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Goose Norwalk, Connecticut

Rick Mitarotonda (vocals, guitar), Peter Anspach (vocals, keys, guitar), Trevor Weekz (bass), Jeff Arevalo (vocals, percussion, drums) and Cotter Ellis (drums) — traverse genres with their unique brand of irresistible songcraft, fluid musicianship, and spirited improvisational performance. ...   more

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Published: 2020/10/18 by Jake May

Take A Lap: Goose Reflect on Bingo Tour

It is no secret that Goose is one of the hardest working bands in the jam scene, but they have also been on the cutting edge of pandemic performances. In recent months, the Connecticut-based group has performed countless socially-distant and drive-in performances at venues such as The Champlain Valley Expo in Essex Junction, Vt. and South Farms in Morris, Ct.

However, even before those types of performances were an option, Goose still found ways to push themselves musically and conceptually while providing live performances for their fans. In June, the band “embarked” on a Bingo Tour; they livestreamed shows from an indoor location during which balls were periodically pulled with prompts such as “20+ Minute Jam,” “no drums” or “take a lap.” In addition, fans played along at home on digital bingo cards, adding another interactive element to the shows. Below, the band–guitarists Rick Mitarotonda and Peter Anspach, bassist Trevor Weekz and drummer Ben Atkind–looks back on the innovative virtual tour.

Let’s get right into the Bingo Tour. I read recently that the idea for the bingo thing predated the coronavirus stuff.

Peter Anspach: I think it was like a band conversation back in like December of last year. I wrote it down in my notes in my phone whenever it came up. So it was like something, something that we were just joking around with back then.

How early on in the lockdown did you guys sort of refit that idea into something to do as a quarantined live tour?

PA: I think it was like sometime in April. In early April we had just done like a few live streams for Live From Out There – we did three of those – and there was a moment where we’re like, ‘Okay let’s do a virtual summer tour,’ and that was kind of brought up and within a span of like, I guess a day or two. Rick and I were talking [about] how we could make this a little bit more fun and interactive and then we both thought, ‘Hey we got this Bingo Tour we thought about doing, we can just call it Bingo Tour and it will be really funny.’

What was the process like for picking the balls? Did you guys just add a bunch of your own – other than the song ones obviously which are sort of obvious but like things like the 20+minute jams or take a lap – stuff like that.

Rick Mitarotonda: Yeah, everyone kinda threw out a bunch of ideas and we kind of just ended up taking the ones that we thought would be the funniest or make the most sense or worked best but everyone kind of like threw out a bunch of ideas for those. There were very long lists of ideas for bingo balls.

PA: Yeah, a lot of them didn’t make it. Haha.

What were some favorites that didn’t make the cut, if you could share?

Ben Atkind: Um, Trevor takes his shirt off.

Trevor Weekz: Yeah. That’s probably it. [Laughs]

What were some of your favorites that did ultimately make the cut? Which ones were you most excited when they got pulled?

BA: A lot of the mystery songs. Those were either new originals or new covers–we had a blast playing most of those.

RM: Rotation jam was definitely fun.

TW: Yeah, that show’s epic.

PA: I like “Take A Lap.”

RM: All the exercise stuff was actually surprising. It kind of like… the jams got pretty interesting, but we weren’t sure how well it was gonna work. It was just… at what point do people not want to watch us. There was something about it; the jams would pick up a ton of energy when we were each taking turns doing push ups or whatever. So yeah, that was definitely a highlight I would say

Well, maybe exercising will become a fixture of shows going forward.

BA: I guess we’ll see.

When you return to a live setting, could the Bingo Balls rear their head?

TW: I’d say definitely. The original idea kind of came about just as like maybe we’ll do a show that way or even just a single set or something like that–and that was kind of the original idea and then we used it for the virtual streams but I definitely wouldn’t rule it out for the rest of time.

RM: Definitely, the Bingo Balls will rear their heads. The Balls will be back, The Balls will return.

