mark chesnutt tour 2022

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Mark Chesnutt  

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Upcoming concerts (10)

Mo's Place

Arlington Music Hall

Grand Event Center

Ameristar Casino and Hotel

Capital Region MU Health Care Amphitheater

Lowbrow Palace

Lincoln Amphitheatre

The Showroom at the Golden Nugget

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Mark Chesnutt is a country singer and songwriter hailing from Beaumont, Texas, United States who was born on the 6th of September, 1963. Since his debut in 1988, he has released fourteen studio albums and has become one of the most respected interpreters in country music.

Mystery Jets and Haim aside, you’ll find very few stories of musicians proud of performing with their dads. It’s just not the done thing in the minds of most but in the world of country music, where homespun folksiness is practically law and absolute respect for one’s parents is paramount, it’s a little more understandable. Mark Chesnutt is one such musician who didn’t just get his musical education from his parents, but he cut his teeth performing with his dad. He was a singer of some renown among with clubs and bars of south-east Texas when he wasn’t working his day job as a used car salesman, and once he saw that his son was a rare talent as well, he worked his 15 year old son into his act singing a couple of numbers a night while he took a break.

Mark started to develop a following of his own and by the time he was 17, his father took him into Music City itself, Nashville Tennessee, to do some professional recording while he was still working on getting his high school diploma. Once he left school he moved to Nashville full time, and over the next ten years he released singles of his own on independent labels around the city while supporting himself as the leader of a local nightclub’s house band. As the 1980’s drew to a close, he’d paid enough dues for the word about him to spread to major labels, and the word of mouth that he’d been whipping up for the better part of a decade secured him a record contract with MCA Records.

As it turns out, there’s a good chance there was some higher power was satisfied with the work that Chesnutt had already put in. His first majorly released album “Too Cold At Home”, went platinum and produced five straight top ten singles on the Billboard Hot Country Songs chart, including the number one single “Brother Jukebox”. In fact, the whole of the 1990’s were coloured that way for Chesnutt. His first three albums went platinum, his fourth went gold and after a slight misstep in the middle of the decade, got back on form with the release of his eighth album “I Don’t Want To Miss A Thing”, which saw him have a top 20 hit on the Billboard Hot 100 with its title track. By the end of the 1990’s, he’d had eight singles top the country charts in ten years.

Ever since then, Chesnutt has become known as one of the best interpreters in the business, rarely writing his own songs but the skill he has with a cover is utterly unrivalled. He can even take songs by the legendary likes of Hank Williams Jr. and Kris Kristofferson and carve out a sound entirely of his own with them. He may not enjoy the commercial success that he had in his heyday but he no longer needs it, he has his fan-base and his busy touring schedule, and that’s all he needs. He’s still releasing records as he sails into his fifth decade on this planet and any fan of country music should be thankful for that. Highly recommended.

Live reviews

The God’s honest truth of the matter is that you can look at Mark Chesnutt’s photo on this very page and most of you will know what you’re going to get at a live show of his. A lot of acoustic guitar? Check. A heartbroken Texan singing about drinkin’ away the heartbreak? Check. Possibly a Stetson? Two and a trucker cap, in fact! So yeah, you’d basically be right on all accounts but the question is, is that a bad thing? The answer to that is hell no. This is because Mark Chessnut simply means it a lot more than your average country singer. Especially the kind of mainstream country you get these days which seems to be mostly about partying and legs. If anyone’s close enough to look him in the eyes when he sings of drinkin’ away the heartbreak, they could tell that he’s not making any of it up. The confessional aspect is heightened by how stripped down the whole thing is, it’s Chessnut, a rhythm guitarist and a guy playing lead. Sometimes one feels almost voyeuristic in just how intimate the whole thing is. There is always redemption in his words and music however, and everyone comes away from his live show with a spring in their step and a smile on their face. Don’t take my word for it though; check him out the next chance you get!

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I don't recall when I first got to see Mark Chesnutt play live, but it was years ago. I don't know that I've ever heard someone sing who can bring out the emotion in every song like he does.

When I still had an mp3 player, probably at least 75% of the songs on there were his. Mark Chesnutt is an incredible song writer and singer. If you like real country music...you need to get to this concert!

Music always great, though sound wasn't the best in the venue. Wished show was longer with more hits played. All 3 artists on stage which made it more personal still with 3 trying to play wish they played longer. Encore just okay, But overall enjoyed it!

Awesome show by Mark Chesnutt and also his opener. Really hope they come back again, we enjoyed it! The seating was very nice w a very good view of the show. Mark is a legend

Mark Chesnutt fan,

Nate Newbanks

My husband & I attended the concert & had an amazing time & would go back in a heartbeat to see it again in a heartbeat!!! He sang some of his old songs along with the newer ones. He gave a great show!!!

I never made the show , I just did not get a ticket.I do not remember the reason, but, I am disappointed, as i am a fan of Mark Chesnutt.

Posters (11)

Past concerts

Paramount Theatre

John T. Floore's Country Store

Blue Gate Performing Arts Center

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Mark Chesnutt tour dates and tickets 2024-2025 near you

Want to see Mark Chesnutt in concert? Find information on all of Mark Chesnutt’s upcoming concerts, tour dates and ticket information for 2024-2025.

Mark Chesnutt is not due to play near your location currently - but they are scheduled to play 10 concerts across 1 country in 2024-2025. View all concerts.

