and melodic hardcore, with structural nods to smart pop and hip-hop, without sounding confused or incohesive. Perhaps most excitingly, KINGDOM OF GIANTS has found a way to infuse the 12-song album with elements of the 80s inspired synthwave and chillwave movements, popularized by groundbreaking retrofuturistic acts like The Midnight.

There’s something especially powerful and unique about each song, music video, and live performance. Sputnik Music quite rightfully predicted that if the band continues down the creative trail they’ve embarked upon, “they will conquer the metalcore scene with ease.” Capital Chaos TV put it even more simply: “KINGDOM OF GIANTS, if you don’t know about them, you should.”

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Dragged Under

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This event is open to all ages. Valid government-issued photo ID is required to purchase and consume alcohol. VIP Viewing Deck tickets and VIP Bowling Lanes are restricted to 21+ ONLY. No refunds will be issued for failure to produce proper identification. This ticket is valid for standing room only, general admission. ADA accommodations are available day of show. All support acts are subject to change without notice. Any change in showtimes, safety protocols, and other important information will be relayed to ticket-buyers via email. ALL SALES ARE FINAL

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blessthefall unveil album art and track list for ‘Hollow Bodies’

In the midst of their preparation to take on the main stage at this summer’s Vans Warped Tour, blessthefall have revealed the album art and track list for their fourth album Hollow Bodies . Recorded with and produced by Joey Sturgis (Emmure, Crown The Empire, Of Mice & Men), and featuring guest vocals from Jake Luhrs of  August Burns Red,  Jesse Barnett  of  Stick To Your Guns,  and Lights, the record was named Alternative Press’ most anticipated album of 2013. Hollow Bodies will be available for purchase on August 20, 2013, and you can pre-order the album at the Fearless Records merch tent at Warped Tour. Check out what lead singer Beau Bokan has to say about the album and the track list below!

“To say we’re excited about the release of our new record,  Hollow Bodies, is an understatement. This is easily our greatest effort thus far. We have some awesome surprises on this record. Can’t wait for everyone to hear it!”

• You Wear A Crown But You’re No King
• Hollow Bodies
• Buried In these Walls
• See You On the Outside
• Youngbloods (Ft. Jesse Barnett)
• Standing On The Ashes
• Carry On (Ft. Jake Luhrs)
• The Sound Of Starting Over

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The Unique Burial of a Child of Early Scythian Time at the Cemetery of Saryg-Bulun (Tuva)

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Pages:  379-406

In 1988, the Tuvan Archaeological Expedition (led by M. E. Kilunovskaya and V. A. Semenov) discovered a unique burial of the early Iron Age at Saryg-Bulun in Central Tuva. There are two burial mounds of the Aldy-Bel culture dated by 7th century BC. Within the barrows, which adjoined one another, forming a figure-of-eight, there were discovered 7 burials, from which a representative collection of artifacts was recovered. Burial 5 was the most unique, it was found in a coffin made of a larch trunk, with a tightly closed lid. Due to the preservative properties of larch and lack of air access, the coffin contained a well-preserved mummy of a child with an accompanying set of grave goods. The interred individual retained the skin on his face and had a leather headdress painted with red pigment and a coat, sewn from jerboa fur. The coat was belted with a leather belt with bronze ornaments and buckles. Besides that, a leather quiver with arrows with the shafts decorated with painted ornaments, fully preserved battle pick and a bow were buried in the coffin. Unexpectedly, the full-genomic analysis, showed that the individual was female. This fact opens a new aspect in the study of the social history of the Scythian society and perhaps brings us back to the myth of the Amazons, discussed by Herodotus. Of course, this discovery is unique in its preservation for the Scythian culture of Tuva and requires careful study and conservation.

Keywords: Tuva, Early Iron Age, early Scythian period, Aldy-Bel culture, barrow, burial in the coffin, mummy, full genome sequencing, aDNA

Information about authors: Marina Kilunovskaya (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Vladimir Semenov (Saint Petersburg, Russian Federation). Candidate of Historical Sciences. Institute for the History of Material Culture of the Russian Academy of Sciences. Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail: [email protected] Varvara Busova  (Moscow, Russian Federation).  (Saint Petersburg, Russian Federation). Institute for the History of Material Culture of the Russian Academy of Sciences.  Dvortsovaya Emb., 18, Saint Petersburg, 191186, Russian Federation E-mail:  [email protected] Kharis Mustafin  (Moscow, Russian Federation). Candidate of Technical Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Irina Alborova  (Moscow, Russian Federation). Candidate of Biological Sciences. Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected] Alina Matzvai  (Moscow, Russian Federation). Moscow Institute of Physics and Technology.  Institutsky Lane, 9, Dolgoprudny, 141701, Moscow Oblast, Russian Federation E-mail:  [email protected]

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Elektrostal

Elektrostal Localisation : Country Russia , Oblast Moscow Oblast . Available Information : Geographical coordinates , Population, Altitude, Area, Weather and Hotel . Nearby cities and villages : Noginsk , Pavlovsky Posad and Staraya Kupavna .

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Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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