Speaking of covers, my entry point to Goose was your cover of Paul Simon’s “Me And Julio Down By The Schoolyard,” which is not a song that I would expect a jam band to play. You guys have an extremely eclectic and unexpected set of covers, and I’m curious about how you guys go about choosing them or how spontaneous they are. Is it the night of the show, a long-term plan or the mixture of the two?

RM: I think it’s just the group perspective and overlap of taste and things like that. There’s definitely a sense of humor involved in the cover choices in a lot of regard. I feel like there’s a lot of songs that we think are really funny but also really dope, like Kylie Minogue or Pina Coladas [“Escape (The Piña Colada Song)”]–like that song’s hilarious but it’s also kind of awesome. But I think that like for the shows, for good shows, there’s this thing where a lot of things are a joke but we also take it seriously. Kind of this hybrid situation.

Yeah that makes a lot of sense. I feel like the cover I think of when you say that is something like your version of “I’m Alright” by Kenny Loggins. An absolute banger.

RM: [Laughs] I’m glad you get the Loggins.

Oh, yeah. I love that.

RM: Not everyone gets it you know.

He’s got a bunch of great ones.

RM: Oh yeah. Loggins himself is a banger.

True. Another thing I’m always curious about in terms of bands that improvise is when you’re “forced” to jam as it were. You know, a lot of things I love about improvisation is that a jam can kind of just happen at any time, but in the Bingo Tour you obviously had a few different balls that were like “fifteen-minute jam” or “twenty-plus minute jam.” When you are put on the spot like that and know you’re going to be going deep, is there a different mindset you have to tap into for something like that?

BA: I think it totally depends. It’s all about the energy that’s happening. Like whatever song we’re finishing, if we see a plus 20 minute jam, like honestly we could go with anything. We could keep jamming with the same song from there or I know sometimes we just kind of stopped and started up again–it’s really whatever we’re doing. We’ve jammed together enough and we didn’t have to plan anything out there, we knew it would be just whatever we were feeling.

Did you ever find yourselves checking the time?

PA: I was looking at the clock, but the 20 minute jam just ended up being twenty one minutes. At a certain point, I just stopped looking at the clock until it was done and I was like, ‘Oh that was twenty minutes.’ When a twenty-minute jam comes up you just have to put yourself in a certain mindset like, ‘Okay be patient here.’ What happened in that twenty-minute jam segment was pretty unique to what would normally happen out of a song, so I think it was a pretty cool experience.

Going off of that, Ben, you mentioned the energy. How different is it to be playing to no audience? Are you trying to imagine an audience or are you treating it more as a studio jam or rehearsal situation?

TW: I think it has its pros and cons. At live shows we obviously feed off the energy a ton. But in the Bingo Tour format, I don’t know, you can kind of go deeper into the music at times. At least that’s how I felt.

BA: Yeah, we had a small, very close group of friends and band crew and management, so it wasn’t like we were playing to no one. It was really nice having a couple people in the room.

RM: There’s a certain sense of freedom to it, too. Whereas at a show there’s so much energy being propelled from both sides and a crowd full of people who are really fired up and, you know, ready to get their faces melted. That draws a certain energy out of you, and it can be hard to get really still when in that context. So that’s definitely a pro or an interesting difference or advantage to playing in this context. There’s less immediate pull to kind of like pop the top off. We can kind of breathe a little more and explore some quieter, stiller places I guess.

Speaking of audiences looking to get their faces melted, right before quarantine you guys were really on an impressive streak of live performances. I feel like when I see Goose written about or talked about online, it’s a lot about how quickly you guys have risen in the last year or couple of years. I would imagine that it hasn’t felt as quick from your perspective.

BA: It definitely hasn’t felt quick. I mean, the rapid growth has felt quick, but it was really crazy because we’d have some rises but it was a really, really slow process, and then all of a sudden we just hit that turning point and everything changed. So like, when I think about the amount of things that have happened in the last year alone, it’s kind of crazy to think about. But it’s not like we just all of a sudden got there–there were years of grinding and everything to get there. It doesn’t feel as quick as it probably seems to other people.

