REVIEW: Fuji 16mm f1.4 WR (Pros, Cons, & Sample Images)

It wasn’t long into my photography journey with Fujifilm that I realized how badly I needed a wide-angle lens. Maybe you’re in the same situation, and that’s why you’re reading a Fuji 16mm f1.4 review.

I’ve been there. I feel you.

Now that I’ve been using this lens for a few years, and I bring it with me every single time I travel . In fact, I think it’s one of the best Fujifilm lenses you can buy.

But of course, the 16mm f1.4 is not Fuji’s only wide-angle lens. And you might have different needs that make another lens more appropriate for your use case.

In this post I’ll share the pros and cons of the Fujinon XF 16mm f1.4 WR lens based on my personal experience, tons of sample images taken over the years , as well as alternatives depending on the kinds of photos you want to capture as well as the budget you’re working with.

This is not a guide meant for people who take photos of brick walls and analyze them for hours. But rather, a practical and hands-on guide based on my experience with this lens in real-world situations. Let’s go!

Why is a wide-angle lens so essential?

Maybe you’ve already decided that you want to buy a wide-angle lens, in which case you can skip to the next section!

But for a lot of people, they’re not sure, especially people who are newer to photography or have recently changed to Fuji’s mirrorless setup rather than full-frame. Do you really need a wide-angle lens? Here are some of the most common scenarios where a wide-angle lens comes in handy.

  • Sweeping landscapes – Landscapes are easily one of the most important applications of wide-angle lenses. You want to capture that feeling of being in the scene.
  • Night sky photography – The sky is huge! And you need a wide-angle or ultra-wide angle lens to really capture it.
  • Architecture and interiors – Wide angle lenses both capture more of an interior and make it feel more spacious. That’s why real-estate photographers use them 😉
  • Environmental photos – Because of how “background compression” is affected by your focal length, wide-angle lenses make your subject bigger and fit more of the environment in the background.
  • Unique perspectives – Wide-angle lenses are wider than the typical field of view of a human. This means you can leverage this slightly warped perspective for creative and interesting results.
Thanks to the wide-angle lens, it’s easier to capture the entire beach behind me as part of the photo.

What to look for in a wide-angle lens

As someone who primarily does travel photography (and thereby a lot of environmental, landscape, and architecture photos), these are some of my top considerations when deciding to buy the Fujifilm 16mm f1.4 lens:

  • Versatility – 16mm is wide-angle but it’s not so wide that it borders on fish-eye. It’s still possible to take flattering photos with people in them without distortion.
  • Distortion – As with all wide-angle lenses, you need to watch the corners to make sure you don’t have something getting stretched there. This lens does really well with that.
  • Sharpness – Often time, landscapes are about capturing corner-to-corner sharpness. This lens is one of the sharpest in Fujifilm’s arsenal.
  • Image quality – As you might know, primes offer superior image quality to zooms in most cases. Fuji’s 16mm f1.4 is no exception.

With those as our main criteria, let’s look at the special features of the Fujifilm 16mm f1.4, as well as some of its drawbacks.

Review: Fujifilm XF 16mm f1.4 WR

For this review, I’ll look at all these different aspects of choosing the best wide-angle lens for Fujifilm X-Series cameras, and particularly whether or not the Fujinon XF 16mm f1.4 R WR fulfills those.

Feel free to jump down to whatever section interests you the most, or keep scrolling for endless sample images.

Pros: What makes this lens special?

  • Cons: What are the drawbacks or limitations?
  • Fujifilm 16mm f1.4 sample images

Alternatives: Best wide-angle Fuji lenses

  • Best accessories to go with your Fujifilm 16mm lens
Note: An additional filter is screwed onto the end of the lens, adding a tiny bit of length

There are a number of features that make this lens unique amongst its peers in the wide-angle Fujifilm lens family. I’ll go through each of these one-by-one with sample photos and explanations. Here are the three most important features of this lens:

Sharpness and image quality

Wide aperture, low-light performance.

In case you’re wondering about things like the manual focus of this lens, I can tell you that it works really well (I’ve used it myself for northern lights photography).

You also might be wondering about whether 16mm is the right focal length for a wide-angle lens. I personally find it to be a really versatile focal length, despite being wide. You won’t have that “fisheye” look, and at the same time, you can really fit a lot into the image.

With that in mind, let’s check out some of the features that I personally think brings this lens to the next level.

If you’re researching Fuji’s 16mm f1.4, I’m sure you’ve already seen that it is widely considered the sharpest wide-angle lens offered by Fujifilm. Though perhaps it’s been dethroned by the Fujinon XF 8-16mm f2.8 LM WR (which is both twice as wide in terms of its field of view and the dent it’ll leave in your pocket 😉).

If you compare that with the price of the fujifilm 16mm f1.4 , you’ll find that the price and the quality are very much in sync. It’s probably the best investment of lens I’ve made with Fujifilm based on how much I use it and love the images.

Even though it’s at its sharpest between f2.8-f8, this lens is still very sharp at f1.4. While sharpness doesn’t make a photo great when other fundamentals are bad like focus or composition, sharpness can be very important when you’re taking pictures where trees, foliage, textures, and details are essential.

Check current price for Fujinon XF 16mm f1.4 WR

The fact that Fuji’s 16mm f1.4 has such a wide f1.4 maximum aperture makes it a bit unique among wide-angle lenses. Since wide-angle lenses are often used for landscapes and stopped down to lower apertures to maximum in-focus area and sharpness, it’s not that common you’ll see a wide-angle lens offering an f1.4 aperture .

This wide aperature produces a shallow depth of field and pleasing bokeh (as seen below), and it’s minimum focusing distance of 15cm or 6 inches according to Fujifilm's official specs .

It’s been called a “pseudo-macro” because of how close you can focus with this lens!

While the background in this photo is busy with leaves and trees behind it, this lens can also produce smoother bokeh with a less-busy background.

I’d argue that the shallow depth of field is probably one of the most unique things about this lens.

Another side-effect of this lens’ wide aperture is that it’s a good option for people getting into night-time photography. Of course, to do that you’re going to need a good travel tripod (read my post on my favorite budget travel tripods if you don’t have one yet).

For many, 16mm is not wide enough for serious astrophotographers. If you’re looking to get into astrophotography as a Fuji shooter, go to the section on comparing Fujifilm’s best wide-angle lenses . Otherwise, for people like me who end up shooting star photos a few times a year, it definitely produces great images.

Weather resistance

A small footnote here is that it’s important to note that this lens is weather resistant . I’ve taken this lens through downright blizzards in Iceland, into waterfalls and rain, and through bone-chilling temperatures.

It still performs like a champ.

Fujifilm’s build quality for its lenses is no joke, and this lens is an absolute tank. You’ll also notice that when you use the manual focus and the physical aperture ring (which I love).

Perhaps one of the more interesting design choices of this lens is actually that the focus ring snaps forwards and back to allow you to switch from auto focus to manual focus on the lens itself.

This is a handy feature, though not strictly necessary. The only other lens with this feature is Fuji’s 23mm f1.4 R lens.

But of course, all that quality also comes at a cost: weight and price.

Keep reading for a comparison and alternatives, and when to chose this lens over the others.

Drawbacks of Fuji’s 16mm f1.4

There is no such thing as a perfect lens. I definitely have favorites (my 16mm f1.4 is one of them), but it all depends on what your priorities are and what tradeoffs you’re willing to make.

In this case of this wide-angle lens, there are two main tradeoffs: price and weight.

Price and weight

If price and/or weight are your main concerns as opposed to pure image quality or how wide-angle this lens is, here you can easily compare prices between similar Fujifilm wide-angle prime lenses .

After all, Fuji is most famous for its stunning prime lenses.

Looking for a comparison with zooms? Click here for a full comparison among all of Fuji’s wide-angle lenses, including zooms.

Legend WR - Weather resistant (can withstand rain and below freezing temperatures). OIS - Optical image stabilization (helpful with zoom lenses to avoid blurry photos).

Here’s the moment you’ve been waiting for – sample images! Scroll for a long list of Fujifilm 16mm f1.4 sample images below.

Fujifilm 16mm f1.4 WR sample images

Here are a few of my favorite photos from the 16mm f1.4 lens in the last couple of years, as well as where they were taken or any extra details you might need to get a similar effect :)

Long exposure of Akaka Falls on the Big Island of Hawaii
A winter morning in Lucerne, Switzerland
Sunset in mythical Meteora, Greece
Portrait of me, taken at a viewpoint above Las Teresitas, Tenerife
Inside the Sagrada Familiar in Barcelona, Spain
Stunning Lake Moraine in Banff National Park, Canada
Koenigssee in Bavaria, Germany

Enjoying the photos? Follow along on Instagram!

Follow @notanomadblog for beautiful travel photography and stories of our journeys

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Three Rondavels in Blyde River Canyon, South Africa
Lion’s Head as seen from Table Mountain, South Africa
Peyto Lake in Banff National Park, Canada
Spotting a rhino in Kruger National Park, South Africa

These are among the best Fujifilm lenses that money can buy, among both Fujifilm’s prime and zoom lenses which feature wide-angle focal lengths.

  • Fujinon XF 16mm f1.4 WR Prime – Still my favorite of the mix. One of the pricier lenses you might have in your arsenal (especially if you’re more of a hobbyist than a professional), but still has the quality, durability, and unique image results to warrant the price. Click here to check the price on Amazon
  • Fujinon XF 10-24mm f4 OIS R Zoom – Buy if you need the ultra-wide angle for capturing massive compositions, and don’t mind needing to bust out the tripod as the sun sets. On whole, the price is generally the same as the 16mm but it has a different value proposition. Click here to check the price on Amazon
  • Fujinon XF 8-16mm f2.8 WR Zoom – Buy if you have an infinity budget and you need the widest of wide angles, and you don’t mind the size or weight. Click here to check the price on Amazon
  • Rokinon 12mm f2 for Fuji X Mount Prime – Buy if astrophotography is your main use case for the wide angle lens and you don’t mind manual focus (which is what you do anyways when you’re shooting stars). Not that expensive to chuck in your bag for the occassion either. Click here to check the price on Amazon

Best accessories for your new Fujifilm lens

Especially if you want to take long-exposure photos or will be traveling in interesting conditions to test out that weather resistance, check out the best Fujifilm accessories to pair with your new lens.

Products mentioned in this post

fuji 16mm 1.4 travel

Landscapes, architecture, astrophotography.


About the author

Hi there! I'm Monica, an American expat living in Germany for over six years and using every opportunity to explore the world from my homebase in Berlin. My goal is to capture my memories in photos and posts that show how easy it is to start from scratch and travel the world by working abroad.

