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About GRMLN

Empire is GRMLN’s album for the cruis’n world: Upbeat rock ‘n’ roll with the feel of ‘90s pop-punk. The new tracks are much more rock-driven than Explore’s gentle, dreamy tunes. Wanting to capture the sound of a live band, Yoodoo Park—the born-in-Japan Southern Californian behind GRMLN—recorded the album with his brother Tae San Park on bass and friend Keith Frerichs on drums. 

Album standout “Hand Pistol” is a catchy mix of polished-up Superchunk and poppier Jimmy Eat World. There’s “Cheer Up” with its ‘50s-style chord progression and climactic, fiery plea of “Don’t break down!” Empire’s quietest number is the closer “Dear Fear,” an acoustic strummer about the damage time can do. The record’s energy and brevity translated to a concise recording process. The nine songs (all but two are under three minutes) were recorded and mixed in a span of five days at Different Fur Studios in San Francisco with Patrick Brown and Sean Paulson (Toro Y Moi’s Anything In Return).

Lyrically, Empire is a look into 20-year-old Yoodoo’s head as he deals with growing up and how that complicates relationships. “I see the world going by without me/ it’s just the way that I’m moving back to you,” he sings on “Blue Lagoon.” Yoodoo notes that while writing the album he matured out of a phase of naïveté, consequently becoming disillusioned with love. The album was mostly written the months preceding and during Yoodoo’s sophomore year at the University of California Santa Cruz. When the fall semester began, Yoodoo would either write in between classes or just ditch the day’s lessons all together in pursuit of a song.

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With dorian electra, amelia moore, with julia cooper, mars red sky, with howling giant, with becca mancari.

GRMLN’s Yoodoo Park: “I want to make as much as I can while I’m alive”

The wandering musician, who recently landed in Queensland, talks his 15th full-length album ‘Dark Music In The Sun’, his beginnings with acclaimed US indie Carpark Records and more

When Yoodoo Park arrived in Queensland in early 2020, he wasn’t expecting to stay as long as he has. The year that ensued, of course, had other plans. To his credit, however, the Japan-born multi-instrumentalist better known as GRMLN has taken the experience in his stride.

“I have family on the Sunshine Coast, so I relocated from where I was living in Japan right before COVID hit,” says Park. “Luckily, moving here was probably the best out of anywhere in the world. I was considering moving back to America, but it just wasn’t the right timing. It’s ultimately felt like the best choice, given there’s live shows happening here. My friends in America probably wouldn’t be playing any shows for a while yet.”

Park is quick to note the geographical confusion surrounding the project: GRMLN’s Bandcamp says they’re an Australian act, yet Wikipedia lists them as a Southern Californian one. “I’m just all over the place,” he explains. Park is the sole songwriter, instrumentalist and producer behind GRMLN, which has made the transitions from country to country relatively easy.

“I have American and Japanese bands, and now have friends helping me out in Australia. As far as recording goes, I do everything myself. To me, that’s perfect,” he declares. “I don’t have to work with a fixed lineup, where I need someone to do guitar or something like that. That’s why it’s been able to continue for so long.”

GRMLN initially began releasing music in the early 2010s. Park came up with the moniker in high school, originally going by Gremlin before realising a Google search would immediately lead you to the ’80s movie. Rather than feed the mogwai after midnight, however, Park opted to simply remove the vowels.

His sun-kissed take on jangly garage rock captured on tracks like ‘Relax Yourself (Dolphin Cry)’ and ‘Summer Nights’ garnered attention from international blogs, and ultimately got Park signed to beloved indie label Carpark Records. Here he was, barely out of high school and freshly 18, calling then-basement-project upstarts Cloud Nothings and established indie darling Toro y Moi his label-mates.

Two albums and an EP on the label followed. Park also undertook extensive touring with peers like Yuck and Born Ruffians, as well as appearing at festivals such as South By South West. It was a learning curve for the young Park, who had barely performed live prior to his signing to Carpark.

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“I was so naïve that I didn’t even realise that you could play the songs differently to how they were on record,” he says. “I was like, ‘OK, this is what I’ve recorded, this is exactly how we have to play it’.” At their first show in Los Angeles, he remembers, there was no-one in the crowd except for their press agent. “It took a lot of experimenting with different band line-ups and with how we sounded before we were able to become a bit more comfortable with the whole thing.”

GRMLN managed to get tracks like the urgent, rumbling ‘Teenage Rhythm’ and ‘Jaded’ featured on video game soundtracks ( Forza Horizon 2 ) and TV shows like Shadowhunters and Difficult People . Park, however, quickly found himself burnt out. He parted ways with Carpark amicably and returned to college.