PA: Those pinch me moments, especially for me, were when we were in the middle of Fall Tour last year and upcoming shows were starting to sell out as the fall was progressing. We weren’t sure about [the January New York shows] because we had just played Halloween in New York City and we were like, “Wow should we really go back in three or four months–it seems too soon.” And they both sold out in less than a minute and it was kind of like, “Who are all these people?” It was definitely a huge pinch-me moment right there that something serious was happening. Just getting to play the shows was like… you know, we’re very fortunate especially in this time. We’re very grateful that happened and all that jazz, but yeah, it’s definitely a pinch me moment.

RM: There’s like a ton of moments now, because there’s a lot of developmental things that we sort of skipped over, by the nature of how things happened. Mainly, barely being able to put like 45 people in a 150 person capacity venue in New Haven and our next show in New Haven’s probably going to be… I don’t even know how many people are gonna be there but it’s not going to be 150, you know. So, there’s a lot of instances of like, “Oh, wow, we’re going to go play a huge room in some city where the last time we played there it was 10 people there.” There’s a lot of this processing and I feel like the last couple months that process changed more so than while it’s happening.

You mention the covers are from the overlap of taste; I’m curious, who are some of your most listened to artists, who do you take cues from?

RM: Alright, you know, I think, there’s sort of different overlaps in different areas. You know, Ben and I for example, our first favorite band was probably The Dave Matthews Band. Right Ben?

BA: Yeah, oh yeah.

RM: He’s a big Carter Beauford fan, I listened to a ton of Dave Matthews when I was younger. There’s a lot of cool stuff there – that was kind of off the bat when we started playing together, that was sort of the common vibe or common thread, common interest. Also, on that note like, the whole like Medeski Martin Woods Scofield type scene, that type of stuff. All those guys are something that we definitely connect over and very much common ground. And then, you know obviously, growing up we all–or at least Trevor, Peter, and I–went to a lot of Phish shows. Now Ben’s fully on the train and wasn’t at first.

BA: Yeah, they got me.

RM: Yeah, Phish and Dead and stuff is common ground for us growing up where we did, so that stuff is sort of a given. But then, Peter and I are really interested in a lot of indie songwriters and folk, more modern stuff which I didn’t even get into until relatively recently…past five or six years or so. And that’s kind of been a huge influence in that time. Then, you know Trev just cranks mad psych-trance and lays down fat beats ,which is dope.

Is there anything else you guys wanted to highlight from the tour or speak on?

BA: I think a big thing, we all definitely would like to thank and re-appreciate our management and team and everyone working on this. Music aside, the whole Bingo Tour, the whole production team–those guys absolutely destroyed it, so we’ve been really fortunate to be with the best team possible during this team.

PA: And also a shoutout for fans getting involved in such an experimental thing, we had like over 4,000 people tuning in pretty much each night so just having that much support, you know, when you’re not actually physically with people is, it made it what it was which was a super special experience for everybody.

RM: And people just trusting us; we’re like “Bingo Tour!” – we didn’t say too much about it – everyone’s like what the hell is this but everyone just got involved anyway, we definitely appreciate that.

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Goose Drives Into Bingo Tour Night One With Expanded Roster, Debut, More [Video]

Friday night  Goose  performed the first two sets of Bingo Tour , the virtual concert series which sees the band construct a setlist on the fly for each show at the Goose Community Rec Center .

The first of four “bingo” performances began with a “free space jam”—as will each of the next three—before Jon “Coach” Lombardi  pulled the first ball of the night, “Jive II”. A noticeable addition to the four-man roster was percussionist  Jeffery Arevalo , who took center stage between drummer Ben Atkind and guitarist/vocalist Rick Mitarotonda . Arevalo has been featured on bass during all of the “aGOOSetic” performances for 11E1even  Group ‘s virtual festival series,  Live From Out There , however, this marked his first show with the full band. Up next was another  Moon Cabin  track, “Into The Myst”, which set up a monstrous, 40+ minute marathon ending to set one.