Follow along on Instagram , Twitter , Bloglovin , & Facebook .

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Fujifilm 16mm f/1.4 Review

The Fujifilm XF 16mm f/1.4 has high-speed autofocus and a wide maximum aperture making this lens a winner. Is it for you? Find out more in our in-depth review.

Fujifilm Lens Reviews | Lens Reviews | Photography Gear Reviews | By Greg Cromie

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Let me just start by saying that Fujifilm makes amazing lenses . With almost every Fuji lens I have tested or owned, the optical quality and general performance have been phenomenal.

Having the chance to review the Fujifilm XF 16mm f/1.4 is pretty exciting as this is arguably one of the BEST Fuji prime lenses for sharpness and image quality. It’s my job to seriously and honestly share that excitement with you all.

What’s more, when this lens launched way back in mid-2015, it was ahead of its time and went a long way to boosting the reputation of Fujifilm.


High-speed autofocus and a beautiful wide aperture make this lens a winner.

The Fujifilm XF 16mm f/1.4 delivers one of those must-own focal distances for every serious photographer’s kit. And with a lens like this, you’ll fall in love with photography all over again.

In fact, I’d go so far as to say that it will become your favourite lens that you tend to use in every photographic opportunity you encounter.

Let’s take a closer look at the XF 16mm f/1.4 to find out what makes it an exceptional piece of glass.

Table of Contents

Fujifilm XF 16mm f/1.4 Specs

  • Amazing image quality
  • Great build quality
  • Weather sealing
  • Additional metal lens hood
  • Manual clutch focus
  • Slow focusing in low light
  • The cost of the additional metal lens hood
  • Focal length: 16mm (24mm full-frame equivalent)
  • Dimensions: 73.4mm x 73.0mm (2.89″ x 2.87″)
  • Weight: 375g
  • Angle of view: 83.2 degrees
  • Aperture control: 13 elements 11 groups (includes 2 aspherical and 2 extra-low dispersion elements)
  • Minimal focus: 15cm – ∞
  • Filter Thread: 67mm
  • Focusing: Manual (via pull-clutch) and Auto
  • Weather Sealing: Yes

Build & Ergonomics

The Fujifilm XF 16mm f/1.4 front on

The Fujifilm XF 16mm f/1.4 looks well balanced when paired with a Fujifilm X series camera.

Starting with the build quality, the Fuji XF 16mm f/1.4 is one of the most robust and solid lenses you’ll ever come across .

The entire body is made of metal – this includes the aperture ring and clutch-pull manual focus ring.

While the included lens hood is made of durable plastic, you can opt to buy a Fuji made metal square hood. When you have that lens hood fitted to the 16mm, and that lens then mounted to a Fujifilm X-T body, the retro enthusiasts will go wild.

Even though this was one of the first Fujifilm prime lenses developed for the X mount system, the XF 16mm f/1.4 is fully weather-sealed. For those that love to shoot street or landscape photography regardless of the weather conditions, this is a perfect companion for those rainy-day adventures.

The manual clutch-focus ring won’t budge at all when pushed forward for autofocus. When you pull this back, there’s a reassuring click, and like magic, manual focus distance markings are revealed. The glide of the focus ring is smooth and hits hard stops at o.15m and 5m/infinity.

As with almost all Fuji lenses, the 16mm f/1.4 features an aperture ring that’s clearly marked from f/1.4 down to f/16 and then on to Auto.

This ring has a nice silky-smooth glide with clicky feedback. The lens is very barrel-like and features a 67mm filter thread – making it ideal for mounting standard filters and filter kits.

The Fujifilm XF 16mm f/1.4 is built to last

With exceptional build quality, the Fujifilm XF 16mm f/1.4 is built to last.

When mounted to a larger Fujifilm body such as the X-Pro3 or the X-T4 , the pairing is perfect. Visually, it just looks like an incredibly stylish, yet retro, combination.

In the hand, the 375g lens balances perfectly with the approximate 600g Fuji body.

Given its 73mm diameter body is a solid barrel, the lens sits very comfortably in the hand and the coarsely-ridged aperture ring feels very different to the finely-ridged focus ring. As a result, shooting without having to glance down at the lens is made easy. The aperture ring moves in 1/3 steps all the way down to f/16.

The only risk with the clutch-pull manual focus ring is that you can accidentally activate it when the camera is set to Autofocus. As a result, there’s a risk that you may have forgotten the ring was pulled back for manual focus or you may have knocked it in your bag.

So, before you start off on a shoot, be sure to check that the focus ring is pushed forward so Autofocus can do its thing.

The exterior of the Fuji XF 16mm f/1.4 is brilliant, and on the inside, there’s a lot of cool stuff going on too.

The lens houses 13 elements in 11 groups that includes 2 aspherical and 2 extra-low dispersion elements. The 16mm features 9 aperture blades that deliver a gorgeous rounded diaphragm opening – this contributes significantly to the delicious bokeh captured wide open.

Overall, it’s a solid lens that when paired with a Fuji weather-sealed body is a formidable opponent to any fowl shooting condition.

Focus Performance

Japanese bullet train in focus Fujifilm XF 16mm f/1.4 | 1/2000ss | 1600 ISO | f/1.4

Fujifilm X-T1 & Fujifilm XF 16mm f/1.4 | 1/2000ss | 1600 ISO | f/1.4

While we have already talked about the mechanics of the manual-pull or clutch focus system, I wanted to talk about its performance.

As mentioned earlier, even when you have your Fuji camera set to Autofocus, you can simply pull back the focus ring to engage manual focusing. When the ring is pushed forward you can’t shift the focus ring in either direction.

Once you’re in manual focus, the ring has a smooth glide and what’s especially appreciated is that there are hard stops at either end of the focus rotation.

I wish more lenses, Fuji and other brands , would adopt this. I often feel lost in the softness of unfocused vision trying to regain focus with a ring that spins forever.

A clutch pull manual focus ring makes adaptive focusing easy with the Fuji XF 16mm f/1.4

A simple, mechanical clutch pull manual focus ring makes adaptive focusing a breeze with the Fuji XF 16mm f/1.4

As for autofocus, in strong lighting conditions, the Fujifilm XF 16mm f/1.4 has good response with minimal signs of focus hunt. I say minimal as there’s a little bit of focus breathing evident just before it grabs focus.

On a responsive camera like the Fujifilm X-T3 or X-T4, the focus response is much cleaner and faster.

I took the Fuji XF 16mm f/1.4 and Fujifilm X-T2 on a trip to Osaka a few years ago. I was giddily taking shots of the Shinkansen bullet trains as they pulled into Shin-Osaka Station every five minutes.

Once on the train and travelling at over 300km/h, I was snapping away at the Japanese countryside, rice paddies and mountain villages with no issue.

Black and white photo of a busy Japanese street with a man on a motor bike

Fujifilm X-T1 & Fujifilm XF 16mm f/1.4 | 1/1000 ss | 3200 ISO | f/1.8

However, when in lower light conditions the autofocus is a little sloppy. Like some of the other early Fuji primes, low light focus hunting is evident with the odd occasion where it just cannot lock onto focus at all.

It’s not a deal-breaker as this is a 5-year-old lens and for its time, it’s a solid performer. And when compared to the lightning-fast focus performance of the newer, cheaper and smaller Fujifilm XF 16mm f/2.8, it’s a bit of a slouch.

But as I said this isn’t a deal-breaker as it’s all going to depend on what you are shooting. Being a wide-angle lens, you’re likely going to use this for landscape, street scenes and possibly architecture – all genres where the subjects are either immobile or not moving in a hurry.

I’ve used this lens extensively for street photography and that included shoots at night. In poorer light, there were some missed shots but nothing that made we want to trade it in.

Overall, the focusing performance of the Fujifilm XF 16mm f/1.4 is great and will meet most demands with ease.

Image Quality

A busy Japanese city with two young men posing on a zebra crossing

Fujifilm X-T1 & Fujifilm XF 16mm f/1.4 | 1/500 ss | 800 ISO | f/5

I have shot with almost every single Fujifilm lens and I am not exaggerating when I say that this lens belongs in my top 3 primes for image quality.

If you read my other work you’ll probably think I say that about every Fuji lens. And while I do love my Fuji glass, there are always going to be varying levels of output.

When it comes to primes, the 56mm f/1.2, 80mm f/2.8 macro and the XF 16mm f/1.4 are by far the best. If you have a different view, please let me know in the comments below.

The Fujifilm XF 16mm f/1.4 delivers super sharp image quality throughout the aperture range, and the 16mm (24mm full frame equivalent) angle of view provides a uniquely immersive viewing experience.

Wide-open at f/1.4, there’s a small hint of vignetting in the corners – but what prime lens doesn’t have some element of vignetting? It’s not that obvious until you go looking for it.

fuji 16mm 1.4 travel

Fujifilm X-T1 & Fujifilm XF 16mm f/1.4 | 1/500 ss | 1600 ISO | f/4

And being a wide-angle lens there’s always a risk of image distortion – the brains-trust at Fuji have clearly earned their Yen as there’s no evidence of any distortion.

The centre is crystal clear and sharply rendered with the extreme edges much the same. Once you drop the aperture down into f/2.8 or f/4, any hint of edge-sharpness completely disappears and does not return until you hit the minimum of f/16.

When shooting wide open, the background softness is creamy and the bokeh is clear and beautifully formed. This is the ideal storyteller’s lens as it gives you a wide field of view that still delivers sharp foreground subjects.

In a wedding, street and even portrait photography session, there’s a distinct subject separation between your key subjects and the background narrative.

fuji 16mm 1.4 travel

Fujifilm X-T1 & Fujifilm XF 16mm f/1.4 | 1/500 ss | 6400 ISO | f/2.8

Overall, it’s an incredibly sharp lens plus it renders detail and contrasts gorgeously.

Plus, with a minimal focus distance of only 15cm (6″), you can get incredibly dramatic shots with point-sharp foreground and smooth fall off of in-focus elements.

Food photographers would usually shoot with a more compressed focal range but I suggest they give this a crack too!

Fujifilm XF 16mm f/1.4 Sample Images

Check out these sample images taken with the Fujifilm 16mm f/1.4 wide angle lens:

fuji 16mm 1.4 travel

Value for Money

As I mentioned, there’s a newer, smaller and cheaper sibling to the XF 16mm f/1.4. The compact Fujifilm XF 16mm f/2.8 is a brilliant little lens that retails for under $700 USD. I recently wrote a review on it and you can check it out right here .

The Fujifilm XF 16mm f/1.4 is a premium quality prime lens and retails for around $1400 USD. And while the smaller prime is half the price, you are easily getting double the value with the older version.