“I wasn’t really focusing on music when I released the second album,” Park says of 2014’s ‘Soon Away’. “I had started to become more hesitant when it came to my music. I went on a real journey of questioning all of it – like, ‘Am I allowed to release this? Am I not? What will people think of this?’ I’d become really skeptical.”

Park stresses that he is still on good terms with the label, and is ultimately thankful for the experience. “I still email with Todd [Hyman, Carpark founder] every now and then,” he says. “They definitely gave me a boost of credibility that meant a lot when I was young and starting out, but there’s now this mutual understanding that I’m doing my own thing.”

And doing his own thing means maintaining a streak of new music. Since 2017’s ‘Discovery’ – GRMLN’s first as an independent act – Park has released at least one new album every year. More often than not, there’s been two. “I’m at a point where I’m so independent with my releases,” he says. “If you’re on a label and release a few singles that people end up not liking, that’s another risk you’re taking. Not only does it reflect badly on you, it reflects badly on the label. That’s something I don’t have to worry about anymore. I can just release everything.”

“I don’t want to die not producing as much as I could have”

As if to prove a point, Park has released nine new GRMLN singles in 2021 alone – all of which will appear on the project’s 15th studio album, ‘Dark Music In The Sun’ . That album, by the way, is coming out tomorrow, on a Tuesday – itself a rarity in the New Music Friday era. So, why release the lion’s share of an album before putting the whole thing out? “That just comes down to me being a bit psychotic,” Park confesses with a laugh.

“When I was living in Japan, I was feeling kind of stagnant – there was nothing really happening. By releasing singles the way I have been, I could feel like I’m putting something out there. I never want to feel like I’m missing out. I don’t want to die not producing as much as I could have. I want to make as much as I can while I’m alive.”

Across the multitude of GRMLN albums, the project has naturally progressed into new territory. On 2019’s ‘Is It Really That Strange?’, for instance, GRMLN embraces a robust post-punk sound comparable to Joy Division or Wire. Last year’s ‘Goodbye, World’, by contrast, calls upon brighter textures and a more polished indie-pop approach.

This prolific nature once again stems from Park’s time in Japan, where he would turn to working on GRMLN music whenever he had the opportunity. “I think I recorded three albums in one year,” Park recalls. “I had nothing else to do. I was teaching English in Japan. That was my only thing I had going – I would teach, go home and record. I had so many songs piled up, it got to the point where the amount I was releasing wasn’t catching up to how many songs I was making.”

‘Dark Music In The Sun’ is Park’s first new album that wasn’t part of said backlog – which ended in 2020 with the July release of defiantly upbeat and brisk ‘Morning Star’.

The album is notable for being Park’s first GRMLN album written and recorded on Australian soil. “I landed in January, and started recording in this little caravan,” Park says. “The main difference between recording the last few albums in Japan and here is that now I can make as much noise as I want.”

“When I was in Japan, I was recording in a really small apartment. You could hear people on the other side of the walls. That’s the reason why the last couple of records were a lot quieter and a lot softer. Here, I could be a bit more aggressive. I could sing a lot louder. Because I’m in the bush, there’s no-one to really say anything.”

“When it comes to the idea of having a home, there’s this whole feeling I don’t have”

Lyrically, on ‘Dark Music In The Sun’ Park reflects more on his spirituality and his personal identity as he enters his late 20s. “Even before COVID, I was a bit unhappy,” he says. “There’s no reason I should be unhappy, but when I write music it stems from this feeling of uncertainty. I’m a Korean man, born in Japan, that moved to America and is now living in Australia. When it comes to the idea of having a home, there’s this whole feeling I don’t have.”

It seems, though, that Park is beginning to make a home for himself here. He’s played some shows in Brisbane, including two sold-out shows with noisemakers VOIID to a great reception. “People have been really kind,” he says. And in April, he will headline Brisbane institution Ric’s and the Gold Coast’s premier punk venue Vinnie’s Dive in support of ‘Dark Music In The Sun’. Park hopes to play to other cities in Australia as soon as he’s logistically able.

“In Queensland, you still hear about COVID on the news and things like that,” he says. “It’s all still a bit uncertain, even though the cases are really low here. It just takes one case to ruin the whole music scene and industry. When the time’s right, though, I definitely would love to come down and tour as much as I can.”