Related: Goose Delivers ‘Jam In The Van’ Debut With “Drive”, “Wysteria Lane”, More [Watch]

When Coach pulled the next bingo ball, “Drive”, viewers at home knew they were in for a ride. The song is a consistent jam vehicle that often stretches well beyond 15 minutes. Notable aspects of this “Drive” included a headstrong solo by keyboardist/guitarist/vocalist  Peter Anspach and thumping bassline groove from the fully-clothed Trevor Weekz . About 17 minutes into “Drive”, Coach pulled the “Take A Lap” ball. One by one, the musicians took a lap around the Rec Center, before coming back to their instruments and allowing the next to go for a run. A “Coach on Rainstick” jam then led to the first of seven possible mystery songs. Here, Goose debuted “Travelers”, which Mitarotonda wrote for an earlier project, St. John’s Revival . During the debut, a “+15 Minute Jam” ball arrived, and Goose stretched “Travelers” all the way to the end of set one.

The serene “Echo of a Rose” jump-started set two before a cover of  Creedence Clearwater Revival ‘s “Green River” led to  Walter Murphy ‘s “A Fifth of Beethoven”. “Time To Flee” came next before each member of the band got another workout in with 40 squats a piece. The final Moon Cabin  song of the night, “Indian River”, then sat before  Kenny Loggins ‘ “I’m Alright” and “Make The Move”. “Yeti” followed and setup the closer, “Jive Lee”, an instrumental relative to “Jive I” and “Jive II”. Finally, Goose encored with “Rotation Jam”, which saw each member of the band switch instruments. The 10-minute jam featured Anspach on bass, Mitarotonda on drums, Atkind on percussion, Weekz on guitar, and Arevalo on keys. Check out a pro-shot video of “Drive” > “Take A Lap” > “Coach on Rainstick” below, and scroll down for a detailed setlist.

Goose – “Drive” > “Take A Lap” > “Coach on Rainstick” – 6/19/20

Goose will continue the  Bingo Tour  tonight (6/20). The festivities begin at 6:00 p.m. ET with a set from Great Blue , Anspach’s side project, followed by a pool party DJ set from Doey Joey at 7:00 p.m. Goose will then play two sets beginning at 8:00 p.m. For more information and to purchase the streams, click here .

Setlist : Goose | Goose Community Rec Center | Somewhere, CT | 6/19/20

Set One: Free Space Jam > Jive II, Jive II, Into The Myst, Drive > Take A Lap > Coach on Rainstick > Mystery Song 1[1] > +15 minute jam

Set Two: Echo of a Rose, Green River (Creedence Clearwater Revival cover), A Fifth of Beethoven (Walter Murphy cover), Time to Flee > 40 Squats > Indian River > I’m Alright (Kenny Loggins cover) > Make the Move (Kenny Loggins cover) > Yeti > Jive Lee[2]

Encore: Rotation Jam[3]

[1] “Travelers” — First Time Played

[2] Coach on rainstick

[3] Everyone switched instruments — FTP

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Bingo Tour streaming: where to watch online?

You can buy "Bingo Tour" on Apple TV, Amazon Video, Google Play Movies, YouTube, Vudu as download or rent it on Vudu, Apple TV, Amazon Video, Google Play Movies, YouTube online.

In June 2020, Goose performed a Virtual Summer Tour named Bingo Tour. The tour featured 4 "Bingo Nights" of music, and 6 additional days of community events, all live-streamed. Bingo Tour is a compilation of the 4 "Bingo Nights" into one show experience with additional behind-the-scenes content.

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Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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Scottie Scheffler arrested before PGA Championship Round 2

Scottie Scheffler speaks about getting detained on his way to the PGA Championship. (2:33)

• Senior college football writer
• Author of seven books on college football
• Graduate of the University of Georgia

LOUISVILLE, Ky. -- World No. 1 golfer Scottie Scheffler was arrested by Louisville Metro Police on Friday morning after trying to drive into the entrance of Valhalla Golf Club, the site of this week's PGA Championship.

Traffic outside the golf course had been stopped after a man was struck and killed by a shuttle bus around 5 a.m. ET.

Scheffler faces charges of second-degree assault of a police officer, third-degree criminal mischief, reckless driving, and disregarding traffic signals from an officer directing traffic. The assault charge is a felony; the others are misdemeanors.