The image quality alone is worth the additional price especially if you take photography serious or do it for a living.

For that investment, you’re getting an incredible piece of glass that delivers unbelievable image quality, sharpness and crystal clear rendering.

If you’re an enthusiast or even a pro photographer and are looking for a wide-angle X mount lens, look no further.

Fujifilm XF 16mm f/1.4 Review | Conclusion

This was the very first Fujifilm X series lens that I purchased when I grabbed the Fujifilm X-T1 back in 2015.

I had ditched my Canon DSLR set up as I had fallen out of love with photography – I was no longer inspired or engaged.

But once I had that X-T1 and 16mm Fuji combo in my hands, my joy of photography instantly returned and my own skill level and quality of output dramatically improved.

I used this lens for street photography, for my travels to Japan and everything else in between. I stood in the pouring rain in the middle of Tokyo and captured it’s citizen’s interactions with their world countless times.

A lens like the Fujifilm XF 16mm f/1.2 has the ability to amp-up your creative output and I guarantee you’ll:

  • find it difficult to leave home without it
  • never take it off your camera at all, and
  • notice that your joy of photography is elevated.

This is an incredible lens that’s well suited to almost every genre of photography. That’s why I highly recommend that every enthusiast or professional Fuji shooter take a closer look at this lens and consider grabbing a copy for their kit.

fuji 16mm 1.4 travel

I’m a Melbourne-based street photographer and blogger. I love to travel to Japan to photograph and document its dynamic people and culture.

Very nice… I will have to be inventive and think of a valid reason to spend that sort of $$ though.

Thanks mate. Perhaps spend less on electronic bikes that seem intent on ending your existence and more on Fuji lenses? Hehe. G

Hi there and thanks for checking out my review of this gorgeous Fujifilm lens. Join the discussion by leaving a comment below. Cheers. G

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Fujinon XF16mm F1.4 – My take on Fujifilm’s best and my most favorite lens to date

Ritesh Ghosh 7

Six years ago, when I was just starting out my journey as a Photographer, little did I know about Fujifilm’s intent to announce a new prime that would become one of its best lenses in the years to come. Yes, I am talking about the Fujinon XF16mm F1.4 lens. This low light beast was announced back in April 2015, and it immediately started getting attention from photographers worldwide. Today I am going to share my personal experiences of owning and using this phenomenal Work of Art.

fuji 16mm 1.4 travel

Greetings, photography buffs. I am Ritesh Ghosh, a Street, Travel and Documentary photographer from Kolkata, India. Many of you who know me as a photographer are already aware of my work, but most of you may not be aware of the story behind me becoming one.

So before I continue with my detailed lens review, let me quickly narrate the story of my journey from being a banker to becoming a Fujifilm photographer. You heard me right. I am a Management graduate who was working in a bank from 2007 till 2014, moving out thereafter to take up the job role of a Branch Head with an International posting in Dubai.

I was a regular nine to five corporate guy drawing a decent paycheck with no intention of becoming a Photographer. Until a year passed, and I came back to India on my annual vacation. I owned the Fujifilm X100S back then as my hobby camera.

fuji 16mm 1.4 travel

One morning as I was out shooting casually on the streets, I met with a freaking road accident dislocating my left knee. As if that wasn’t enough, I was diagnosed with severe cervical spondylosis. My medical condition was bad, and I required almost 8 months to recover. I had lost my job and almost a year’s time hence faced a lot of problems finding a new job.

The only positive in this situation was that I was left with a lot of spare time at my disposal. I decided to make use of it instead of sulking and went out regularly with my camera. Long before I realized it, my hobby had become my passion and the means of reaching out to people like you with my creativity. I enjoyed making images, and hence I decided to take this up as my full-time work.

Being a full-time photographer with no formal education is not easy and has its consequences. I had to struggle a lot initially to discover my signature style, and must admit that my parents supported me immensely during the phase. Six years have passed and there has been no looking back.

fuji 16mm 1.4 travel

Coming to the lens review, I would like to discuss its overall build quality and features, first followed by my experience using this lens on the Streets and while Travelling. The 16mm F1.4 is exceptionally well built, weighing in around 375 gms. The lens has a fixed focal length of 16mm (24mm in full-frame equivalent) and offers a wide field of view coupled with a stunning optical performance.

The maximum aperture of 1.4 delivers high-quality and sharp images, and is every photographer’s delight in low light situations. The lens body is all dust and water-resistant making it safe to shoot in bad weather conditions. It has 13 elements in 11 groups which produces amazing bokeh and ensures subject isolation.

The front element has a special EBC coating which reduces ghosting and flare from diagonal incidence of light. The minimum working distance of the lens is just 15 cms making close focussing on the subject a cakewalk with a dynamic perspective. It gives a photographer greater creativity to experiment with.

fuji 16mm 1.4 travel

When I first upgraded my system from the fixed lens X100S to the interchangeable X-T1, I did not have any idea that I would be owning the 16mm 1.4 someday. To be honest, I started out with the basic 18-55mm kit lens, not realising what the 16mm focal length had in store for me.

So finally, when the time came, and I decided to acquire my first wide-angle lens, my choice stopped at the 16mm after going through numerous reviews. I had the lens ordered and delivered to my doorstep. Mounting the beauty on my X-T1 gave me a wonderful feeling, and after using it a few times, I totally fell in love with it. So much so that my kit lens was literally put in the dry cabinet as if exiled in prison.

fuji 16mm 1.4 travel

Initially, I used the 16mm on the Streets. The wide field of view helped me compose images even in very tight spaces giving me a stunning perspective every single time. I also love to travel with this beast and take it to places for documentary work. No matter what challenges I threw at it, the 16mm obliged every single time and has never let me down. Thus I can proudly say that it is my most favourite lens up to date.

fuji 16mm 1.4 travel

Of all the various events I have documented using the 16mm, the Buddha Purnima remains my all-time favourite, followed by the Dev Dipawali celebrations in Varanasi. Both these festivals required a lot of low light shooting, which the 16mm managed like a pro. The images came out sharp and well exposed with accurate colour rendition.

Apart from my travel related work I have used this lens extensively on the Streets of Kolkata. And to those who believe that a prime is not meant for street photography, I would be sharing some of my images here and letting them decide for themselves. I bet they would change their mind for sure.

fuji 16mm 1.4 travel

Finally, I would like to conclude by reaffirming that the XF16mm F1.4 is undoubtedly the best prime lens that Fuji has ever made. It is a must-have glass in your camera bag. Period.

fuji 16mm 1.4 travel

“Greetings readers! I am Ritesh Ghosh and I describe myself as a visual storyteller. Simply put, I am a photographer who loves telling stories through his images. My journey as an artist began unknowingly many years ago when I owned a point-and-shoot camera, which I carried with me during family trips. I loved clicking family moments unaware of the vast areas of photography which were out there waiting to be explored. After completing my MBA and working for seven years with a private bank in India, I switched my job and had to leave India for an international assignment. My point-and-shoot also eventually got upgraded to the Fujifilm X100S. Currently, I am a full-time photographer, having quit my corporate career in pursuit of my passion. I own two camera bodies, the X-T1 and X-T3, with a set of six Fujinon lenses. Street is where my heart is while I also love documenting festivals while travelling in India and abroad. I believe that my journey in the second innings of life has just begun and I have a long way to go in the hope of discovering the photographer within me. “

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Albert Smith November 7, 2021 @ 2:39 pm

First off, that photo of the dog walking behind the car with a dog painted on it is brilliant. You could sit there for days and never get that lucky. Good eye!

I bought the 16mm f/1.4 very quickly in my transition to Fujifilm, since a full frame 24mm has been one of my must have lenses for 40 years. At the time, it was the only choice for a prime, so I ignored the price and got it.

I think it is everything that the hype says it is, and never regretted my purchase of it. The only (slightly) negative thing was the size and weight when I wished to travel light with a smaller X-E class body. When the smaller, lighter f/2.8 version came out, I bought one, keeping the faster lens. I seem to use the f/2.8 model 80% of the time for shooting on good light.

However, when I do mount the f/1.4 lens and shoot to its strengths, close in, selective focus, low light, I’m reminded why this is considered one of Fuji’s best lenses. Even with the two lenses, I couldn’t imagine not having the f/1.4 in my arsenal.

Dream-Emulator November 7, 2021 @ 10:46 pm

Nice review, cool to get the back story. Not sure if your still rocking the XT1, but if possible you should try out the 16mm on the XT4. With the IBIS the 1.4 just becomes ridiculous at night shots.

Philip Sutton November 14, 2021 @ 11:25 am

Awesome pic’s as usual dude. I concur wholeheartedly about the 16mm 1.4. I’ve had it for a year and I’ve never taken so many beautiful images in one year that now grace my website. Though I vowed to never sell it, the 16mm 1.4 was so great I got rid of my wonderful 16-55 2.8. However, being an older lens the autofocus on the 1.4 and my X-H1’s was terrible. I shoot very fast moving events/street. People dancing, moving, running, and often into bright backlit situations. I lost so many images on the X-H1’s it was disheartening. Unfortunately I sold those and recently got two X-T3’s. The difference is off the scale. No matter the lighting, movement, scenario I NEVER miss any photos now. If I ever do, it is user problems (me), and not the camera. Now I have my go to combo – that lens is permanently ‘glued’ onto one of my X-T3’s. With that combo I take about 80% of all my images and never miss the IBIS.

Ranjan Bose November 19, 2021 @ 11:52 pm

Marvellous write-up and pictures Ritesh Ghosh! I wonder how that photo of the student monks would come out if using the Fuji XF-16/2.8 (max possible) at iso3200, 1/100 or 6400, 1/200…! Pretty nice 2.8 prime and within the budget of many amateurs too…! Keep up the good work!

JM November 20, 2021 @ 2:34 pm

Besides my 35 1.4 that I purchased in 2012 the 16 1.4 is my FAVORITE lens. I bought it in 2017 for a trip to the Florida keys and it proved it’s worth over and over!

Albert Rodriguez February 24, 2022 @ 3:31 am

Thank you for your post! For the Past three days I was stressed out which lens I should buy. 56mm or 16mm and after watching your work, I made my decision! 16MM. Thanks you.

fuji 16mm 1.4 travel

Sameer Rao June 2, 2024 @ 2:10 pm

One of the best reviews of this lens.Lovely images to showcase the lens’s capabilities. Decade old combination of X T1 with 16mm F 1.4 is still capable of producing top class results in good hands.

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fuji 16mm 1.4 travel

Buy it now!

Fujifilm xf 16mm f1.4 review 9th november 2015 written by gordon laing.