GRMLN’s ‘Dark Music In The Sun’ is out March 30

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GRMLN Debuts “Teenage Rhythm”, Starts Tour

GRMLN (Yoodoo Park) released his new album, Empire , last month on Carpark Records. Now he shares the video for his fast-paced single, “Teenage Rhythm”. The director, Tim Hendrix, captures the essence of the track with an unlikely cast. “it looks like a gaggle of geriatrics smoking weed in the park, partying hard, and beating the shit out of each other at house shows. Everyone remembers the glory days of their 70s…”

GRMLN is heading out on a North American tour with Tijuana Panthers followed by fellow California band, Geographer. He will be joined by his full band – brother, Tae San Park on bass; Keith Frerichs on drums; and Kambiz Shahrvini on guitar. Full dates below.

Empire (Carpark Records)

Street Date: Out now.

1. Teenage Rhythm

2. Blue Lagoon

3. Hand Pistol

4. Coastal Love

5. Do You Know How It Feels?

6. Summer Days

8. Cheer Up

9. Dear Fear

07/18 Seattle, WA – Rendezvous* 07/19 Reno, NV – Chapel* 07/21 San Francisco, CA – Cafe Du Nord* 07/22 Bakersfield, CA – Sandrinis* 07/23 San Diego, CA – Soda Bar* 07/24 Long Beach, CA – Fingerprints (In-store) 07/26 Los Angeles, CA – The Echo* 07/27 Pomona, CA – Viva Music Festival @ The Glasshouse 07/28 Santa Ana, CA – The Observatory  ^# 08/08 Portland, OR – Aladdin Theatre ^ 08/10 Vancouver, BC – Media Club ^ 08/12 Missoula, MT – Stage 112 ^ 08/14 Minneapolis, MN – 7th Street Entry ^ 08/16 Ferndale, MI – The Loving Touch ^ 08/18 Montreal, QC – Il Motore ^ 08/20 Providence, RI – Fete Lounge ^ 08/21 Boston, MA – Church ^ 08/22 Edgartown, MA – Flatbread Co ^ 08/24 New York, NY – Bowery Ballroom ^ 08/25 Philadelphia, PA – Johnny Brenda’s ^ 08/26 Washington, DC – DC9 ^ 08/27 Pittsburgh, PA – Altar Bar ^ 08/28 Cleveland, OH – Grog Shop ^ 08/30 Chicago, IL – Schubas ^ 08/31 Des Moines, IA – Gaslamp ^ 09/01 Kansas City, MO – Riot Room ^ 09/02 Denver, CO – Larimer ^

http://grmlnband.tumblr.com/ 

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About grmln.

The noise pop project of Yoodoo Park, GRMLN incorporates the sunny, easygoing feel of his Southern Californian upbringing with nostalgia for his Japanese roots. Choosing the name GRMLN to highlight this feeling of disconnection, Park began writing and recording songs in 2010, fitting in their creation between surfing and attending the University of California Santa Cruz. His debut EP, the dreamy Explore, arrived in October of 2012; by the time he released his first full-length, Empire, in June 2013, Park had retooled GRMLN to accommodate a full-band lineup (which included his brother Tae San Park on bass and drummer Keith Frerichs), which was reflected in the album's punk-poppy sound. ~ Heather Phares

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By Steven Hyden

October 30, 2012

From the Beach Boys to Dr. Dre, from War to X, from Guns N' Roses to Kendrick Lamar, southern California has inspired more great driving music than any other part of the country. And so it goes for 19-year-old college student and occasional surfer Yoodoo Park, who first started recording short, melancholic guitar-pop songs as GRMLN two years ago for his own enjoyment while cruising around in his car. GRMLN's debut EP,  Explore , collects seven of those tracks, which flit in and out over the course of 15 breezy minutes. It's a solid but slight record made by an artist who could produce something more substantial should he discover grander ambitions.

Based on Park's preference for pointillist guitars and subtly driving surf-rock rhythms, it might have been easier for him just to play Real Estate or Beach Fossils CDs in his car, rather than make his own variation on the dreamy, nostalgic music those groups have come to personify. Explore 's first single, "Coral", certainly doesn't break any new ground in the sad guy/sunny melody school of songwriting. For two minutes a circular guitar riff and stiffly syncopated drum beat set the tone for Park's moony deference for the ocean and the big, bright sun setting over it. "It's all right," he sings in the chorus, which is about as decipherable as he gets on Explore. Park sings in a soft voice somewhere between a murmur and a sigh, preferring to let jangly six-strings and ping-pong basslines articulate the emotional core of his songs.