Maj. Jason Logsdon of the Louisville Metro Department of Corrections told ESPN that Scheffler was released at 8:40 a.m. ET Friday without bail. He arrived at Valhalla less than an hour before he was scheduled to tee off at 10:08 a.m. ET.

"This morning, I was proceeding as directed by police officers," Scheffler said in a statement. "It was a very chaotic situation, understandably so considering the tragic accident that had occurred earlier, and there was a big misunderstanding of what I thought I was being asked to do. I never intended to disregard any of the instructions. I'm hopeful to put this to the side and focus on golf today.

"Of course, all of us involved in the tournament express our deepest sympathies to the family of the man who passed away in the earlier accident this morning. It truly puts everything in perspective."

According to ESPN reporter Jeff Darlington, who witnessed the incident, Scheffler was trying to drive around the crash scene on a median. A police officer instructed Scheffler to stop, but Scheffler continued to drive about 10 to 20 yards toward the entrance.

At one point, an officer attached himself to the side of Scheffler's car. Scheffler stopped his car as he turned into the entrance of Valhalla Golf Club.

After about 20 to 30 seconds, Scheffler rolled down his window to talk to the officer. The officer grabbed Scheffler's arm to pull him out of the vehicle, according to Darlington. The officer reached inside the vehicle to open the door, and once Scheffler was pulled out, he was pushed against the car and placed in handcuffs.

Darlington was standing at the entrance when Scheffler was detained. Darlington said Scheffler turned to him and asked, "Can you help?"

According to Darlington, an officer instructed him to back away.

"You need to get out of the way," the officer told Darlington. "Right now, he's going to jail, and there's nothing you can do about it."

The officer -- Det. Bryan Gillis, identified as Det. Gillis in the arrest report -- was dragged "to the ground" and suffered "pain, swelling, and abrasions to his left wrist" after the car "accelerated forward," according to the police report.

The officer was dressed in a high visibility reflective jacket when he stopped Scheffler's car to give instructions, the arrest sheet said. Gillis was taken to the hospital for his injuries.

Scheffler's attorney, Steven Romines, told ESPN that the golfer attempted to enter Valhalla Golf Club as he had been instructed to earlier, unaware there had been a fatal wreck just up the road.

"He was going into Valhalla to work out," Romines said. "He was getting ready for his tee time. They were directing traffic. He held his credential out and was going in like they'd been instructed to. Apparently, there had been a traffic accident, maybe even a fatality, down the road, and that had changed the traffic patterns, and he was unaware of that."

Romines, speaking outside the Louisville Metro Department of Corrections, said the officer who attempted to stop Scheffler wasn't part of the regular event-traffic detail at Valhalla Golf Club, "so that's where the miscommunication arose."

"They are allowed to go through, that's why they have the credential and the wave-through," Romines said. "[Scheffler] was unaware there had been a wreck, and he proceeded like they'd been instructed to. He did exactly as he was instructed to enter the premises."

Romines said Scheffler would cooperate fully with police and "we'll deal with it as it progresses."

Scheffler, 27, has won four of his past five starts, including his second major championship at the Masters in April.

The start of the second round was delayed after a shuttle bus struck and killed a pedestrian outside Valhalla Golf Club, a spokesperson for the Louisville Metro Police Department confirmed to ESPN.

The unidentified man was attempting to cross Shelbyville Road when he was struck in a dedicated lane for buses. Police said the man died at the scene.

"This morning we were devastated to learn that a worker with one of our vendors was tragically struck and killed by a shuttle bus outside Valhalla Golf Club," the PGA of America said in a statement. "This is heartbreaking to all of us involved with the PGA Championship. We extend our sincere condolences to their family and loved ones."

Several police and first responders were still at the scene at 6:45 a.m. ET. Traffic had backed up on the roadway in dark and wet conditions, and shuttle buses bringing fans to the golf course had been stopped.

The second round had been scheduled to start at 7:15 a.m. ET.

Gigi Hadid and Bradley Cooper Sing With Travis Kelce at Eras Tour Concert

A Gigi Hadid–Bradley Cooper romance was not on our 2023–24 bingo card, but here we are.