The Fujifilm XF 16mm f1.4 is a bright wide-angle prime lens for the X-series of mirrorless cameras. Announced in April 2015, it delivers fixed coverage equivalent to 24mm to capture comfortably wider views than 28mm, without the distortion of shorter, ultra-wide focal lenses. This balance makes 24mm one of the most popular focal lengths of any system.

Making the XF 16mm more useful is its bright focal ratio of f1.4, allowing you to maintain hand-holdable shutter speeds in in low light without having to bump-up the sensitivity. It also allows shallow depth-of-field effects, particularly at close range when used at the minimum focusing distance of 15cm. It’s also possible to switch it to manual focus by pulling down the focusing ring which in turn reveals distance and depth-of-field scales. Completing the impressive specification is a manual aperture ring and sealing against dust and moisture, although like other Fuji primes to date it does not feature optical stabilisation.

The XF 16mm f1.4 is without a doubt a desirable lens for landscape and architectural shooters, but many of them will already own the XF 10-24mm ultra-wide zoom. The big question then is how they compare, not just in sharpness, but also in terms of close focusing and potential depth of field. In my in-depth review I’ll compare all these aspects and help you choose the right lens.


Fujifilm XF 16mm f1.4 design and build quality

With its short focal length and bright aperture, it’s not surprising to discover the XF 16mm f1.4 is the most substantial of the Fujifilm wide prime lenses. Measuring 73mm in length and the same in maximum diameter, it’s noticeably larger than the 14mm f2.8 and 35mm f1.4, and at 375g, it’s heavier too. To put it in perspective, it’s virtually the same size as the XF 56mm f1.2 telephoto prime, and only slightly lighter.

That said, as owners of the 56mm know, this hardly makes it unwieldy, although like that lens it does feel most comfortable on the larger of the X-series bodies, such as the XT1 and XT10 I tested it with. I’ve pictured it below, alongside the XF 10-24mm f4 zoom which is 5mm wider and 14mm longer.


The XF 16mm joins the recent XF 90mm f2 and XF 35mm f2 to become the third weather-sealed prime lens, which includes a rubber gasket at the lens mount. I used it and the weather-sealed XT1 in drizzle with no ill-effects, although I should add I’ve had the unsealed XF 10-24mm in steady drizzle and it survived.

The XF 16mm f1.4 body employs two rings: a manual aperture dial at the lens mount-end of the barrel with numbered focal ratios from f1.4 to f16 and A, and a thick manual focusing ring towards the front of the barrel. The focusing ring can be pushed outwards to activate autofocus or pulled back to enable manual focus. When pulled back it reveals focus distance marks on the barrel from 15cm to infinity with an almost 180 degree throw and locks to prevent it turning beyond either extreme.  You can see it below left with the focus ring pushed-up and below right with it pulled-down to reveal the focus distance marks.


In this respect it looks and initially feels like a mechanically-linked focusing system, but like other Fuji lenses, it’s a fly-by-wire system with motor-assistance. Set the lens to manual focus and as you turn the ring, motors will do the actual adjusting of the optics for you. But at least if set manually, the lens keeps its focusing distance should the camera power down and back up again, so it is similar in practice to a full mechanical system. Meanwhile the ring itself turns smoothly and coupled with the excellent focusing assistance on the X-bodies, provides a good manual focusing experience.

Autofocus speed feels similar to other Fujifilm primes – as such you’re looking at around a second to a second and a half before it locks-on and you can faintly feel and hear the motors in action. In contrast the XF zooms focus a little faster and more quietly. I found the XF 16mm f1.4 focusing speed to be adequate for general-use but it was too slow for continuous AF – not that you’re likely to use it a great deal in a continuous AF environment though.


Finally, the XF 16mm f1.4 is supplied with a substantial lens hood that clips onto the end of the barrel with a bayonet mount. It provides good protection for the front element, not just from flare but also inclement weather or gracing knocks. Meanwhile a 67mm thread is provided for filters. I used it with my LEE Seven5 Big Stopper without vignetting.

Fujifilm XF 16mm f1.4 optical construction

The XF 16mm f1.4 is the second shortest prime in the current X-series lineup, delivering fixed coverage equivalent to 24mm. Only the 14mm is wider, with its 21mm equivalent coverage, albeit with a much slower f2.8 focal ratio.

Everyone has their favourite focal lengths, but 24mm equivalent is definitely up there as one of mine. Comfortably wider than 28mm for more dynamic compositions, but without the obvious distortion of ultra-wide options. I’ve pictured its coverage below in my usual view of Brighton’s sea front from the Pier, and below that for comparison, examples from the same position taken with the XF 10-24mm at its shortest and longest focal lengths. Clearly the XF 16mm sits roughly in the middle of that range.


Above:  Fujifilm XF 16mm (24mm equivalent)


Above left: Fuji XF 10-24mm at 10mm (15mm equiv), above right: Fuji XF 10-24mm at 24mm (36mm equiv)

The maximum aperture of the XF 16mm is f1.4, matching the 23mm f1.4 and 35mm f1.4, and making it two stops brighter than the 14mm f2.8. Only the XF 56mm f1.2 is brighter in the range.

Thanks to its very well-corrected optics, the lens is surprisingly usable wide-open as this example below shows. This allows you to shoot in low light without having to bump-up the ISO to combat potential camera shake. Handy since like the other primes in the XF system, there’s no optical stabilisation here.


Above:  Fujifilm XF 16mm at f1.4

The closest focusing distance of 15cm also means macro photography is possible and again thanks to the bright f1.4 focal ratio, it’s possible to achieve shallower depth-of-field effects than you might think. Thanks also to the electronic shutter on the XT1 and XT10 allowing speeds up to 1/32000, it’s also possible to deploy the f1.4 aperture in broad daylight. Here’s a selection of images at or near to the closest focusing distance.


At this point, you may be wondering how the potential for close-ups and blurring compares with some other lenses. I think many photographers considering the XF 16mm f1.4 will already have or also be weighing it up against the XF 10-24mm f4, and it certainly makes for an interesting comparison in terms of potential depth of field.

To find out how they compared, I shot a number of versions of the scene below in Brighton’s Bison Beer shop. In the first example I set the XF 10-24mm to 16mm, opened its aperture to the maximum f4 and positioned it at its closest focusing distance of 24cm. I then swapped the lens for the XF 16mm f1.4 and took the same photo from 24cm, but with the larger aperture of f1.4. The 16mm shot is below left and the 10-24mm shot is below right.


Above left: Fuji XF 16mm at f1.4, above right: Fuji XF 10-24mm at 16mm f4. Both from 24cm

In the example above, there’s clearly no contest. When you have two lenses with the same effective focal length at the same distance, the one with the larger aperture will always deliver the shallower depth of field, and the difference between f1.4 and f4 is significant.

But that’s not the end of the story. The XF 16mm can focus almost 50% closer at 15cm, further accentuating the shallow depth of field and you can see an example of that below left. But while the XF 10-24mm can’t focus closer than 24cm, nor open its aperture larger than f4, it can zoom-in further. So below right you can see how it looks at 24cm and f4, but at a longer focal length of 24mm, which again accentuates the shallow depth of field effect.


Above left: Fuji XF 16mm at f1.4 from 15cm, above right: Fuji XF 10-24mm at 24mm f4 from 24cm

In the example above, the XF 16mm f1.4 still wins with its unbeatable combination of close focusing distance and large maximum aperture. But it is important to see how you can improve on the first example from the XF 10-24mm by zooming-into its longer focal length. Indeed it’s revealing to see how zooming to 24mm has allowed the XF 10-24mm to deliver a result that’s much closer to the first example from the XF 16mm at f1.4 when both are positioned at the same focusing distance.

So when weighing up these two cameras for macro performance, the XF 16mm has the benefit of closer focusing and larger aperture, but the XF 10-24mm has the benefit of a longer focal length. In practice, the XF 16mm will only take a decisive lead in macro photography if you exploit its closer focusing distance.

Depth of field is only one effect of adjusting the aperture. Closing the aperture down can reveal the shape and number of aperture blades, producing diffraction spikes on point sources of light like the Sun or bright streetlamps on a distant city skyline.

The XF 16mm f1.4 features nine aperture blades (versus seven on the XF 14mm and XF 10-24mm) which ensure the rendering remains well-behaved as you close the aperture down, and at the smallest focal ratio of f16 you can achieve 18 attractive diffraction spikes as seen below on this image of the setting Sun. The Lens Modulation Optimiser profiling also ensures the image doesn’t become too soft at f11 or f16.


Above:  Fujifilm XF 16mm at f16

As for the optical construction, the XF 16mm f1.4 employs 13 elements in 11 groups, including two aspherical and two extra low dispersion elements.

Now it’s time to check out how the lens performs in terms of sharpness across the frame! Check out my Fuji XF 16mm f1.4 sharpness results, or skip to my Fuji XF 16mm f1.4 sample images or back to my verdict!

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Fujifilm 16mm F 1.4 review: a masterpiece lens.

January 10, 2019 By Marco Benini

Lately, I bought one of the most incredible lenses I’ve ever seen . Not cheap. Not small. But definitely worth the effort.

Fuji 16mm f 1.4. A masterpiece that I’ll probably glue to the camera.

Who’s the responsible for this Fuji 16mm 1.4 review?

The Fujinon XF 16mm F 1.4 R WR is my new entry. I’m not going to lie: here is the man responsible for my choice: Andrew’s review -you can find the link at the end of this article! (Andrew, if you read this, feel guilty !). So, how does it feel going around and shooting with this wide-angle?

Size doesn’t matter. At least this time…

The Fujifilm Fujinon 16mm 1.4 is quite big but not as huge as you could think . I tried it on my Fujifilm X-T2 (another new entry, I’ll talk about it in another post) with and without the Battery Grip, and guess what, it feels more balanced without the battery grip . Once you grab it in the shooting position, size is not an issue. Of course, that could be an issue if you shoot candid street photography and you like to be sneaky and stealth . But the lens field of view is wide enough to allow you to shoot not directly to your subject, let’s say 3 feet aside (as if you were shooting to his imaginary friend ) from him, so he would hardly find out that he’s the main character of the story. But right now, in this moment of my life, I’m not that concerned about being sneaky or ninja-like when I shoot street photography. I’m more focused and oriented on being part of the scene and creating a connection with the subject, so the size of the 16mm F 1.4 is not an issue at all.

Change the factory hood…and the magic begins…

What I don’t like about this lens is the original lens hood: it’s strange. Big. Intrusive. Meh.  Much better the aftermarket one from JJC ( you can find it here on Amazon ). The feeling is great, it feels sturdy, it’s, of course, water-resistant (not IP certified to go underwater, please, don’t try to go snorkeling with it) and well done. But overall, my friend, when you look in the viewfinder, a new magic world unravels before your eyes.