Next 3 concerts:

• Katy, TX, US
• Arlington, TX, US
• Lake Charles, LA, US

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• Steel Banglez (6210)
• Mark Chesnutt (6211)
• The Green (6212)

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Most played:

• Dallas - Fort Worth (32)
• Denver (19)
• San Antonio (17)
• Baton Rouge (16)
• Houston (16)

Appears most with:

• Joe Diffie (104)
• Tracy Lawrence (80)
• Martina McBride (13)
• Kenny Chesney (12)
• Lee Ann Womack (12)

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Mark Chesnutt

We look forward to welcoming  Mark Chesnutt  to Billy Bob’s Texas on  Saturday, December 3.  We offer a one-of-a-kind experience in the heart of the Fort Worth Stockyards! While you’re here check out the  Honky Tonk Kitchen ,   Billy Bob’s gift store , and  live bull ridin g !

Show Details Mark Chesnutt on the Main Stage 10 PM Niles City on the Honky Tonk Stage at 8 PM Doors Open at 6 PM

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Billy Bob's Texas

stay in tune with your favorite country stars.

T. Graham Brown Host of ‘Live Wire’ Welcomes Mark Chesnutt as Special Guest on SiriusXM’s Prime Country Channel 58 Starting Wednesday, Oct 5 at 10/9c

With continued airings throughout October, T. Graham Brown’s Live Wire features live cuts from artists including The Kentucky Headhunters, Clint Black, Exile, Alabama, T. Graham Brown, Gregg Allman & more

“I hope you will grab your favorite pumpkin spice “something” and join us for October’s LIVE WIRE for some great music and stories from throughout the years,” shares Brown. “It was a blast visiting with my buddy Mark Chesnutt and spinning some of the greatest live tracks from hitmakers we all know and love! It’s gonna be a good time!”

October’s continued airings include live cuts from top country artists and bands including The Kentucky Headhunters, Clint Black, Exile, Alabama, T. Graham Brown, and Gregg Allman , along with an interview with hitmaker Mark Chesnutt . LIVE WIRE is also available on-demand worldwide with the SiriusXM app and Pandora NOW with a standard SiriusXM subscription.

Additional airings in October include: Wednesday, October 5 @ 10 pm ET Thursday, October 6 @ 1 am and 3 pm ET Sunday, October 9 @ 11 am ET Tuesday, October 11 @ 12 am and 11 pm ET Thursday, October 13 @ 3 am ET Saturday, October 29 @ 2 pm ET Sunday, October 30 @ 6 pm ET Monday, October 31 @ 12 pm ET

How subscribers can listen: SiriusXM subscribers are able to listen on SiriusXM radios, and those with streaming access can listen online, on-the-go with the SiriusXM mobile app, and at home on a wide variety of connected devices including smart TVs, devices with Amazon Alexa or the Google Assistant, Apple TV, PlayStation, Roku, Sonos speakers and more. Go to siriusxm.com/streaming to learn more.

Graham Brown Upcoming Tour Dates: OCT 08 – McComb / Bruchs Performing Arts Center / Wautoma, Wis. OCT 09 – Rollie’s / Sauk Rapids, Minn. OCT 14 – Lawrenceburg Crockett Theatre / Lawrenceburg, Tenn. NOV 05 – Private Event / Monroe, N.C. NOV 18 – Ned McWherter Tennessee Cultural Arts / Jackson, Tenn. DEC 10 – Union County Opry / Maynardville, Tenn. DEC 31 – Temple Theatre / Meridian, Miss.

For T. Graham Brown’s most updated concert calendar visit tgrahambrown.com .

About T. Graham Brown: T. Graham Brown is a CMA award winner and currently hosts Live Wire on SiriusXM’s Prime Country on a monthly basis. He has recorded 15 studio albums and charted more than 20 singles on the Billboard charts. He has had multiple number-one hits in country, gospel, and blues. Brown’s voice is also recognized for his singing in advertising campaigns for McDonald’s, Disneyland, Almond Joy, Coca-Cola, Dodge Truck, Ford, Hardee’s, and many others including the Taco Bell “Run For The Border” television spots. In early 2015, Brown released his latest Grammy-nominated album, Forever Changed , which featured collaborations with Vince Gill, Jason Crabb, The Oak Ridge Boys, Jimmy Fortune, and more. In 2020, Time Life partnered with T. Graham to reissue several of his classic albums, and has recently released his latest album Bare Bones . T. Graham Brown still actively tours and is sponsored by Hillbilly Iced Tea and Lemonade and makes multiple appearances on the legendary Grand Ole Opry. Brown’s uniqueness has made him one of the most beloved and iconic performers of the day.

For more information, visit tgrahambrown.com .

About SiriusXM: Sirius XM Holdings Inc. (NASDAQ: SIRI) is the leading audio entertainment company in the U.S. and the premier programmer and platform for subscription and digital advertising-supported audio products. Pandora, a subsidiary of SiriusXM, is the largest ad-supported audio entertainment streaming service in the U.S. SiriusXM and Pandora together reach more than 100 million people each month with their audio products. SiriusXM, through Sirius XM Canada Holdings, Inc., also offers satellite radio and audio entertainment in Canada. In addition to its audio entertainment businesses, SiriusXM offers connected vehicle services to automakers and directly to consumers through aftermarket devices. For more about SiriusXM, please go to  siriusxm.com .

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Mark Chesnutt at Rattlesnake Roadhouse in Walnut Springs, Texas

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Mark chesnutt at the rattlesnake ballroom-roadhouse opener:  ri wolf, friday, november 4th - doors@6:00 / music@8:00 .