The model and the actor were first linked in early October 2023, when they were spotted grabbing dinner in New York City and then, days later, seen returning from what looked like a romantic weekend getaway. The outings came weeks after Hadid had been linked to actor Leonardo DiCaprio.

Hadid and Cooper have been spotted out together since, though they continue to keep their relationship out of the spotlight.

Ahead, everything we know about the ultra-private couple’s romance.

May 2024: They support Taylor Swift at an Eras Tour concert.

Fans captured footage of the couple singing and dancing alongside Travis Kelce at an Eras Tour concert in Paris. (Watch the video here .) The group is seated in a private box, with Hadid wearing a long black top over jeans and Cooper in a light collared button-down.

April 24, 2024: They go on weekend getaway with Taylor Swift and Travis Kelce.

The NFL star’s mom, Donna Kelce, shares on April 24 at QVC’s Age of Possibility summit in Las Vegas that her son sent her a photo from the dreamy vacation town of Carmel-by-the-Sea, California, where he and Swift enjoyed a few days on the beach with Cooper and Hadid.

As Hadid and Swift are longtime friends, it’s no surprise they would double-date with their respective beaus.

March 23, 2024: They hold hands on another NYC date.

Hadid and Cooper are captured in photos published by People , walking hand in hand leaving Broadway’s Lunt-Fontanne Theatre after a performance of Sweeney Todd: The Demon Barber of Fleet Street.

Hadid is preppy-chic in a beige gingham co-ord composed of flowy pants and a button-up shirt, which she wears open over a simple white tee. She adds some edge to the fit with black accents, in the form of a large leather biker jacket, matching loafers, a leather belt with silver hardware, and a small leather clutch. For jewelry, she opts for gold hoops and layers of dainty gold chain necklaces.

Cooper looks cool beside her in his own black leather biker jacket, blue button-down, beige scarf, gray beanie, olive-green cargo pants, black leather boots, and clear frame glasses.

March 22, 2024: They enjoy a romantic dinner in NYC.

Hadid and Cooper are captured in photos published by People leaving New York City’s famed Italian restaurant Cucina Alba.

The model hit the town in a look that’s equal parts preppy and rocker-chic, donning a black leather biker jacket over an inky-black sweater vest layered atop a crisp white T-shirt, paired with light-wash jeans, a narrow black belt, and black Chelsea boots with a pointed toe. She accessorizes with a small black top-handle purse with bronze hardware, layers of gold charm necklaces, and small hoop earrings. Hadid glams up with bright red lipstick and a matching manicure, and wears her blonde bob down and straight.

For Cooper’s part, he looks cool in brown flowy pants, a multitone gray striped shirt, a black varsity jacket with white sleeves, and brown-and-red color-blocked sneakers.

March 14, 2024: They enjoy a PDA-filled dinner with friends.

We might not have gotten a red-carpet debut at the Oscars, but Hadid and Cooper give us plenty to obsess over when they go out for dinner with friends at New York City’s Via Carota. In photos published by the Daily Mail , the two are seen gazing into each other’s eyes lovingly, laughing, and kissing.

Hadid looks chic in an oversize black blazer with a white detail along the shoulders, while Cooper looks effortlessly cool in a dark bomber jacket.

February 26, 2024: They go on a breakfast date.

Hadid and Cooper are spotted out in again in New York City, this time on a sweet breakfast date at Corner Bar in Chinatown. Both dress casually for the outing, with the model wearing a white T-shirt, loose light-wash blue jeans from Icon Denim , a brown knit cardigan, and maroon Adidas Gazelles . She accessorizes with white oval sunglasses by DMY, a yellow clutch, a matching yellow hair clip, pearl drop earrings, and layers of chain necklaces. The actor, meanwhile, wears a black hoodie bearing the words “Musicians of the NY Philharmonic,” matching sweatpants, a gray beanie, and brown aviator sunglasses.

February 1, 2024: They go on a New York City date.

A few days after confirming their dating status in London, Hadid and Cooper head out in New York City, where they’re photographed walking together and smiling widely.