Perspective, colors, tridimensionality are beautiful. And that’s all I have to say about image quality. I’m not a pixel-peeler, I’m not interested in that kind of thing. I have just this to say: the image quality is stunning, for my eyes, it’s probably one of the sharpest, if not the sharpest Fuji lens I’ve ever tried.

Storytelling is the karma of the Fuji 16mm 1.4

Using this lens in the right way it’s a whole different game. I love lenses that allow you to tell stories and, with this lens, it’s almost impossible to snap a photo without telling a story . That’s because this focal length brings so many items inside the frame that a story will be told, for sure. The downside is that it’s difficult to be aware of all the details, people, objects and composition elements that pour inside the frame. So, many of your photos, in the beginning, will look like a painting from Hieronymus Bosch . But once you make an eye on it, it will be just fun, ’cause you’ll be able to enjoy the limitless composition games you can play with it.

Fuji 16mm 1.4: almost a macro lens

The Fujifilm 16mm 1.4 is also a versatile lens . You can use it in a lot of situations: portrait ( mainly whole body), landscape, astrophotography, street photography, whatever. Bokeh is gorgeous, also because you can focus insanely close to your subject . And it’s fast enough to use it at any time, even in the night, without too much worrying about shutter speed.

General experience: versatility, pleasure and stunning image quality

Another magic happens when you open your files on a pc or monitor and look to the details it delivers. Many people are enthusiast about the sharpness of this lens and, without going too much into technical details, I’ll put my two cents saying it’s really, really, really full of sharp details. IQ is great. No one will ever complain about IQ talking of this lens.

When I buy a new lens, I usually live a period of insane enthusiasm for the new object (typical of G.A.S. suffering people like me). I tend to make the new lens my all-around lens for the next weeks. The same happened with the Fuji 16mm F 1.4. Literally, I’ve never taken it away from the camera . Christmas dinner, Kizomba Festival, Street Photography, niece portrait, I tried it out in every single situation and…it worked. I mean: this lens can do almost everything . Yeah, there were some moment in which I felt it was a little bit too short (i.e. when my niece runs aways and becomes so, so, so small in the frame) and moments in which the exaggerated perspective was overwhelming and forced me to think about a new composition, but it’s never been something to struggle with. If I have to go to a new event, or to a new place, this is the lens I’ll put on the camera, and I’m pretty sure it won’t fail and that I won’t miss other lenses.

If you love to travel…buy it. Period.

I think this lens is really perfect for travel . If you shoot travel reportage or photography this is the one-to-go lens. Think about it for a moment. Which kind of photos do you take when you travel? Landscapes. Monuments and buildings. Situations. People in environmental portraits. Stories. Maybe some macro (flowers, details, some strange small creatures). Well? This lens performs at the top level in all these kinds of photos. And it’s WR. Not that WR is a must-have feature, but it helps to build the fantasy about you taking pictures under a tropical rain in the forest (rather than protecting your lens from dust on the shelf). That’s probably the main reason why, since I bought it, I feel the unexplainable wish to start a journey, to talk about journe ying . This lens makes you wish to visit exotic lands, makes you dream of all the beautiful colors, sunsets, incredible situations that you could live with it. And you know what? Somehow it’s true. It’s true because…what is the sense of buying such an expensive prime lens if you’re not planning to put something amazing in front of it? And it’s true because, no matter what, traveling is wonderful, it shows you the beauty of this planet and you’ll end in being completely satisfied with the decision to leave for distant places . And this lens shines so much in the Fuji line up, that it seems to promise you that it won’t disappoint your needs to return at home with outstanding shots in your SD card.

Fuji 16mm f 1.4 vs Fuji 18mm f 2

And…what about the 18mm F 2, which I love? Abandoned? No, not abandoned. They’re similar yet different at the same time . The focal length is very similar, almost impossible to see the difference just looking at the field of view . They are different from the logistic point of view (18mm: very small, not WR, not so fast, 16mm fast, WR, but also considerably bigger) and, I must admit, from the side of image quality. Nothing wrong about the 18mm, I’m not a fan of super-sharp images, but…wow, sometimes it’s a pleasure for the eyes to see so much perfection and details in the frame.

For me, it’s a must-have . Whatever you want to do, give it a try, Reportage, Travel, Street, Personal Photography, landscape, it won’t disappoint you. But if you’re looking for a pure street photography lens, I’ll keep on suggesting the 18mm f2 . Smaller, cheaper, lighter. That said, this lens is an optic masterpiece like the 56 mm f 1.2 and the 35 mm f 1.4. Superb. Nothing you can complain about it.

Oh, I forgot about one thing: the price. It’s quite expensive . In Italy, thanks to the cashback from Fuji, I’ve bought it for just € 750,00. Not cheap, definitely. You can find it also on Amazon . But remember: photography is not about the gear. It’s about, in the end, how you feel when you’re shooting . Nothing else matters (Metallica quote).

Namasté! Marco

Please, support this blog!

Here’s Andrew’s review of the Fuji XF 16mm 1.4 on youtube .

Reader Interactions

May 9, 2019 at 4:22 pm

Timely post for me (even though it is now May 2019 ). My X100F will soon be replaced with an X-Pro2. I am trying to decide between the 16mm f/1.4 or the smaller 2.8

I know the 1.4 is superior optically, but size and price also play a role… I suspect I’ll go for the 1.4. Thanks Monty

June 28, 2019 at 10:20 am

Hi Monty, I’ve been busy for a while so I couldn’t answer. What did you choose in the end? I haven’t tried the new 2.8 yet. Let me know news about you.

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Home » Reviews » Fujifilm XF 16mm f/1.4 R WR review

Fujifilm XF 16mm f/1.4 R WR review

Fujinon XF16mm f/14R WR

Overall Rating

: 5 out of 5


Andy westlake tries out this weather-sealed fast prime lens for x-system users in our fujifilm xf 16mm f/1.4r wr review, fujifilm xf 16mm f/1.4 r wr review: introduction.

Since the launch of Micro Four Thirds by Olympus and Panasonic in 2008, every other major camera manufacturer has come up with its own mirrorless camera system. With this proliferation of new mounts for compact system cameras, though, comes a need for new lens ranges to match.

Different companies have naturally had different approaches and emphases on building up their own systems, but Fujifilm has been arguably the most focused. It has made the decision to concentrate unashamedly on the higher end of the market, catering specifically to enthusiast and professional photographers who are most likely to build up an extensive lens system.

It has also made the decision to work purely with the APS-C sensor format and choose focal lengths optimised for it, rather than simply reusing ones familiar from the days of 35mm film. The result has been an impressive range of high-quality zooms and primes, with the 16mm f/1.4 the latest addition to the X-system arsenal.

Click for full size image

With its 24mm equivalant view, the 16mm is great for scenic photography. In this shot, I partially corrected converging verticals  in post processing

With an angle of view equivalent to that of a 24mm lens on full-frame, this lens offers a wideangle perspective that should interest landscape and architectural photographers. The impressively fast maximum aperture is appealing for hand-held low-light work, allowing the use of lower ISOs than would otherwise be possible. It also gives potential for selective focus effects, giving a depth of field roughly equivalent to that of an f/2 lens on full-frame. This combination of wide angle and fast aperture is currently unique for a CSC lens.

Fujinon XF 16mm f/1.4 R WR Review: Features

XF16mm f/1.4 67mm thread

The Fujinon XF 16mm f/1.4R WR has a 67mm filter thread

The XF 16mm f/1.4 R WR employs an optical formula of 13 elements in 11 groups, including two aspherical elements and two extra-low dispersion (ED) glass elements, which together are designed to minimise distortion and chromatic aberration. Fujifilm’s Nano GI coating is applied to the inside surface of the front element to combat flare and ghosting, along with HT-EBC (high transmittance electron beam coating) on other glass surfaces.

The ‘R’ in the lens name denotes that, like most of the Fujinon lens range, it includes an aperture ring. This has markings from f/1.4 to f/16 in full stop increments, and click stops at intermediate one-third stop steps. An ‘A’ position passes aperture control to the camera’s automated systems in ‘program’ or ‘shutter priority’ mode.

The large focus ring behaves in the same way as those on Fujifilm’s existing 14mm f/2.8 and 23mm f/1.4 primes. In its forward position the lens is in autofocus mode and the focus ring is locked from moving. Pull the ring back towards the camera and it engages manual focus, exposing a distance scale in the process. There’s also a depth of field scale on the barrel, but its markings are so closely spaced compared to the sparsely labelled distance scale, that it’s of little practical use. The minimum focus distance is a mere 15cm, and a floating focus system is employed to maintain good image quality through the full focal range.

A large petal-shaped hood is supplied with the lens

A large petal-shaped hood is supplied with the lens

For the first time on a Fujifilm prime lens the ‘WR’ suffix is used, denoting weather resistance. The lens has nine seals to protect against dust and water, including one around the bayonet mount. The lens is also freeze-proof and usable at temperatures as low as -10°C at least.

Filters can be attached using 67mm thread; this does not rotate on focusing, making it easy to use with polarisers and neutral density gradient filters that are popular for landscape photography.

A bayonet-fit, plastic petal-type lens hood comes as standard and can be stored in the reverse position when not in use. An optional cylindrical metal hood with a rectangular baffled cut-out, the LH-X16, is due to appear in September 2015.

Fujinon XF 16mm f/1.4 R WR Review: Build and handling

XF16mm f/1.4R onX-T1

The 16mm is one of Fujifilm’s larger primes, but not disproportionate on the X-T1

With its predominantly metal-barrelled construction, the 16mm feels like a top quality piece of kit. In terms of design it’s very similar to Fujifilm’s other fast primes, in particular the 23mm f/1.4, although when it comes to size and weight it’s closer to the 56mm f/1.2. Most of the barrel is taken up by the broad focus ring and the slimmer aperture ring, which are separated by a prominent fixed section that provides a positive grip when changing lenses.

The manual focus ring is one of the better examples of its type, driving manual focus electronically while giving a reasonably good impression of a traditional mechanical design. It rotates smoothly between its infinity and minimum focus end stops, engaging your chosen focus aid in the process.

I’m less pleased with the aperture ring, which has extremely loose click stops making it easy to move inadvertently. This isn’t quite as problematic as it might sound, as you can always see the current aperture setting in the viewfinder, but I’d prefer more positive click stops nonetheless.

