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Pioneer DJM-TOUR1 TOUR System 4-Channel Digital Mixer with Fold-out Touch Screen

Item #: 841300100416

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About this product.

Play main stage Tour from festival to arena with the DJM-TOUR1 and perform at the highest level. Connect up to 4 CDJ-TOUR1’s via Pro DJ Link and enjoy a sturdy, reliable set-up every single performance.

The DJM-TOUR1 delivers the warm high-resolution sound you’re used to, and adds pro-grade audio components to scale up for any size of event. It even features an AES/EBU digital output so you can connect directly to front of house with no loss of sound quality, and 2 independent headphone sections that let you monitor and cue tracks separately.

Plus with the same familiar layout and features as the DJM-900NXS2, and a large fold-out touch screen you get effortless control when it matters most.

DJM-TOUR1 Key Features:

Warm sound at any venue A 32-bit D/A convertor, made by ESS Technologies, delivers incredibly low noise and distortion even at super-high volumes. Additionally the 96 kHz/24-bit sound card, 64-bit floating point mixing processing, enhanced dithering technology and a low-jitter clock combine to provide an accurate, natural analogue sound.

Connect to front of house The AES/EBU digital output lets you connect directly to the PA, regardless of its positioning. Together with the word clock input it ensures high-grade digital audio signal transmission to front of house for precise synchronization and the best possible sound quality.

13-inch fold-out touch screen Use multicoloured touch display to browse and select tracks from up to 4 CDJs connected via Pro DJ Link. Choose between a horizontal multi-wave view or a vertical view that also includes an RMS meter so you can monitor and control the volume for each channel.

5-port LAN hub A 5-port LAN hub means you can connect up to 5 players or laptops to the DJM-TOUR1. Via Pro DJ Link you can share one source across up to 4 players – and if you’re using rekordbox dj you get access to a host of advanced performance features on top.

Easy b2b cueing 2 independent headphone sections let you and another DJ cue tracks at the same time without hearing each other’s input. Each headphone also has its own volume control for ease and comfort.

Flexible connectivity Hook up your choice of external devices including drum machines, effectors, synths and samplers using XLR/TRS combination Aux-in.

Familiar layout The DJM-TOUR1 will feel instantly familiar as it shares its layout with the DJM-900NXS2. Likewise it also features improved channel fader/EQ curves, high-quality Sound Colour FX, quantized Beat FX, and an Independent Send/Return.

Sound Color FX 6 studio-quality sound FX – Sweep, Filter, Crush, Dub Echo, Noise and Space – are available on every channel. Use the parameter control knob to fine-tune the FX.

Beat FX Use the large X-Pad to engage 14 different types of Beat FX and adjust the parameters with just one finger. A high-res OLED display instantly shows you which FX are in play.

Independent Send/Return Use built-in FX and an external FX unit at the same time. Simply connect external hardware via Aux. Or connect your iPhone/iPad via USB to engage instrument and FX apps – try it with the RMX-1000 for iPad.

Festival-proof design The DJM-TOUR1’s rigid design comes with isolator feet for stability on any surface and reinforced sides. What’s more, the LAN ports have NEUTRIK etherCON connectors with a latch lock, so compatible cables will stay in place whatever vibrations and knocks are thrown at them.

DJM-TOUR1 Additional Features:

Separate power supply The separate power supply ensures uncompromised performance for optimum sound quality, while power factor correction (PFC) reduces distortion across the frequencies.

Screen adjustments Tilt the screen to suit your preference, adjust the lighting or attach the display shad to protect the sun’s glare when you’re playing outside.

Built-in KUVO Gateway The DJM-TOUR1 is our first mixer to have a KUVO Gateway on board so you can easily connect to KUVO and broadcast your set information, in real time, to fans around the world.

rekordbox dvs When you use our rekordbox dj performance software, you can buy the rekordbox dvs Plus Pack to get low latency scratch control with music from your rekordbox library. Find out more.

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Why The Pioneer DJ TOUR-1 Matters To Festival DJs + Sound Techs

Pioneer DJ have finally released the Rolls Royce of a DJ setup they had teased earlier in the year to a curious crowd at NAMM 2016. While most fixated on the five large screens attached to the top, a few were asking the questions about the other new features included in and around each device. Guest contributor Dan D-Squared shares some insight on what Pioneer DJ was thinking behind this over-the-top design of a product line.