• $30 - General Admission - Limited Seating Available on a First Come First Served Basis
• $55 - VIP Individual Tickets *** - Limited Number Available on a First Come First Served Basis
• $65 - VIP Rail Seats (By Dance Floor) - Downstairs ***
• $120 - Upstairs VIP Table for 2 ***
• $300 - Downstairs VIP Table for 4 ***
• $450 - Downstairs VIP Table for 6 ***
• $750 - West Wing ***  - Semi-Private Area Overlooking the Stage - Includes Admission for 10 People
• $70/night - Queen Rooms (2 queen beds) 
• $70/night - King Rooms (1 king bed)
• 72-hour refund/cancellation policy. After that, NO REFUNDS. 
• Courtesy Shuttle to and from the show is included when you reserve hotel rooms by Oct 16th.

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• September 16, 2022 Setlist

Mark Chesnutt Setlist at Tingley Coliseum, Albuquerque, NM, USA

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1 activity (last edit by MusicMagic , 14 Sep 2022, 20:59 Etc/UTC )

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New Mexico State Fair 2022 setlists

Mark Chesnutt Gig Timeline

• Aug 20 2022 Anderson Music Hall Hiawassee, GA, USA Add time Add time
• Sep 03 2022 Unknown Venue West Liberty, OH, USA Add time Add time
• Sep 16 2022 New Mexico State Fair 2022 This Setlist Albuquerque, NM, USA Add time Add time
• Sep 24 2022 New Barn Theater Mount Vernon, KY, USA Start time: 8:40 PM 8:40 PM
• Oct 21 2022 John T. Floore Country Store Helotes, TX, USA Add time Add time

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Tour Update

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• 5 years ago

About 2 years ago in early 2017, I got a call from Digital Domain, Inc. founder Scott Ross inviting my wife Erica and I   to a surprise birthday dinner for his wife Michelle at a restaurant in Hollywood. We all met in Rome 6 years ago through a mutual friend.

There was a table for us all, a gang of about 16 people and as with most of Scott’s productions, it was loaded with creative interesting people. Mark Chait and his partner Vasilis Paddis were two of those people. Mark, I learned, was a concert pianist and film composer based in China and also a representative of Steinway Pianos. By chance we were seated next to each other so got to know each other over dinner.

At one point, as we were singing happy birthday to Michelle, I thought, damn, I should run out to the car and grab a harp and play something for Michelle. So I did. I came back and played an impromptu blues jam for Michelle. At this point, Mark says to me, “Wow, I’m writing a score for a Shanghai, China TV/Movie production and I was thinking of using harmonica. Would you   be interested?” Of course, I gave my usual reply, “ Oh, hell yes! “

A few months later in May, Mark and Vasilis, emailed me a guide track and chart. It went something like this:

“Hi Jimmy Z!

Hope all is great in your world., it took a bit longer than expected but we finally got the green light to go ahead with mark’s re-arrangement of ‘moscow nights’ and we would love to have you play the harmonica as guided by mark below., i have attached the following three moscow nights guides and the side agreement for you, mp3 (a): this is the guide track – see attached, instructions: all new tracks with guide vocal line   key:   b minor transposes to c minor where jimmy comes in at bar 23., at bar 42 (approx. 2 min 58 secs from start) – jimmy plays lead melody line., please note:   this is his guide track – below is the tracks minus the vocal guide which can record over.   i want jimmy to play solo at bar 23 all the way out., mp3 (b): instrument tracks – see attached, instructions: instrument tracks without guide vocal for jimmy to play over, the track is blank until 43 seconds (where the solo vocals will be acapella) and then its just guitar and vocal until jimmy comes in at bar 23.   then he plays the solo melody at bar 42 at 2min 58secs in., moscow nights sheet music – see attached”.

I was informed Moscow Nights is an old Russian drinking song (what isn’t?) usually played very fast.

When I listened to the track, to be honest, I was a bit intimidated. It was this beautifully orchestrated piece with soaring female operatic vocals, delicate piano and accordion. As you can see in the email notes above it flows from B minor to C minor.

Not exactly the blues, rock, funk or country songs I usually record on. The harmonica would be very exposed. No room for error.

And as I was due to leave for Sweden in a week they needed it ASAP. I was tempted to defer and tell them maybe they would be better off with a chromatic harmonica player. Then as I started going through the chart with the guide track and a few minor harps I discovered that this was something maybe I could deliver on.

So I did. I played the melody as they instructed and they loved it but then they wanted me to improvise outside of the melody. So I did. I ended up improvising over the entire vamp.

And things turned out all right. Mark Chait raised my game.

Here is a rough mix mp3 of my harmonica melody and solo over the vamp because you won’t hear much in the final edits:

Here is the full piece:

To top it off, last week I got the word that a reviewer in the UK listed the soundtrack as  “one of the Best Scores of 2018!”

I’m honored to be working with an artist of Mark Chait’s stature and massive talent and very proud of my playing on “Moscow Nights.”

Purchase the soundtrack here .

Kevin Henry

Good story, Braddah Z. Keep these blog comin!

Thanks, Kev. I’m trying to get a few out there while I can. Z

bella della

so very beautiful Jimmy. thank you so much. putting it on my “fav” list! The only thing that’s wrong, is that it’s too short, I could listen to hours of this beautiful music score. Are you selling it in cd form? Would love to own it. xox

Thank you, Bella. I’m not selling it myself but I think you’ll find it available from info on the original article. I appreciate your support. Z

Peter Harman

That really sounds great Jimmy and I enjoyed your story behind it. I have followed your musical adventures, stories, videos etc. ever since I bought my first Lee Oskar harp 20+ years ago. You were one of the musicians featured on the little note inside the box. Best Regards Pete in England.