Hadid looks cool in a plain white Ralph Lauren T-shirt, a collared black leather zip-up jacket, dark gray high-rise jeans, and glossy black Santoni loafers. Cooper is casual in a black button-up jacket with a red hood, light-wash jeans, and gray hiking boots.

January 25, 2024: They confirm their romance with PDA-filled photos.

The two travel to London together, where they are photographed holding hands as they stroll down the streets of the city.

Hadid wears a puffy collared leather jacket in dark brown, paired with camel terry cloth pants, black loafers, and black oval-shaped sunglasses. Meanwhile, Cooper wears a navy blue double-breasted jacket with camo cargo pants, a chunky checkered blue knit beanie, and sneakers.

January 7, 2024: They go on a post–Golden Globes date.

The pair enjoy a date night after the 81st Golden Globes . Following the ceremony, both are photographed at Los Angeles hot spot Giorgio Baldi. Cooper looks dapper in the same black suit he wore to the award show, while Hadid is chic in an all-black look composed of a strapless top, loose trousers, a long coat, and pointy heels.

December 6, 2023: Gigi and Irina support Bradley’s shift at a NYC food truck.

Cooper partnered with Danny DiGiampietro of Angelo’s Pizzeria to open Danny & Coop’s, a new Philly cheesesteak food truck in New York City. During the actor’s shift, both Hadid and his ex Irina Shayk were photographed stopping by separately to pick up food.

Shayk appeared in a black Nike puffer jacket and black trousers, with her and Cooper’s six-year-old daughter, Lea De Seine, accompanying her to grab a bite to eat. Later, Hadid visited the truck wearing a denim jacket, black trousers, and a blue Yankees cap.

A source tells Entertainment Tonight that Shayk and Hadid’s ex Zayn Malik have no bad blood about their former partners’ current dating lives.

“Gigi, Bradley, Irina, and Zayn are all in a place where they want each person to be happy and healthy,” the insider says. “Zayn’s priority is to have a good co-parenting relationship with Gigi.”

November 16, 2023: Bradley reps Gigi’s fashion line.

It appears Hadid has left a fashionable mark on Cooper, as he was seen repping a green, blue, and black striped sweater from the model’s brand Guest In Residence while on a solo stroll in NYC. He kept the rest of his look just as quirky and colorful, pairing the knit crew with a green varsity jacket from J. Lindberg x Golden Bear and camo cargo pants. Cooper finished things off with Nike sneakers, a beige knit beanie, and tortoiseshell glasses.

November 4, 2023: Bradley crashes Gigi’s girls’ night out.

Cooper makes an appearance at a group dinner with Hadid and her star-studded girl crew, which includes Taylor Swift, Selena Gomez, Sophie Turner, Cara Delevingne, and Brittany Mahomes.

In photos you can see here , the supermodel looks chic in a black Guest in Residence jacket , knee-high Toteme kitten-heel boots , and a black Miu Miu purse. Meanwhile, Cooper cuts a casual figure in a black hoodie, a denim jacket, blue trousers, and a black beanie.

November 1, 2023: They go on a theater date.

Cooper and Hadid attend an Off Broadway play at the Lucille Lortel Theatre in Manhattan’s West Village. They reportedly see Danny and the Deep Blue Sea , which stars Aubrey Plaza and Christopher Abbott.

Hadid keeps a low profile in a cozy patterned yellow coat and black baseball hat, while Cooper wears a black jacket, brown slacks, Nike sneakers, and glasses.

October 8, 2023: They return from a weekend getaway.

Hadid and Cooper are photographed driving into New York City together on Sunday with light luggage, after seemingly going on a weekend escape. They both wear casual clothes, and the actor is seen dropping the model off at her apartment.

Days later, sources claim the new couple has been using pal Taylor Swift’s Rhode Island mansion for their private getaways.

October 5, 2023: They go out to dinner.

Hadid and Cooper are seen out together for the first time after reportedly being introduced by Cooper’s ex Irina Shayk and their mutual industry friends. The two step out for a dinner date at Via Carota in the West Village.