Who Is The Pioneer DJ TOUR-1 For?

The big question everyone is asking themselves is “Who is this system for?” and the blunt answer is “probably not you.” At least not yet.

This system is really for the most popular “big name” DJs of the world, who are playing on the biggest stages and sound systems week after week. This TOUR-1 system is for:

• artists whose booking costs are in the tens of thousands or even hundreds of thousands for a 1-2 hour set
• artists who have a full crew they tour with, including a FOH engineer, lighting technician and visual team
• DJs who have specific requests for equipment on their artist riders which if not met by the show provider means a breach of contract and a cancellation of their performance on the spot

These DJs all exist, and we all have many opinions about their talent, the music they play, and if they deserve to be where they are.

Playing On Multi-Million Dollar Soundsystems

So why is this new rig a big deal to you if it’s not something most DJs will get a chance to even touch? The TOUR-1 appears to be made to give the crowds of people at these huge shows the absolute best experience possible. When paying upwards of $500 a ticket to go to a festival, your level of expectation is very high. The audience expects the absolute greatest display of stage design, visuals, lighting, fireworks and more. No expense is overlooked when it comes to the finer details.

Having the best possible sound at a festival is a big deal. When you’re a DJ playing in front of 50,000 to 100,000 people at EDC, Ultra, or Tomorrowland on a multi-million dollar sound system, every thing you can do to improve on that has a cascading effect on the end result of sound.

Every sound system, no matter how expensive and technologically advanced, is only as good as the weakest link in the chain. That chain starts at the DJ booth.

Pioneer DJ has recently started advocating for higher quality sound in DJ booths – specifically on the NXS2 line, increasing their D/A conversion inside to 96 kHz/24-bit and advocating the use of more lossless formats like FLAC.

For most real-world scenarios, a 320kbps MP3 track is enough of a balance between file size, affordability, and perceivable quality when jamming out tunes at a club. But when you’re playing on a 300,000-watt stereo system specifically designed to deliver the clearest truest signal at the maximum volume level without distortion, MP3 begins to lose its benefits.

Significant New I/O On DJM-TOUR1

Enter the Pioneer DJ TOUR-1 system. Pioneer DJ has added some new features throughout the mixer to take full advantage of massive sound systems. On the back of the DJM-TOUR1 you’ll notice a few changes:

• The Booth output changed from 1/4” TS to XLR.  this is a great addition as I can tell you the first thing we do at festivals when hooking up mixers is plug a 1/4” to XLR adapter on each Booth port to run the signal to the FOH snake back to the mixing console for tweaking. Most DJs who are playing on stages have requested a substantially large monitoring rig that will almost always take XLR inputs, so not having to use adapters always is a nice benefit.
• An ethernet hub built into the mixer with NEUTRIK etherCON® connectors . The ethernet connectors on the backs of CDJs and DJMs are typically the first thing to break after years of abuse. They can only take so many times of unplugging/replugging before the soldered connector breaks off inside. NEUTRIK etherCON® is a much more secure connection, which means your mixes will not lose their link connectivity as easily should some cables get accidentally moved slightly mid set.
• The SPDIF Master Out (found on the DJM900 series) has been replaced with a Digital AES/EBU. This allows for a single, secure, digital line to be ran straight from the mixer to the FOH mixing console at a festival. Digital cable runs over several hundred feet long are generally better than long analog runs as the signal doesn’t degrade. However the cost of the cable itself is vastly more expensive than your typical XLR run.  Read more about the AES3 specification in this Sound on Sound article .
• There’s also now a  Word Clock Input – this is a signal that tells pieces of gear when exactly to sample audio at each sample rate interval. The more accurate your Word Clock, the less jitter you get in your A-D D-A process, which translates to a much more accurate sound reproduction. Read a solid  post here explaining Word Clock in more detail.

All these improvements are a huge deal for Front Of House audio engineers at festivals who are relying on the DJ to deliver a clear, clean, consistent signal that they can then tweak to sound best on the speakers. FOH engineers are actively listening and know how sound is, for lack of a better word, supposed to sound. They understand the frequency response of the speakers, the physics of the room or environment they are in, the reflections coming off the crowd or roof and any correction to the audio signal that can be made to steer it back to it’s “true” sound.