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unwto tourism highlights 2022

Un tourism | bringing the world closer.

Unwto 2021: a year in review, 2021: tourism united, resilient and determined.

2021 has been a year of learning and adapting for tourism. It has proven that only by working together can the sector overcome challenges and embrace opportunities.

Gathering the global tourism community and developing concrete actions, UNWTO has led tourism’s response with the vision of not only restarting, but doing so in a more inclusive, innovative and sustainable way.

January - March

As global tourism faced up to a second year of unprecedented crisis , UNWTO began 2021 by counting the cost so far . At the same time, however, the emergence of vaccines brought hope . The Global Tourism Crisis Committee met to explore what this meant for safe travel and the restart of tourism, while the announcement of the winners of the UNWTO Global Start-up Competition recognized the role culture and creativity will play in tourism’s restart and recovery .  

April - June

Collaboration and innovation were the focusat the start of the second quarter. UNWTO partnered with IATA on a new Destination Tracker to give both tourists and destinations clear, impartial and trusted advice. And a new Start-up Competition was launched to find the best ideas for accelerating rural development through tourism. In May, the launch of the Best Tourism Villages by UNWTO generated significant interest from Members in every global region. 

July - September

As destinations in Europe welcomed tourists back for the peak summer season, UNWTO highlighted the role of  digital solutions for the safe restart of the sector. But UNWTO also looked ahead, to a more sustainable future , working with key partners to  reduce plastic waste and consumption across every part of the sector. Together, we celebrated World Tourism Day around the theme of Tourism for Inclusive Growth, a message of solidarity and determination that was echoed on a global scale.

October - December

The final quarter of 2021 began with cautious optimism as UNWTO’s Barometer showed signs of improvement in tourist arrival numbers during the summer season in the northern hemisphere. A new partnership with Netflix will bring the message of tourism as a driver of opportunity to a massive global audience, while in November, UNWTO was tourism’s voice at COP26 and signatories to the landmark Glasgow Declaration keep growing. Finally, against the backdrop of the UNWTO General Assembly , the programme of work for the coming biennium was approved and 77% of Members voted to secure a second mandate for the Secretary-General from 2022-2025.

Growing and Moving Forward

UNWTO brings together political leaders from across the globe to deliver a strong, coordinated response. Governments, destinations, fellow UN agencies and international organizations met at key international events joining efforts to rethink tourism. Institutional coordination has proven crucial to find the solutions that build a smarter, greener and safer tourism.

Leaving Nobody Behind

The pledge to ‘ leave nobody behind ’ means nobody should miss out : Not now as we support the sector in the face of crisis, and not in the future as tourism starts again. Tourism is a proven driver of equality and opportunity. And that’s why we turn words into actions, delivering guidelines and action plans , to ensure everyone can enjoy the opportunities tourism brings.

A Shared Vision

Advancing the transformation of the tourism sector , partnerships are the only way forward. In 2021, UNWTO signed agreements with international organizations and the private sector to step our vision for the future of tourism: innovation , education , sustainability , green investment , rural development.

From business as usual to Covid-19

Looking to the future

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World Tourism Barometer: September 2022

UNWTO updates World Tourism Barometer and reports international tourism back to 60% of pre-pandemic levels from January to July 2022

Below are excerpts from the September 2022 release of the UNWTO Tourism Barometer :

• The steady recovery reflects strong pent-up demand for international travel, especially in the months of June and July which are part of the Northern Hemisphere summer season. The easing or lifting of travel restrictions in an increasing number of countries also contributed to boost results.
• International tourist arrivals almost tripled (+172%) in January-July 2022 compared to the same period of 2021. Numbers climbed from -64% in January 2022 (versus 2019) to -28% in July, the strongest month since the start of the pandemic.
• Asia and the Pacific (+165%) saw arrivals more than double in the first seven months of 2022, though they remained 86% below 2019 levels.
• The ongoing recovery can also be seen in outbound tourism spending from major source markets. Expenditure from France was at -12% in January-July 2022 compared to 2019 while spending from Germany stood at -14%. International tourism spending remained at -10% in Belgium, -23% in Italy and -26% in the United States.
• The uncertain economic environment seems to have reversed prospects for a return to pre-pandemic levels in the near term. 61% of UNWTO Panel of Experts now see a potential return of international arrivals to 2019 levels in 2024 or later while those indicating a return to pre-pandemic levels in 2023 has diminished (27%) compared to the May survey (48%).

Know more about the global tourism sector performance from January to July 2022 by checking the UNWTO World Tourism Barometer Volume 20, Issue 5 .

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TOURISM TRENDS 2022

11 Aug TOURISM TRENDS 2022

The situation for tourism remains rather unusual as a result of the ongoing COVID-19 pandemic.

The crisis has marked a significant change for everyone, and above all for tourism, one of sectors hit hardest by the virus. 2020 was the year in which international tourism came to a near-complete standstill, and the only alternatives were domestic and local tourism.

2021 has seen some improvements, but only in a very subtle way as restrictions are still in place and many countries keep their borders fully or partially closed.

It is difficult to make an estimate for 2022 as it is not known how the pandemic will evolve. However, it is possible to talk about the new tourism trends that are likely to emerge over the coming year: – International travel with restrictions still maintained by both destinations and airlines in order to offer 100% security to the consumer.