For X-Pro1 users it’s worth noting that the 16mm will protrude a huge amount into the lower right area of the optical viewfinder, especially with a hood attached. As with the 14mm f/2.8 and the 10-24mm f/4 zoom, it’s best to use the electronic viewfinder so you can see the entire scene.

Fujinon XF 16mm f/1.4 R WR distance scale

Pulling the focus ring towards the camera enters manual focus mode and reveals a distance scale

With a coreless DC motor driving autofocus, the 16mm isn’t quite the fastest-focusing lens in Fujifilm’s range, but for the kinds of subjects it’s most likely to be used for it’s more than capable. Likewise, while the linear motors used in the company’s top-end zoom lenses are practically inaudible, the 16mm’s AF is merely very quiet indeed. However, only the photographer is likely to be able to hear it and when paired with the silent electronic shutter on the X-T1 and X-T10, it should be possible to shoot in quiet environments with impunity.

In terms of accuracy, as we’ve come to expect from mirrorless systems that determine correct focus using the main imaging sensor, there’s absolutely nothing to complain about. The only caveat is that it’s necessary to ensure that the AF area is aligned exactly with your desired point of focus. When shooting wide open, I also found it pays to select the smallest AF area the camera will use, for the best possible precision.

One useful trick worth knowing is that if the lens’s focus ring is pulled forwards but the camera’s focus mode switch is set to manual, autofocus can then be acquired using the AFL button. This can be helpful when you wish to prefocus on your subject and minimise any possible shutter lag.

Fujinon XF 16mm f/1.4 R WR Review: Image quality

Click for full size image

Distortion is kept to a minimum by purely optical means

Fujifilm’s XF lens range has gained a strong reputation for image quality, and the XF 16mm f/1.4 R WR continues in the same vein. Indeed the lens is a spectacularly good performer, giving impressively sharp images. The extreme edges and corners of the frame are just a little soft at large apertures, but this is likely only to be visible in relatively large prints (12x16in or A3+), and even then shouldn’t detract from a strong subject. Stop down to normal working apertures of f/5.6–f/8, and the lens is critically sharp across the entire frame.

Vignetting is low, and compensated by Fujifilm in JPEG processing. Distortion is practically invisible, and unlike many other CSC lenses, this is achieved by purely optical correction, rather than software correction.

Colour fringing in the corners of the frame due to lateral chromatic aberration is extremely low, but some blue or purple fringing can be seen around extremely high-contrast edges (for example, window frames when shooting interiors) while working at large apertures.

Click for full size image

The wideangle view can be used to produce some dramatic perspectives

If the lens has any kind of weak point, it’s flare when shooting with the sun in, or just outside, the frame. At large apertures veiling flare can reduce contrast nearby, and at small apertures strong multi-coloured patterns can start to appear across much of the frame. Any such problems can usually be seen in the viewfinder before shooting, but there’s little you can do about them.

When working at large apertures, the lens generally renders defocused backgrounds quite smoothly and attractively. This may not be something that’s important for every shot with a wideangle lens, but for certain types of photography such as environmental portraiture, it’s a very welcome trait.

Fujinon XF 16mm f/1.4 R WR Review: Test results

Sharpness is very good in the centre of the image wide open, and the corners aren’t too far behind. Stop down to just f/2.8 and the corners now match the centre. Our MTF measurements then barely change before diffraction sets in at f/11, suggesting there’s plenty in reserve for higher-resolution sensors. The camera used for these tests was the 16MP X-A1, as its Bayer sensor is more tractable for lens testing.

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/1.4

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/1.4

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/2

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/2

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/2.8

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/2.8

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/4

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/4

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/5.6

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/5.6

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/8

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/8

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/11

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/11

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/16

Fujifilm Fujinon XF 16mm f/1.4 R WR MTF at f/16

Vignetting is kept impressively low. In our Applied Imaging tests we see just over a stop of shading in the corners of the frame at f/1.4, which really isn’t much for a fast prime. Fujifilm also corrects vignetting in software, so even this won’t be visible in camera JPEGs. Stopping down to just f/2.8 eliminates shading almost completely.

Fujifilm Fujinon XF 16mm f/1.4 R WR shading at f/1.4

Fujifilm Fujinon XF 16mm f/1.4 R WR shading at f/1.4

Fujifilm Fujinon XF 16mm f/1.4 R WR shading at f/2.8

Fujifilm Fujinon XF 16mm f/1.4 R WR shading at f/2.8

Curvilinear Distortion

While most CSC lenses are designed to employ a degree of software distortion correction, Fujifilm adopts a different approach. Like the 14mm f/2.8, the 16mm is highly optically corrected and displays very little distortion, even when its files are examined using a raw converter like Capture One for which all software correction can be disabled. There’s a tiny amount of barrel distortion detectable here, but it’s rarely visible in practical use.

Fujifilm Fujinon XF 16mm f/1.4 R WR distortion

Fujifilm Fujinon XF 16mm f/1.4 R WR distortion: SMIA TV = -0.4%

Fujinon XF 16mm f/1.4 R WR Review: Conclusion

XF16mm f/1.4R WR on X-T1

The Fujinon XF 16mm f/1.4R W is weather sealed to match the X-T1

Fujifilm’s X system cameras have been gaining a lot of plaudits over the past couple of years for their combination of excellent image quality and photographer-friendly handling.

However, there’s little point in having stellar cameras without a lens line to support them. Fujifilm seems to understand this better than most other manufacturers, with the result that its Fujinon lens range is arguably the most impressive of all those currently available for compact system cameras. The XF16mm f/1.4 R WR only serves to reinforce this.

Click for full size image

With its fast maximum aperture, the 16mm is ideal for shooting indoors and in low light

Indeed, this is one of those rare lenses with which it’s really quite difficult to find fault. Optically it’s excellent, autofocus is fast, quiet and accurate, and build quality is superb, with weatherproofing a very welcome addition. It’s not a particularly small lens, but still a perfectly reasonable size given its specification.

With nothing else quite like it on the market, it’s yet another compelling reason for serious photographers to consider the X system.



Filter diameter, lens elements, diaphragm blades.

f/1.4 - f/16

Minimum focus

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A Review of the Fujifilm XF 16mm f/1.4 R WR Lens

A wide angle lens with a wide maximum aperture is one of the most versatile optics a photographer or filmmaker can have in their bag. If you are a Fujifilm shooter and looking to add one to your collection, the XF 16mm f/1.4 R WR is an intriguing option, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice. 

Coming to you from Christopher Frost , this great video review takes a look at the  Fuji XF 16mm f/1.4 R WR lens . The 16mm f/1.4 features a 24mm-equivalent focal length, making it useful for a range of applications like weddings and events or environmental portraiture. It comes with a nice gamut of features, including:

  • Two extra-low dispersion elements for less color fringing and chromatic aberrations and better clarity
  • Two aspherical elements for lower levels of distortion and improved sharpness
  • HT-EBC coating and Nano-GI (Gradient Index) coatings for less flares and ghosting and increased contrast
  • Two-group floating autofocus system for quick and quiet focusing 
  • Weather-resistant design featuring nine separate seals for dust- and moisture-resistance

Certainly, the XF 16mm f/1.4 R WR is not the sharpest lens in the X Series lineup, but it still offers some nice images at a very useful focal length. Check out the video above for Frost's full thoughts. 

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Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

The Fujinon 16mm f/2.8 R WR Lens: Compact, Super Sharp and Fun

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Fujifilm 16mm f1.4 review.

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Quick Facts about the Fujifilm XF 16mm F1.4

  • Weight: 13.23 oz/375 Grams
  • Weather Sealed: Yes 
  • Filter Size: 67mm 
  • Angle of View: 83.2 Degrees
  • Focusing Distance: 5.91″/15cm
  • Max Aperture: F1.4
  • Minimum Aperture: F16
  • Image Stabilization: No
  • Mount System: Fuji X
  • Price: $999

Table of Contents

Old youtube video , who is the fujifilm 16mm f1.4 for.

Like most people, I always read the reviews of items before I purchase something. 

And when I was purchasing my first prime lens for my Fuji camera, I repeatedly read about the Fujifilm 16mm f1.4 lens. 

The Fuji 16mm f1.4 (I have to clarify because there is a f2.8) is: 

  • One of the most highly rated lenses in the Fuji ecosystem. 
  • One of Fuji’s most popular lenses since its release date in April of 2015. 

Some users of this lens even claims that this lens contains “magic.” 

Now, I have questions about what the technical definition of magic is. However, in my experience it typically means there is a really good combination of image quality (IQ) and low aperture. (f-Stops)

The Fuji 16mm f1.4 does have both of these characteristics. But do I think it is good for most people? 

What other XF wide-angle lenses exist?

  • Fujifilm XF 8-16mm F2.8 

The 8-16mm F2.8’s price has recently been lowered to $1,499. On the used market, it can be found for less than $1,000. Although it is difficult to purchase accessories for, the sharpness from center to corner is better than other lenses with this wide of a focal length. 

  • Fujifilm XF 10-24 F4 

I’ve carried around the 10-24mm F4 for almost two years at this point, and there are a couple of things you should know. It performs better on the wider-end than on the longer-end. (Around 20mm is when the lens starts to struggle.) It’s not actually the best Fujifilm lens for video, as the OIS is good but not great in combination with Fuji’s IBIS. Finally, it’s great for daytime photography. F4 is not enough light for anything at night. 

  • Fujifilm XF 14mm F2.8

Along with the 18mm F2, this is one of those XF lenses that is not widely reviewed or acclaimed. Some people in Facebook forums swear by it, however. 

  • Fujifilm XF 18mm F1.4
  • Fujifilm XF 16mm F2.8

A pocketable lens for the smaller, XF bodies, the 16mm F2.8 has quick autofocus. Plus, the sharpness is good enough from what I hear. I have not had the pleasure of testing this lens out, as I already own the 16mm F1.4. However, I intend to review it shortly. 

  • Fujifilm XF 18mm F2.0

One of Fujifilm’s first attempts at creating an XF lens. This lens is one of the smallest within the entire XF ecosystem. I don’t hear a lot about this lens in various forums, nor do I really read any reviews about it, either.

Dials, Switches, Buttons, and More

On this lens, the aperture ring is marked. Additionally, there is an aperture-lock feature on the far left of the aperture range. However, there are no button, and it is quite easy to switch between F16 and A. 

Finally, there is a manual focus clutch. The markings on the lens are .15 meters, 0.25, 0.5, 1, and 5 meters. 

All around, there are not a buttons. However, the uniqueness of the focus clutch is interesting. From what I have seen, the 16mm f1.4 might be one of the few Fujinon lenses that offer this. (Along with the 14mm F2.8 and original 23mm F1.4.) 