As a DJ, you are behind the main speaker system, you do not have any idea whatsoever how it sounds out in the audience. You have to have a working relationship with your FOH engineer to deliver the cleanest, clearest, consistent signal possible from the mixer so that the FOH engineer has to do minimal adjustments to make sure the signal maintains the sound you’re hearing in your headphones amplified at ~110dB in a large open room or outdoor environment. So this combination of upgraded internal sound card quality, using lossless audio files, digital connections throughout to minimize signal degradation and Word Clock to keep your mixer’s sample rate in constant sync is the ultimate combination for delivering the “truest” sound possible.

• There’s also now a  dedicated Internet port for KUVO integration . KUVO is Pioneer’s social network which aims to deliver track information that DJs play to people in the audience. It still remains unknown if KUVO will ever gain popularity.
• There’s also another NEUTRIK etherCON® port labeled Extension . We don’t know the purpose yet – it could possibly be a means to send Rekordbox information to the visual / lighting team to sync up scenes to the music playing with relative ease. Or perhaps this is for daisy-chaining DJ mixers, similar to such a function on the PLAYdifferently mixer .

Cue, Aux In + Send/Returns On DJM-TOUR1

• On the top of the mixer, Pioneer has added a second independent headphone cue system –  useful for sets with two or more DJs playing at the same time, trying to cue up multiple tracks without having to listen to the other person’s adjustments.
• Pioneer DJ has also included a separate auxiliary channel on the mixer with its own dedicated TRS/XLR input combo jack. This is for DJs who are using their own soundcard, mixer, or controller with audio interface, but still would like to hook their signal into the DJ mixer without having to disconnect anything. Plus, the Beat FX can be applied on the auxiliary channel.
• Oddly, the 1/4” TS Send/Return Input/Outputs have moved to the top of the mixe r . This seems a bit out-of-place as you’ll now have four cables randomly sticking straight out the top of the mixer – but perhaps it is because Send/Return hardware might be changing with each new DJ.

What About The Screens?

Of course the biggest cosmetic change of all is the addition of the screens. Rather than re-designing the existing four touchscreens on the CDJs, Pioneer DJ has added a second touch display on each CDJ, which essentially shows the same information on the screen below, albeit more in-depth and higher resolution. This seems a bit counter-intuitive to the design and further adds to unnecessary bulk of the CDJ. It puts a barrier between the performer and the audience they are working to interact with and almost seems like too much of a distraction of information at once.

They’ve also added a screen on top of the DJM, which now shows:

• more accurate detailed metering such as RMS level vs. Peak of each channel & master output, or
• all current track waveforms in a linear or horizontal layout.

The added information display is surely nice, but is it really needed given that there is already a touchscreen on each CDJ? Pioneer DJ may have been better off to redesign those screens to accommodate the information they wish to display on these large, seemingly non-removable screens. The hinge mechanism that the screens fold down with also looks like a potential failure point during transit and setup/breakdown – not exactly ideal on a high-cost piece of touring gear. While they do include a sun shade, it remains to be seen just how effective they will be or what anti-reflective coating each screen has.

Only Ready For The Big Time

The thing to take away from all this is that although these TOUR1 units are made for a very specific purpose currently, it is a good indication that at least some of these features may find themselves in the DJ gear of the future at the more consumer grade level of price point. Features typically get added to the most high-end gear first and slowly trickle their way down to mainstream equipment as the years pass on.

It’s certainly no harm to at least learn what the purpose of each of those functions do, and how you might make use of them, should you ever come across some form of equipment that has one or more of those features down the road. The TOUR1 might not show up in the average DJ booth, but rest assured that the DJ booths it does end up in will be delivering the absolute best possible sound quality for the large audiences in front of them.

Now the music chosen for that sound, that’s an entirely different subjective story…

If your interested in getting the new Pioneer TOUR-1 models and want a deal, message DJ TechTools here for special “friends of DJTT” pricing!

Coming soon: upload dj mixes on spotify with dubset’s mixbank, 10 djs with unique gear setups playing movement festival, dan d-squared, related posts.