– Reinforcement of COVID-19 testing; two years after the pandemic, COVID testing will still be in place as a preventive measure. – Conscious travel will be advocated. Travel to more distant destinations, but with prolonged durations of stay, as consumers look to enjoy as much of each place they visit as possible. – Green travel. Climate change is a problem that is present and growing. Consumers now are much more responsible and aware of the reality they live in on daily basis.

– A new trend is the “ed-ventures”. It is about combining education and holidays for the youngest members of the family. While adults may need to telework or attend meetings, their children can be doing workshops and learning in a playful way.

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Metallurgicheskii Zavod Electrostal AO (Russia)

In 1993 "Elektrostal" was transformed into an open joint stock company. The factory occupies a leading position among the manufacturers of high quality steel. The plant is a producer of high-temperature nickel alloys in a wide variety. It has a unique set of metallurgical equipment: open induction and arc furnaces, furnace steel processing unit, vacuum induction, vacuum- arc furnaces and others. The factory has implemented and certified quality management system ISO 9000, received international certificates for all products. Elektrostal today is a major supplier in Russia starting blanks for the production of blades, discs and rolls for gas turbine engines. Among them are companies in the aerospace industry, defense plants, and energy complex, automotive, mechanical engineering and instrument-making plants.

Headquarters Ulitsa Zheleznodorozhnaya, 1 Elektrostal; Moscow Oblast; Postal Code: 144002

Contact Details: Purchase the Metallurgicheskii Zavod Electrostal AO report to view the information.

Website: http://elsteel.ru

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Modified & Updated: 02 Mar 2024

Reviewed by Jessica Corbett

Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.

This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.

So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.

Key Takeaways:

• Elektrostal, known as the “Motor City of Russia,” is a vibrant and growing city with a rich industrial history, offering diverse cultural experiences and a strong commitment to environmental sustainability.
• With its convenient location near Moscow, Elektrostal provides a picturesque landscape, vibrant nightlife, and a range of recreational activities, making it an ideal destination for residents and visitors alike.

Known as the “Motor City of Russia.”

Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.

Home to the Elektrostal Metallurgical Plant.

Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.

Boasts a rich industrial heritage.

Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.

Founded in 1916.

The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.

Located approximately 50 kilometers east of Moscow.

Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.

Known for its vibrant cultural scene.

Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.

A popular destination for nature lovers.

Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.

Hosts the annual Elektrostal City Day celebrations.

Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.

Has a population of approximately 160,000 people.

Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.

Boasts excellent education facilities.

The city is known for its well-established educational institutions, providing quality education to students of all ages.

A center for scientific research and innovation.

Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy, materials science, and engineering.

Surrounded by picturesque lakes.

The city is blessed with numerous beautiful lakes, offering scenic views and recreational opportunities for locals and visitors alike.

Well-connected transportation system.

Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.

Famous for its traditional Russian cuisine.

Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.

Home to notable architectural landmarks.

Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.

Offers a wide range of recreational facilities.

Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.

Provides a high standard of healthcare.

Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.

Home to the Elektrostal History Museum.

The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.

A hub for sports enthusiasts.

Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.

Celebrates diverse cultural festivals.

Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.

Electric power played a significant role in its early development.

Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.

Boasts a thriving economy.

The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.

Houses the Elektrostal Drama Theater.

The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.

Popular destination for winter sports.

Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.

Promotes environmental sustainability.

Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.

Home to renowned educational institutions.

Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.

Committed to cultural preservation.

The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.

Hosts an annual International Film Festival.

The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.

Encourages entrepreneurship and innovation.

Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development.

Offers a range of housing options.

Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.

Home to notable sports teams.

Elektrostal is proud of its sports legacy, with several successful sports teams competing at regional and national levels.

Boasts a vibrant nightlife scene.

Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.

Promotes cultural exchange and international relations.

Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.

Surrounded by beautiful nature reserves.

Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.

Commemorates historical events.

The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.

Promotes sports and youth development.

Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.

Hosts annual cultural and artistic festivals.

Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.

Provides a picturesque landscape for photography enthusiasts.

The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.

Connects to Moscow via a direct train line.

The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.

A city with a bright future.

Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.

In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.

Q: What is the population of Elektrostal?

A: As of the latest data, the population of Elektrostal is approximately XXXX.

Q: How far is Elektrostal from Moscow?

A: Elektrostal is located approximately XX kilometers away from Moscow.

Q: Are there any famous landmarks in Elektrostal?

A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.

Q: What industries are prominent in Elektrostal?

A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.

Q: Are there any universities or educational institutions in Elektrostal?

A: Yes, Elektrostal is home to XXXX University and several other educational institutions.

Q: What are some popular outdoor activities in Elektrostal?

A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.

Q: Is Elektrostal well-connected in terms of transportation?

A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.

Q: Are there any annual events or festivals in Elektrostal?

A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.

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• Victor Mukhin

Victor M. Mukhin was born in 1946 in the town of Orsk, Russia. In 1970 he graduated the Technological Institute in Leningrad. Victor M. Mukhin was directed to work to the scientific-industrial organization "Neorganika" (Elektrostal, Moscow region) where he is working during 47 years, at present as the head of the laboratory of carbon sorbents.     Victor M. Mukhin defended a Ph. D. thesis and a doctoral thesis at the Mendeleev University of Chemical Technology of Russia (in 1979 and 1997 accordingly). Professor of Mendeleev University of Chemical Technology of Russia. Scientific interests: production, investigation and application of active carbons, technological and ecological carbon-adsorptive processes, environmental protection, production of ecologically clean food.   