Fuji Zoom Lenses

Build Quality

The Fuji build quality is one of the main reasons I jumped into the Fuji ecosystem, and the Fuji 16mm f1.4 is no different.  This lens is exceptionally built, and it is made out of metal instead of plastic. 

Also, this lens is actually weather resistant. (Just don’t change your camera lens out in the elements!)

At 375 grams (.82 pounds), to me, it really doesn’t feel as heavy as it is. The lens shape is short and squatty too, with dimensions of 2.89 x 2.87″  or 73.4 x 73 mm. 

For some people, they invest into the X-Mount for compact size, and for some people this lens is still to big. However, I don’t think it is. I would still be able to fit this lens in my jacket pocket if I tried. 

The only downside to the 16mm F1.4’s build quality is humidity. When the humidity is high, the lens becomes a little bit slippery to hold. I am not quite sure why, but it may be the paint. This is the same paint that leaves fingerprints, too. 

Macro Performance

This lens is a bit of an outlier being a wide-angle lens with a very close focusing distance. The focusing distance of the 16mm F1.4 is 5.91 inches or about 15 centimeters. 

So, the maximum magnification ratio is around .20x

Compared to the 14mm F2.8, which has a ratio of .12x, or even the Sigma 16mm F1.4 which is .1x. 

Electric Travel Adapters

Color Fringing

The 16mm F1.4 does suffer pretty heavily from green bokeh fringing. Take, for example, this portrait photo. 

It’s pretty evident that there is fringing alongside the cliff, and even down on the beach where the sand and ocean meet. 


To take it one step further, I attempted to do a deep dive to see if I can reduce this fringing as I stopped down. 

Fujifilm 16mm F1.4 - Color Fringing - F1.4

Sadly, the green fringing is still there, even at F2.8. This isn’t necessarily an end of the world phenomenon, but it does take over to stops for the fringing to disappear. 

This might be a byproduct of the lens construction circa 2015. However, the newish Fujifilm lenses do much, much better. 

Autofocus Test

AF Speed +0 

Continuous Autofocus 

The 16mm F1.4’s autofocus has seen a significant improvement with the introduction of the X-Trans IV and V sensors, however, the lens does again lag behind in the autofocus realm. 

First off, there is a pretty noticeable motor noise. I have used this lens in videos with a shotgun microphone, and this is actually noticeable. (Fixable but noticeable) 

Additionally, the autofocus does hunt a bit, too. The system and settings you use will vastly affect this more than the lens, but it just seems less confident. 

All around, I think that if you are relying on Autofocus, the 16mm F1.4 is excellent for photography and occasionally videography. 

Bokeh Review

I was not a huge fan of the bokeh from the 16mm F1.4, but this is more due to the focal length and aperture combination rather than the actual rendering from the lens. 

Fuji 16mm F1.4 Bokeh @ 1.4

If you really need good bokeh from Fujifilm lens, there are better alternatives. 

Bokeh Balls

A shocker to say the least, there were no major defects with the bokeh balls. 

No cat’s eye, onion rings, soap bubbles, or anything of that sort. 

Fujifilm 16mm F1.4 Bokeh Balls @F1.4

At F1.4, I really cannot think of a lens that performs better at similar focal lengths and with this lens mount in regard to bokeh balls. 

In regard to sharpness from center to corner, the Fujifilm 16mm 1.4 performs good-enough for most prime lenses, and it is noticeably better than the zoom options by Fujifilm.

Starting off at the minimum aperture (F1.4), the 16mm F1.4 starts off excellent. And it slowly gets better at F2 and F2.8. I think peak sharpness for the enter of the frame performs the best from F2.8 until about F11 or so. Additionally, we really don’t see the same drop off at F11 in the center as we did in the corner. F16 is passable.

The corner starts off more good than excellent at F1.4, but it is excellent by the time you reach F2.8.


Nothing to really report. Prime lenses, from my testing, often have less distortion than zoom lenses. 

Fujifilm 16mm F1.4 - Distortion NOT Fixed


Similar to distortion, I did not notice any major vignetting with this lens. I checked with both JPEG images that were straight out of the camera (which I imagined were fixed in-body) and the RAF files in Capture One. 

The sunstars on the 16mm are good but not great. I was able to achieve solid points around F14. This isn’t the best focal length to achieve sharp images with this lens, either. 

Fujifilm 16mm F1.4 - F7.1


There is some slight ghosting, and it does not matter if you use a larger or smaller aperture. 

I really don’t think it is distracting in any way, however. It’s also not as bad as the 18mm F1.4, so that’s a plus. 

The ghosting in the video below will be a little purple blob. 


Whenever people hear that the lens has a maximum aperture of 1.4 AND it is a wide angle, most people will automatically assume it is good for astrophotography. 

However, the Fuji 16mm f1.4 is an exception to the rule. 

The camera suffers from coma, especially in the corners at f1.4. 

Coma in the Fuji 16mm f1.4

What is coma? Coma in photography is when you start getting cones from the light sources. In this case, the coma turns the stars (circles) into little cones. 

The great thing about coma on this lens is it is limited. It will show up on long exposure photography, but it won’t for anything less than 5 seconds. 

If you want to read more about coma and the Fuji 16mm f1.4, a great thread on DP Review can be found here.  

One note: The coma is also completely gone by the time you reach the aperture of f2.8.

Sample Gallery

Fujifilm 16mm F1.4 Sample Photos

My Final Notes

  • The Fujifilm 16mm f1.4 lens is built better. 
  • The Rokinon/Samyang is 1/4 the price. 
  • The Rokinon/Samyang also is manual-focus only. 

But am I going to keep the lens? Yes. Here’s why

  • Field of FOV
  • Photo focused, not video focused. 

Not going to lie, there is a major opportunity cost to switch from the 16mm or 18mm. Finally, I really do think the 24mm field of view is perfect for documentary/landscapes/cities/street photography. 

Price: 3.5/5

With the MSRP holding at $999, this lens is too expensive compared to the newer Fujifilm 18mm F1.4 WR.

On the bright side, this does mean you can get an excellent copy for less than $600 sometimes. 

Reliability: 4/5

We lost half-a-point for the green fringing. And another half-a-point is lost for the autofocus concerns on both the older and newer bodies. 


-.5 for the manual focus clutch being pretty loose. 

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Fujifilm 18mm vs 16mm F1.4

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Fujifilm 18mm F1.4 Review

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Fujifilm 8mm F3.5 Review

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Fujifilm 16-55mm F2.8 Review

Fujifilm 50mm F2 Review

Fujifilm 50mm F2 Review

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fuji 16mm 1.4 travel

Fujinon XF 16mm f/1.4 WR Review

I spent the last weekend with the newest available lens on Fujifilm’s X mount lens roadmap: the long-awaited wide angle XF 16mm f/1.4 WR . Thanks to Fujifilm Switzerland I was able to walk around with a sample copy of this new lens mounted on my X-T1. Even though 16mm will be considered a wide angle lens, it is effectively a 24mm lens, when mounted on an APS-C sensor X body. It will be for sure an attractive option for landscape shooters, but I decided to give it a go on the street. Let’s have a look at how it performed.

First things first: when I review a piece of equipment (a lens, a camera, a tripod), I really, honestly don’t care so much about all the technical specifications. Naturally, I know what I am using, I know which aperture I need and what angle of view the lens is giving me. But I don’t analyse distortion and aberration differences at various apertures and I don’t zoom my photographs 200% to see if the edge of the wall or the eyebrows are tack sharp. If you are expecting this kind of review, please look for it somewhere else. What counts for me is what character of a photograph this particular lens is giving me and how easy and intuitive it is to use.

XF 16mm f/1.4 WR did not surprise me. It is an excellent lens. Let’s have a look at some details.

Build quality and handling

If you are used to Fujifilm’s previous top-of-the-line lenses like the 56mm f/1.2 or the 23mm f/1.4, you will immediately feel “at home”. The XF 16mm f/1.4 WR is a solid, robust lens, which feels very good in your hand. Its metal barrel and and metal mount make it feel like a tank. I didn’t throw it against the wall, but you get the impression it wouldn’t do it much harm. It is not the smallest lens (the size is kind of comparable with the 56mm), but considering the fact that it is a wide angle lens, its size feels actually pretty compact. It nicely matches the X-T1 – this particular combo feels really well-balanced and it is a pleasure to shoot with it.

It has two rings on the barrel: the aperture ring (closer to the lens mount) and the focusing ring (closer to the front of the lens), which is equipped with a push-pull manual focus selector and the engraved depth of field markings. Landscape shooters will just love it. It is a weather resistant lens. Landscape shooters will love it too.

Autofocus and speed

Mounted on my X-T1 this lens performed blazingly fast. I didn’t have any issues focusing on people walking down the street and quickly taking my shots. Focusing was basically instantaneous. I loved using this lens for street photography. Having an effective 24mm field of view seemed ideal for catching so many street scenes. And the fact that it is a wide angle lens made it possible to have entire scenes in focus, even if shooting wide open.

X-T1 + XF 16mm f/1.4 WR. ISO 200, f/1.8, 1/4000sec.

Sharpness and contrast

Fujinon at its best. I just love the results. Images are crisp, but still not overly sharp. XF 16mm delivers images with this unique mix of sharpness and softness I haven’t experienced from any other brand lenses. Colours are wonderful and natural straight from the camera.

X-T1 + XF 16mm f/1.4 WR. ISO 400, f/4.5, 1/1400sec.


It seems that Fujinon added another gem to their lens collection. As I already wrote before, I didn’t pixel peep, I didn’t test this lens at every possible aperture/shutter speed combination. But the images I got with it are beautiful. Sharpness, color rendition (yes, I still look at it, even though I am primarily a black and white photographer), speed of operation and the built quality make this lens another reliable tool in our Fujinon arsenal. It was a pain giving this lens back, but I will once seriously consider getting this lens for street photography.

Have a look at a couple more images I took with the XF 16mm f/1.4 WR last weekend:

X-T1 + XF 16mm f/1.4 WR. ISO 200, f/2.8, 1/1250 sec.

X-T1 + XF 16mm f/1.4 WR. ISO 400, f/4.5, 1/550 sec.

X-T1 + XF 16mm f/1.4 WR. ISO 200, f/4.5, 1/1250 sec.

X-T1 + XF 16mm f/1.4 WR. ISO 200, f/2.8, 1/1600 sec.

P.S. Ok, for those who care about distortion and such… here is one shot of my table. Taken from approximately 50 cm above the table surface. SOOC.

X-T1 + XF 16mm f/1.4 WR. ISO 6400, f/4.0, 1/150 sec.