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Purchase options and add-ons, about this item.

• Package Dimensions: 7.11 L x 43.69 H x 16 W (centimeters)
• Package Weight : 20.14 kilograms
• Country of Origin : China

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• DJM Touring Model w/ folding 13" touchscreen and display shade

Product Description

The DJM-TOUR1 delivers the warm high-resolution sound you39; re used to, and adds pro-grade audio components to scale up for any size of event. It even features an AES/EBU digital output so you can connect directly to front of house with no loss of sound quality, and 2 independent headphone sections that let you monitor and cue tracks separately. Plus with the same familiar layout and features as the DJM-900NXS2, and a large fold-out touch screen you get effortless control when it matters most. Warm sound at any venue 32-bit D/A convertor, made by ESS Technologies, delivers incredibly low noise and distortion even at super-high volumes. Additionally the 96 kHz/24-bit sound card, 64-bit floating point mixing processing, enhanced dithering technology and a low-jitter clock combine to provide an accurate, natural analogue sound.

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• Price: US$5999

Pioneer DJ DJM-TOUR1 Mixer Review

The Lowdown

Pioneer DJ’s festival version of the DJM-900NX2 – complete with 13-inch colour touch screen monitor with built-in CPU that folds out for viewing waveforms and selecting tracks in Rekordbox. Its housed in a larger metal casing, and is clearly designed for companies who want to move gear in and out of events frequently. Like the accompanying CDJ-TOUR 1, the DJM features pro level audio connections. Its unclear at the moment how useful the huge touchscreens are, but with a price tag of 5000 dollars, this mixer will remain out of the price range of most DJs.

Specifications

Pioneer dj djm-tour1 mixer.

Not rated yet

• Product type : Midi-enabled mixer
• Launched : August 2016
• Power : External
• Size : 445 x 451 x 179mm (with screen closed)
• Weight : 16.1kg

Aerosmith’s farewell tour will now hit Xcel Energy Center in January

R ock and Roll Hall of Famers Aerosmith have announced dates for their rescheduled farewell tour, which will now hit St. Paul’s Xcel Energy Center on Jan. 22.

All previously purchased tickets will be honored for the rescheduled shows. Ticketholders will receive more information via email. Additional tickets will go on sale at 10 a.m. Friday through Ticketmaster . Neither the promoter nor the venue announced prices. The Black Crowes will open.

The tour kicked off in September 2023 and was scheduled to stop in St. Paul on Nov. 13. But Steven Tyler first hurt his vocal cords on the third night of the tour, a Sept. 9 concert in New York, which led to the group postponing a half dozen dates. After Tyler took an extended break from singing, his doctors found further damage.

“Unfortunately, Steven’s vocal injury is more serious than initially thought,” read a post on the band’s Facebook page . “His doctor has confirmed that in addition to the damage to his vocal cords, he fractured his larynx which requires ongoing care. He is receiving the best medical treatment available to ensure his recovery is swift, but given the nature of a fracture, he is being told patience is essential.”

Formed in Boston in 1970, Aerosmith scored a series of hits that remain radio staples to this day, including “Sweet Emotion,” “Walk This Way” and “Dream On.” But by the 1980s, drug addiction and clashing personalities nearly led to the end of the group. After several members went through rehab, Aerosmith made a stunning comeback, becoming MTV darlings and selling even more records the second time around.

Over the past dozen years, Aerosmith’s future has been shaky. Flamboyant frontman Steven Tyler and guitarist Joe Perry have publicly feuded over Tyler’s stint as a judge on “American Idol” and his failed attempt to launch a solo country career with 2016’s “We’re All Somebody from Somewhere.”

In 2015, band members began publicly discussing a final tour and a 2017 European outing was billed as their farewell. More recently, Aerosmith played an extended Las Vegas residency as well as the first Twin Cities Summer Jam in 2019.

Drummer Joey Kramer, who came up with the band’s name, will not be part of the tour. In a news release, the group said: “While Joey Kramer remains a beloved founding member of Aerosmith, he has regrettably made the decision to sit out the currently scheduled touring dates to focus his full attention on his family and health. Joey’s unmistakable and legendary presence behind the drum kit will be sorely missed.” Kramer’s second wife Linda died in June 2022.