Title : Active carbons as nanoporous materials for solving of environmental problems

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Scriabin Association

Founded to celebrate scriabin, scriabinism and scriabinists….

Aleksandr Nikolaevich Scriabin: A short biography by Simon Nicholls

Aleksandr Nikolaevich Scriabin was born on Christmas Day (Old Style) 1871 [1] in Moscow into a family in which the males were predominantly military men. His mother, Lyubov’ Scriabina , née Shchetinina, however, was a gifted and successful pianist who played concerts including her own compositions. Ten days after the birth she was diagnosed as having a lung infection and was sent to Italy, where she died of tuberculosis in the following year. Scriabin’s father, who had been studying law, resumed his studies, which he had broken off to get married. After graduating and studying foreign languages he joined the diplomatic service; eventually this took him to Turkey.

The child was looked after by his grandmother Elizaveta and his aunt Lyubov’ . At the age of three he was already able to pick out melodies at the piano with one finger. It was about this time that Lyubov’ asked to be allowed to renounce her own prospect of a family life and to devote herself to the care of the child, ‘ Shurin’ka ’ as he was known. By 1877 Shurin’ka was playing by ear with both hands. In 1879 he was given a toy theatre, for which he composed tragic plays and made scenery. In the same year, Anton Rubinstein , who had known Shurin’ka’s mother and admired her playing, heard the boy play. His advice was not to bother the child with demands but to let him go at his own pace, to compose and play when he wished.

In 1882 Shurin’ka joined the cadet corps, having been prepared for the entrance exams by his aunt. He was excused arms-bearing exercises but was good at gymnastics, and popular because of his musical abilities. It was in the corps that he first played to an audience, a Mendelssohn Venetian Gondola Song and a Bach gavotte, again by ear. The following year he started formal piano lessons with Georgii Konyus, who noted the child’s weak tone-production. In this year, however, Shurin’ka composed a skilful Canon in D minor  dedicated to Konyus.

In 1883 Shurin’ka also suffered from measles (or German measles) complicated by dropsy. A common description of him for most of his life was ‘pale, fragile’…  –  he was short and slight in physique.

In 1885 Scriabin, whom we will now refer to by his surname, started piano lessons with Nikolai Zverev , whose reputation as a teacher was built on preparing students for the Conservatoire. Among the students in Zverev’s class was Rachmaninov. Zverev’s students often lived in, but Scriabin was a ‘day boy’. At the same time Scriabin started lessons in theory and harmony with Sergei Taneev, who noted his extraordinary aural abilities. Composition was now a constant activity for Scriabin.

Scriabin commenced study at Moscow conservatoire in 1888, studying piano with Vassily Safonov and, later, composition with Anton Arensky . Attendance at the cadet corps continued until 1889. In 1891 A. N. met and fell in love with Natalya Sekerina , to whom he wrote numerous letters from then until 1895, when she turned down his proposal of marriage. By her own account, this was despite their mutual love and because of feelings of inadequacy. Parental disapproval probably also played a major part.

1891 was also the year in which Scriabin developed a repetitive strain injury in his right arm or hand (probably both) from over-practice in the vacation, striving to emulate his brilliant classmate Joseph Lhévinne . He may well have been predisposed to this injury by an earlier accident at the age of fourteen, when he was driven into by a horse-drawn vehicle while crossing the road and fractured his right collar-bone. The injury developed again in 1893. It was also in 1891 that relations between Scriabin and Arensky broke down and that Scriabin ceased to attend composition classes. This led to Scriabin’s graduating from the Conservatoire in 1892 with what was known as the small gold medal, the great gold medal being awarded for successful study in both piano and composition. In that year, however, the first of Scriabin’s compositions to be published (without payment to the composer) appeared in the imprint of Jurgenson publishing house, and in the summer Scriabin travelled to St. Petersburg, Vyborg and Finland.

The following year, under doctors’ instructions, Scriabin spent some time in Samara, taking a cure involving the drinking of kumis, a fermented mares’ milk which was highly regarded at the time for medicinal properties, and later in Gurzuf in the Crimea. The famous Prelude and Nocturne for left hand op. 9 were composed at about this time.

1894 saw Scriabin’s debut as composer-pianist in a concert in St Petersburg attended by Mitrofan Belyayev (Belaieff is the French transliteration and the name of the publishing house, which will be given below in quotes), who became Scriabin’s publisher, mentor and patron. The first Sonata op. 6 and the twelve Etudes op. 8 were published in 1895, a year when Scriabin took a long tour in Germany, Switzerland and Italy; impressions gained on this trip went into a number of the Twenty-four Preludes op. 11. In the autumn Scriabin became acquainted with Prince Sergei Trubetskoy, who became an influence in the development of the composer’s  philosophical outlook.

Scriabin’s first concerts abroad took place in 1896: Paris, Brussels, Berlin, the Hague, Amsterdam and Cologne. In August of the following year he married the fine pianist Vera Isakovich . The Piano Concerto op. 20 received its premiere a month later, with Scriabin playing the solo part and Safonov conducting. In the following year the Twenty-four Preludes were published.

The Scriabins travelled to Paris and gave a joint concert of Aleksandr Nikolaevich’s works in the Salle Erard on Jan 19 th 1898. Their first child, Rimma, was born two months after their return from Paris, in July.

In this year the Second and Third Piano Sonatas, opp. 19 and 23, and Scriabin’s short symphonic poem, Mechty (Daydreams) op. 24 were published by ‘Belaieff’, and Rimsky-Korsakov conducted the first performance of Mechty. Scriabin took up an appointment teaching in Moscow Conservatoire, which continued until the end of 1902. His interest in philosophy began to grow at this period.