While the guitars immediately jump out of the otherwise spare and direct songs on Explore , it's the brittle yet surprisingly nimble rhythm section that ultimately sticks. The drum part on "Depressions" is little more than a lightly tapped snare, but as the song settles into a hypnotic, relatively extended groove that pushes to nearly three minutes, Park exhibits a proclivity for quietly unfolding soundscapes that could really beguile if he ever gets a bigger recording budget. Conversely, the stripped down "Live.Think.Die" never really goes anywhere, as Park trills pleasantly over his unaccompanied guitar for a few minutes before suddenly stopping.

Explore suggests that while Park can produce listenable songs that do right by their influences, he's still an inexperienced talent in the process of finding his own voice. The album-closing "Patio" sounds weirdly like a left-coast Bon Iver, with its ethereal acoustic strumming and falsetto vocal. It's a derivative curveball that pushes Explore in a more generic direction. Park is better off building on the emotional quality of his recent cover of Ben E. King's "Stand By Me". Like the most affecting parts of Explore , Park's "Stand By Me" is old fashioned, predictable, and probably shouldn't work as well as it does. But Park's guileless open-heartedness is naive in the best possible sense. If he can combine that feeling with more sophisticated songwriting, he might have something.

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Yoodoo Park, known by his stage name GRMLN, is a Korean/Japanese musician based in America/Australia.

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GRMLN – TOUR TIPS

In this Tour Tips segment, Yoodoo Park of the punk band, GRMLN, gives you his somewhat serious tips for being on tour.

Digital Tour Bus

In this Tour Tips segment, Yoodoo Park of the punk band, GRMLN, gives you his somewhat serious tips for being on tour. You can check out the feature, after the break.

1. Don’t forget to bring headphones. It’s essential when trying to block out the annoying member in the band for long drives between shows. Luckily I’m the annoying one in the band so I personally don’t have to worry too much about headphones.

2. Listen to the most cringy music you can find while driving at night from a show to keep you from falling asleep. Research shows that the emotion of disgust can heighten a human’s sense by 140%. Which is why my bandmates like me talking about my life when they get sleepy on the road.

3. Don’t take it personally when no one shows up to the show. It’s most likely that if you’re not Coldplay, people don’t care enough to see your band. Because there are so many bands these days, it’s hard to keep up. Why would anyone go to a GRMLN show, if Coldplay is playing just a few streets down. HA

4. Take it personally when no one shows up to the show. It’s most likely that you’ll come to a realization that people prefer Coldplay over your band. Which isn’t a bad thing.

5. Listen to Kidz Bop. You can usually grab a copy before leaving on tour at any local library. But don’t forget to check the return date, you don’t wanna rack up the price on the overdue tab and have a freeze on your library card account.

Keep up with the band on Facebook and Twitter !

(Photo credit: Natalie Fields)

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GRMLN “Empire” out today

GRMLN’s debut album “Empire” is out today and available to order in CD, LP or digital format from our webshop . The LP version of “Empire” will come on maroon vinyl while supplies last. Check out GRMLN’s acoustic rendition of “Dear Fear” via Impose . Summer tour dates have just been announced.

June 14th – Los Angeles, CA @ The Smell July 16th – Portland, OR @ Doug Fir * July 18th – Seattle, WA @ Rendezvous * July 19th – Reno, NV @ Chapel * July 21st – San Francisco, CA @ Cafe du Nord * July 22nd – Bakersfield, CA @ Sandrinis * July 23rd – San Diego, CA @ Soda Bar * July 24th – Long Beach, CA @ Fingerprints * (in-store) July 26th – Los Angeles, CA @ The Echo * July 27th – Pomona, CA @ The Glasshouse (Viva! Pomona) * w/ Tijuana Panthers

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The noise pop project of Yoodoo Park, GRMLN incorporates the sunny, easygoing feel of his Southern Californian upbringing with nostalgia for his Japanese roots (he was born in Kyoto and returns to Japan each summer). Choosing the name GRMLN to highlight this feeling of disconnection, Park began writing and recording songs in 2010, fitting in their creation between surfing and attending the University of California Santa Cruz. His debut EP, the dreamy Explore, arrived in October of 2012; by the time he released his first full-length, Empire, in June 2013, Park had retooled GRMLN to accommodate a full-band lineup (which included his brother Tae San Park on bass and drummer Keith Frerichs), which was reflected in the album's punk-poppy sound. The songs for the next album were written partly in Japan, partly while the band was on tour in the U.S. The darker, more aggressive set was tracked by the group at Different Fur Studios in San Francisco with engineers Patrick Brown and Sean Paulson, who both also worked on Empire. Titled Soon Away, the record was released by Carpark in September of 2014. ~ Heather Phares

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