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Invited Celebrity Classic: Storylines, how to watch and more

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PGA TOUR Champions heads to Irving, Texas, for the Invited Celebrity Classic. The field features 78 players from the PGA TOUR Champions and 40 celebrities competing at Las Colinas Country Club.

Last year’s champion Mark Hensby defeated Charlie Wi on the fourth playoff hole to claim his first PGA TOUR Champions victory.

Las Colinas Country Club is the shortest course on the PGA TOUR Champions schedule at 6,703 yards but is defended with water in play on eight holes and 47 bunkers across the course.

Retief Goosen is in the field after winning last time out at The Galleri Classic after 72nd hole heroics beating Ricardo Gonzalez and Steven Alker by a stroke. Alker elected not to play this week in Texas.

Vijay Singh is teeing it up in Texas off a tie for 58th at the Masters.

Former Dallas Cowboys quarterback Tony Romo won the celebrity division last year. Celebrities include Mardy Fish, Vince Carter, Annika Sörenstam, DeMarcus Ware

The begins four weeks of events on PGA TOUR Champions leading up to the first major of the season at the Regions Tradition.

Tournament facts

• Course: Las Colinas Country Club, par 71, 6,703 yards
• Field: 78 players, 40 celebrities (54 holes)
• Defending champion: Mark Hensby
• Purse: $2,200,000 (winner: $330,000)
• Low 18-hole score: 63, Gene Sauers (2022), Matt Gogel (2023)
• Low 54-hole score: 201, Mark Hensby, Charlie Wi (2023)

How to watch

• Friday: 9-11 p.m (Tape Delay on Golf Channel)
• Saturday: 5-7 p.m. (Golf Channel)
• Sunday: 5-7 p.m (Golf Channel)

Maynard James Keenan's Sessanta setlist: What A Perfect Circle, Puscifer and Primus played

Maynard James Keenan made a solid case for turning 60 as the new “you won’t believe what happens next” when the Sessanta Tour hit Talking Stick Resort Amphitheatre in Phoenix on Tuesday, April 16, for a two-night stand, the second night of which falls on his actual 60th birthday.

The premise of the tour is that members of A Perfect Circle, Puscifer and Primus will not only share a stage but also musicians as the night unfolds, resulting in some truly awe-inspiring feats of musical cross-pollination.

Keenan, who launched his career in the ‘90s as the voice of Tool, is the singer for two of those bands, A Perfect Circle and Puscifer. He’s friends with Primus, whose drummer, Tim Alexander, convinced him to give Jerome, Arizona, his home of many years, a look when he was in the market for a new home in the ‘90s.

Maynard James Keenan Sessanta tour setlist

Here’s every song A Perfect Circle, Primus and Puscifer played in Phoenix on Tuesday, April 16, 2024:

A Perfect Circle Set 1:

• “The Package”
• “Disillusioned”
• “The Contrarian”

Primus Set 1:

• “Those Damned Blue-Collar Tweekers”
• “Too Many Puppies”
• “Sgt. Baker"
• "Follow the Fool"

Puscifer Set 1:

• “Indigo Children”

Primus Set 2:

• “Jerry Was a Race Car Driver”
• “My Name Is Mud”
• “Tommy the Cat”

Puscifer Set 2:

• “Momma Sed”
• “Bullet Train to Iowa”
• “The Underwhelming”

A Perfect Circle Set 2

• The Hollow”
• “So Long, and Thanks for All the Fish”
• “Weak and Powerless”
• “The Outsider”

Puscifer Set 3:

• “The Humbling River”
• “The Remedy”

A Perfect Circle Set 3:

• “Counting Bodies Like Sheep to the Rhythm of the War Drums”

Primus Set 3:

• “Southbound Pachyderm”

Sessanta E.P.P.P.

• “Kindred” (A Perfect Circle with Les Claypool)
• “No Angel” (Puscifer)
• “Pablo's Hippos” (Primus with Maynard James Keenan and Mat Mitchell)

Puscifer, Primus, A Perfect Circle

• "Grand Canyon"

Reach the reporter at  [email protected] . Follow him on X, formerly known as Twitter,  @EdMasley .

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