In 1900 the Scriabins’ second daughter, Elena, was born. A tour to Berlin and Paris was undertaken, and the first performance of the First Symphony op. 26 took place under Anatoly Lyadov in St. Petersburg, the choral finale being omitted. Scriabin became involved in the circle of philosophers in Moscow. An important page of notes, recounting an inner victory over despair, renouncing religious faith and affirming self-reliance, dates from about this time.

1901 saw the Moscow premiere of the First Symphony and, in November, the completion of the Second Symphony op. 29. Work also commenced on the Fourth Sonata op. 30. The Scriabins’ second daughter, Maria, was born; their son Lev followed in 1902. In January of the same year Scriabin read the libretto of a projected opera to Emilii Rozenov, and in November he made the acquaintance of Tatyana Schloezer .

The summer of 1903 was spent in the country, at Obolenskoe, where Scriabin, who owed Belaiev money, worked at piano pieces  (opp. 31–42), finished the Fourth Sonata op. 30 and started work on the Third Symphony, ‘Divine Poem’ , op. 43. Belaiev died that December.

In February 1904 Scriabin moved to Switzerland; the family joined him in Geneva in March. They moved to Vésenaz in late February or early March and Tatyana Schloezer moved to Belle-Rive, nearby, shortly afterwards. Much of the year was taken up with the orchestration of the Third Symphony , sent to the publishers in November, and with the composition of the piano pieces opp. 44-47.

In September the Second International Philosophical Congress took place in Geneva. From Scriabin’s notes in the detailed report of the conference, a large volume which shows the dominance of idealist thought at that period, we know that Scriabin took a close interest in it, and his name appears in the list of subscribers. There is no conclusive proof that he attended this conference, but it is very likely that he did. In the summer a notebook was filled by Scriabin with pencilled philosophical speculations on the nature of consciousness, and with an early prose draft of the verse for the Poem of Ecstasy. In November Scriabin travelled to Paris in order to arrange a performance of the Symphony no. 3 . Tatyana Schloezer joined him there in November. Scriabin and Vera Ivanovna agreed to separate in December, but there was never a divorce.

A second philosophical notebook, the first part of which is written in an ecstatic style sometimes suggestive of Nietzsche, but also showing the influence of the Russian poet Bal’mont , was written in 1904-5.

In 1905 the Third Symphony received its first performance, in Paris, and two letters from Scriabin to Tatyana Schloezer written on  April  22 and 25 (Old Style) recount the composer’s awakening interest in the Theosophical system of H. P. Blavatsky . Scriabin commenced work on the composition of the Poem of Ecstasy op. 54 in this year. Scriabin and Schloezer moved to Bogliasco, Italy, some time before  June 4 (Old Style), and their daughter Ariadna was born there. Scriabin’s daughter with Vera Ivanovna, Rimma, died in July. At the end of the year Scriabin and the board of the ‘Belaieff’ publishing house had a disagreement: the board wished to reduce Scriabin’s fees, and the annual prizes and awards previously given by Belyayev himself were discontinued. In 1906, however, the ‘Belaieff’ board awarded Scriabin the Glinka prize for his Third Symphony.

In this year (1906) Scriabin printed privately the final version of the verses for the Poem of Ecstasy. The four piano pieces of op. 51 were composed.

There is a further extensive notebook containing attempts to formulate theories of consciousness and its relation to physical phenomena, together with a rough version of the verses for the Poem of Ecstasy , nearly complete, dating from 1905-1906.

Scriabin and Tatyana Schloezer travelled to Brussels in 1906. Scriabin commenced an American tour in December; in March 1907 it was prematurely brought to an end because of scandal involving Scriabin’s non-marital relationship with Tatyana Schloezer, who had joined him in the States.

In the aftermath of this disaster Scriabin and Schloezer travelled to Paris. At a meeting with the board of the ‘Belaieff’ publishing house it was agreed that ‘Belaieff’ should publish the Poem of Ecstasy, but Scriabin did not this year receive the prize for it that he had come to expect. Scriabin tried self-publishing; the three piano pieces of op. 52 were privately printed in Leipzig at his expense. Scriabin and Schloezer travelled to Beatenberg, Switzerland, where work continued on the Poem of Ecstasy, which was finished in November in Lausanne, to where they had moved in September. A few days after the completion of the Poem , the Piano sonata no. 5   op. 53 was begun, and finished in seven days (November 25 – December 1, Old Style).

Scriabin’s first piano roll recordings, for the firm of Hupfeld, were made in January 1908. In February a son was born, Yulian. At the beginning of June the conductor and virtuoso bass-player Sergei (Serge) Kussevitsky (Koussevitzky) visited Lausanne with his wealthy wife, offering Scriabin concerts in Moscow and St Petersburg. Kussevitsky’s ‘Russian Music Publishing company’ took over the publishing of the Three pieces op. 52, the Fifth Sonata op. 53 and opp. 58-64. In November the Sonata no.5 and the Poem of Ecstasy received their first performances, the sonata played by Mark Meichik in Moscow, the orchestral work by the Russian Symphony Orchestra Society of New York conducted by Modest Altschuler. The Glinka Prize for 1908 was awarded to the Poem of Ecstasy.