And for those who were looking for some f/1.4 samples, here they are:

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Elektrostal Localisation : Country Russia , Oblast Moscow Oblast . Available Information : Geographical coordinates , Population, Altitude, Area, Weather and Hotel . Nearby cities and villages : Noginsk , Pavlovsky Posad and Staraya Kupavna .


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Elektrostal Demography

Information on the people and the population of Elektrostal.

Elektrostal Geography

Geographic Information regarding City of Elektrostal .

Elektrostal Distance

Distance (in kilometers) between Elektrostal and the biggest cities of Russia.

Elektrostal Map

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Elektrostal Nearby cities and villages

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Elektrostal Sunrise and sunset

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Elektrostal Nearby

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  1. Objectif Fujifilm XF 16mm f/1.4 pour APS-C à monture X

    fuji 16mm 1.4 travel

  2. Fujifilm XF 16mm f/1.4 R WR

    fuji 16mm 1.4 travel

  3. Fujifilm XF 16mm f/1.4 Review

    fuji 16mm 1.4 travel


    fuji 16mm 1.4 travel

  5. Fujifilm XF 16mm f/1.4 Review

    fuji 16mm 1.4 travel

  6. Fujifilm 16mm f/1.4 R WR Fujinon XF

    fuji 16mm 1.4 travel


  1. Fujifilm 16mm F1.4 review

  2. My thoughts with the Fuji 16mm F2.8 and why It will be my go to Street Photography Lens

  3. Schloß Paffendorf I Fuji X-T5 & Fuji X-S20

  4. Fuji 16mm 1.4 Street Photography at night #fujifilm #fuji

  5. Fujifilm 16mm f2.8: The Only Travel Photography Lens I Need

  6. Fuji 16mm 1.4 + 50-140mm Winter #fujifilm #fuji


  1. REVIEW: Fuji 16mm f1.4 WR (Pros, Cons, & Sample Images)

    The fact that Fuji's 16mm f1.4 has such a wide f1.4 maximum aperture makes it a bit unique among wide-angle lenses. Since wide-angle lenses are often used for landscapes and stopped down to lower apertures to maximum in-focus area and sharpness, it's not that common you'll see a wide-angle lens offering an f1.4 aperture.

  2. Fujifilm XF 16mm f/1.4 Review

    With exceptional build quality, the Fujifilm XF 16mm f/1.4 is built to last. When mounted to a larger Fujifilm body such as the X-Pro3 or the X-T4, the pairing is perfect. Visually, it just looks like an incredibly stylish, yet retro, combination. In the hand, the 375g lens balances perfectly with the approximate 600g Fuji body.

  3. Fujifilm XF 16mm f/1.4 R WR Review

    Fujifilm XF 16mm f/1.4 R WR Introduction. The Fujifilm XF 16mm f/1.4 R WR was released in April 2015, almost exactly 5 years ago. It was a serious contender for me when I migrated to the X Series in early 2016 at the beginning of our 5050 travel project. Until then I had relied on a Canon EF 16-35mm f/4L IS for my wide-angle photography.

  4. Fujinon XF16mm F1.4

    Fuji XF16mmF1.4 . f/5.0 . 1/500″ . ISO 1600. Coming to the lens review, I would like to discuss its overall build quality and features, first followed by my experience using this lens on the Streets and while Travelling. The 16mm F1.4 is exceptionally well built, weighing in around 375 gms.

  5. My Impressions of the Fujifilm 16mm f/1.4

    Combined with peak highlights on the EVF viewfinder, manual focus has literally never been easier. On top of all this, the lens is weather resistant too making the Fujifilm 16mm f/1.4 practically a perfect travel photography lens. Whilst there are cheaper lighter and smaller options out there, I honestly could still not look past this lens.

  6. Fujifilm Fujinon XF 16mm F1.4 R WR Review

    The XF 16mm ($999.00 at Amazon) is a hefty prime. It measures 2.9 by 2.9 inches (HD), tips the scales at 13.2 ounces, and supports 67mm front filters. The barrel is metal, finished in glossy black ...

  7. Fujifilm XF 16mm f1.4 review

    The Fujifilm XF 16mm f1.4 is a bright wide-angle prime lens for the X-series of mirrorless cameras. Announced in April 2015, it delivers fixed coverage equivalent to 24mm to capture comfortably wider views than 28mm, without the distortion of shorter, ultra-wide focal lenses. This balance makes 24mm one of the most popular focal lengths of any ...

  8. Fuji XF 16mm f/1.4 WR Lens Review: The Professional's Wide Angle

    Weight:375 grams (0.827 lb) Size: 2.89" diameter x 2.87" long. Filter diameter: 67mm. view on amazon. This super fast wide angle lens is a triumph of design and form factor, housing a massive f/1.4 aperture and top-quality glassin a weather sealed metal body with buttery-smooth, tactile focusing and aperture rings.

  9. Fujifilm XF 16mm F1.4 R WR Overview

    The XF16mmF1.4 R WR features a high-speed autofocus of 0.11 seconds, a weather- and dust-resistant structure that can work in temperatures as low as 14°F, and great portability thanks to its compact size. The XF16mmF1.4 R WR includes a depth-of-field scale on the focus ring that is perfect for landscape, travel and street photographers who ...

  10. Fujifilm XF 16mm f/1.4 R WR Review

    The XF 16mm f/1.4 (24mm equivalent field of view on full frame), long talked about, was released in May Fujifilm's lineup of fast primes is what sets it apart in the world of mirrorless cameras.

  11. Fuji 16mm F 1.4 review: a masterpiece lens.

    A new chapter from Fuji: the Fujinon 16mm f 1.4 review. A masterpiece that I'll probably glue to the camera. A new chapter from Fuji: the Fujinon 16mm f 1.4 review. A masterpiece that I'll probably glue to the camera. ... If you love to travel…buy it. Period. I think this lens is really perfect for travel. If you shoot travel reportage or ...

  12. Fujifilm XF 16mm f/1.4 R WR review

    The Fujinon XF 16mm f/1.4R WR has a 67mm filter thread. The XF 16mm f/1.4 R WR employs an optical formula of 13 elements in 11 groups, including two aspherical elements and two extra-low dispersion (ED) glass elements, which together are designed to minimise distortion and chromatic aberration. Fujifilm's Nano GI coating is applied to the ...

  13. A Review of the Fujifilm XF 16mm f/1.4 R WR Lens

    Coming to you from Christopher Frost, this great video review takes a look at the Fuji XF 16mm f/1.4 R WR lens.The 16mm f/1.4 features a 24mm-equivalent focal length, making it useful for a range ...

  14. Fuji 16mm f/1.4 Review

    Fujifilm Fujinon XF 16mm f/1.4 R WR ASPH for X-mount cameras (metal 67mm filter thread, 13.2 oz./375g, 0.49'/0.15m close focus, about $849). enlarge.I got mine at this link to it at Adorama; these links to it at Amazon and at B&H are also great places to get it.. This all-content, junk-free website's biggest source of support is when you use those or any of these links to approved sources when ...

  15. Fujifilm 16mm f1.4 Lens Review (4 Reasons to own it!)

    In regard to sharpness from center to corner, the Fujifilm 16mm 1.4 performs good-enough for most prime lenses, and it is noticeably better than the zoom options by Fujifilm. Center. Starting off at the minimum aperture (F1.4), the 16mm F1.4 starts off excellent. And it slowly gets better at F2 and F2.8.

  16. Sigma 16mm f/1.4 DC DN Review

    The Sigma 16mm f/1.4 does offer a nice compromise between the two Fuji 16mm models. Fuji's f/2.8 model is less expensive and fully weather-sealed. Their 16mm f/1.4 is also fully sealed, but costs nearly twice as much as the Sigma. With the Sigma sitting at $449 currently, it's a nice middle ground.

  17. Fujinon XF 16mm f/1.4 WR Review

    I spent the last weekend with the newest available lens on Fujifilm's X mount lens roadmap: the long-awaited wide angle XF 16mm f/1.4 WR. Thanks to Fujifilm Switzerland I was able to walk around with a sample copy of this new lens mounted on my X-T1. Even though 16mm will be considered a wide angle lens, it is effectively a 24mm lens, when mounted on an APS-C sensor X body.

  18. prime set for fuji?: Fujifilm X System / SLR Talk Forum: Digital

    Fujifilm X-T5 Fujifilm X100VI Fujifilm XF 16mm F2.8 Fujifilm 50mm F2 R WR Fujifilm XF 23mm F2 R WR +6 more. ... My personal travel kit is 15-45 and 35/1.4, plus 75/1.8 will be added soon. 15-45 for versatility and everything wide, and 35/1.4 is my hero covering 50% of all shots. 75 mm is long enough to make difference. ...

  19. Specifications

    ©FUJIFILM Corporation. Country / Region XF16mmF1.4 R WR Overview Specifications Sample Images Specifications. Lens Configuration. MTF Chart. Vertical axis : Contrast. Horizontal axis : Distance from the center of the image. S : Sagittal ... f=16mm (24mm in 35mm format equivalent)

  20. Gorodskoy Okrug Elektrostal' Map

    Gorodskoy Okrug Elektrostal' is in Moscow Oblast. Gorodskoy Okrug Elektrostal' is situated nearby to Shibanovo and Vysokovo. Mapcarta, the open map.

  21. Elektrostal Map

    Elektrostal is a city in Moscow Oblast, Russia, located 58 kilometers east of Moscow. Elektrostal has about 158,000 residents. Mapcarta, the open map.

  22. Fujifilm XF 16mm F1.4 R WR Overview

    The XF16mmF1.4 R WR features a high-speed autofocus of 0.11 seconds, a weather- and dust-resistant structure that can work in temperatures as low as 14°F, and great portability thanks to its compact size. The XF16mmF1.4 R WR includes a depth-of-field scale on the focus ring that is perfect for landscape, travel and street photographers who ...

  23. Elektrostal, Moscow Oblast, Russia

    Elektrostal Geography. Geographic Information regarding City of Elektrostal. Elektrostal Geographical coordinates. Latitude: 55.8, Longitude: 38.45. 55° 48′ 0″ North, 38° 27′ 0″ East. Elektrostal Area. 4,951 hectares. 49.51 km² (19.12 sq mi) Elektrostal Altitude.

  24. Elektrostal

    In 1938, it was granted town status. [citation needed]Administrative and municipal status. Within the framework of administrative divisions, it is incorporated as Elektrostal City Under Oblast Jurisdiction—an administrative unit with the status equal to that of the districts. As a municipal division, Elektrostal City Under Oblast Jurisdiction is incorporated as Elektrostal Urban Okrug.