1909 saw the return of Scriabin and Schloezer to Moscow. Concerts of Scriabin’s compositions took place in St Petersburg ( Poem of Ecstasy , and later a recital by Scriabin), and Moscow (Scriabin played the Waltz op. 38, pieces from opp. 52 and 57, two preludes and the Fifth Sonata in January, and in a February concert in the Great Hall of Moscow Conservatoire he repeated the Sonata in a ‘Scriabin evening’ which also included performances of the Divine Poem and the Poem of Ecstasy conducted by Emil Cooper.) A short piece of great significance for Scriabin’s musical language, the Feuillet d’album op.58, was composed in this year, and work was started on Prometheus.  Scriabin met Vyacheslav Ivanov , the philosopher and poet, at an evening arranged for the composer by the magazine Apollon. This friendship was to have a significant influence on Scriabin’s aesthetic and outlook.

On a personal level this was a time of difficulties with old friends who were not able to accept Scriabin’s ménage with Tatyana Schloezer, and Scriabin, Schloezer and their children moved to Brussels in March, staying until January 1910, when they returned finally to Moscow. Here, according to a letter from Tatyana Schloezer to the pianist Mariya Nemenova-Lunts, Scriabin composed “a great deal, again new, again infinitely beautiful! He is feeling elation and a flood of creative energy…” This must refer to work on Prometheus. In Brussels Scriabin met a number of Theosophists, among them being Jean Delville, who designed the symbolic cover for the score of Prometheus.

A tragic note was sounded by the death of Scriabin’s son with Vera Ivanovna, Lev, in 1910. In the same year Scriabin recorded a few pieces on piano rolls for the firm of Welte.

Life continued with the birth of another daughter, Marina, in 1911, with successful concert performances, including the première of Prometheus in St Petersburg, conducted by Kussevitsky, in March 1911 and intensive compositional work: the Piano sonatas nos. 6 and 7 opp. 62 and 64 were composed in 1911-12; the Sonatas no. 8 op. 66, no.9 op. 68 and no. 10 op. 70 were finished by June 7 1913 (Old Style), the Eighth being the last to be composed. After a dispute with Kussevitzky, Scriabin reverted to his first publisher Jurgenson, and the Three Etudes op. 65 and all subsequent works were published by that firm.

Scriabin was obliged to give concert tours in provincial towns and cities to support his family. It was perhaps in these years that Scriabin really established his reputation as a unique interpreter of his own music, though controversy continued over the characteristic qualities of his playing.

At this time Scriabin was increasingly concerned with being able to turn to his long-cherished project, the Mystery , whose origins can be seen in the choral finale to the Symphony no. 1 and in the unfinished opera project, and which ‘became more minutely crystallized’, Alfred Swan states, in the time spent in Brussels. It had now assumed such gigantic proportions that Scriabin had recourse to a projected work for voices and orchestra which he named Preliminary Action . The music of some of the 5 Preludes op. 74 and of the Flammes sombres in op. 73 (both composed in 1914) relates to the sketches which remain of this work, which Scriabin had in his head, stating that he only needed to write it down – he played long stretches of it to friends at that time. The libretto was written in Summer 1914, after Scriabin’s highly successful visit to London, during which he performed his Piano concerto and Prometheus in the Queen’s Hall with Henry Wood and gave two recitals in the Wigmore Hall (then the Bechstein Hall). But it was during that visit that an infected boil on Scriabin’s upper lip gave him great pain. The infection returned in April 1915 after Scriabin had given concerts in Moscow, Petrograd (the new non-Germanic name for St Petersburg), Kharkov, Kiev and what turned out to be the final concert, again in Petrograd.  In the course of an agonising few days, and despite desperate attempts at treatment, septicaemia set in; Scriabin died in great agony and delirium.

The funeral was such a huge affair that tickets had to be issued. There are two postludes to this tale, one tragic, the other heartwarming. In 1919, while Tatyana Schloezer was staying with her children in Kiev, her son Yulian Scriabin , who showed extraordinary talent and musical ability, accidentally drowned. Tatyana, it may be said, never fully recovered from this second blow. But the heartwarming episode had happened earlier. Scriabin died without being able to leave his family enough money to pay for the funeral or to live on; and the lease on the flat in Bolshoi Nikolopeskovskii pereulok (now the Scriabin Museum in Moscow) ran out on the same day that he died. Many efforts were made to raise money for the widow and her family. Sergei Rachmaninov , who had long considered Scriabin to have gone off on a ‘wrong path’ compositionally, went on a concert tour playing only works of Scriabin – all profits to go to the Scriabin family. Humanity and altruism took precedence over aesthetic differences between two great artists.

Note: In compiling these notes I have made use principally of the chronology in Skryabin by Sergei Fedyakin (Moscow 2004). But I have also made reference to the following:

Myzykalnyi Sovremennik (Musical Contemporary) 4-5, Dec. 1915-Jan. 1916. Handbook to the Piano Works of A. Scriabin , M. Montagu-Nathan, London and Brighton, 1916. Scriabin , Alfred J. Swan, London 1923. A. N. Skryabin. Sbornik k 25-letiyu so dnya smerti (Anthology for the 25th anniversary of his death) Moscow/Leningrad, 1940. Letopis’ zhizni i tvorchestva A. N. Skryabina (Chronicle of the life and work of Skryabin), M. P. Pryashnikova and O. M. Tompakova, Moscow, 1983. A. N. Skryabin , Valentina Rubtsova, Moscow 1989.

[1] Until January 1st 1918 Russia followed the Julian calendar (“Old Style”). At the period under discussion, this varied from the Gregorian calendar used in the West (“New Style”)  by twelve  days up to Feb 16 1900 Old Style and thirteen days thereafter.

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