the renaissance world tour

Beyoncé Returns To The Global Stage For Renaissance World Tour

WELCOME TO THE RENAISSANCE

40 shows across north america and europe, verified fan registration open for north american dates now at   beyonce.livenation.com, citi cardmembers, verizon up and beyhive members will have additional access to presales.

Following the wildly successful release of BEYONCÉ’s seventh studio album,  RENAISSANCE , the global superstar has announced RENAISSANCE WORLD TOUR  today, her first solo tour in over six years. The North American leg of the tour is leveraging Ticketmaster’s Verified Fan technology to ensure more tickets get into the hands of concertgoers. Fans can register now   HERE . Ticketing will begin Monday, February 6, 2023, starting with an exclusive presale to BeyHive members.

The 2023 tour, produced by Parkwood Entertainment, and promoted by Live Nation, kicks off on May 10, 2023, at Friends Arena in Stockholm, SE, making stops throughout Europe in Cardiff, Edinburgh, Sunderland, Paris, London, Marseille, Amsterdam, Warsaw and more. The tour then continues across North America with shows in Toronto, Chicago, East Rutherford, Atlanta, Las Vegas, Los Angeles, Houston and more.

RENAISSANCE WORLD TOUR  will also visit Brussels, Barcelona, Cologne, Frankfurt, Hamburg, and more in Europe in May & June. Additional North American cities include Boston, Charlotte, Dallas, Detroit, Kansas City, Louisville, Miami, Minneapolis, Nashville, New Orleans, Philadelphia, Pittsburgh, San Francisco, St. Louis, Tampa, Vancouver and more.

As with previous tours, Beyoncé will make her mark offstage, too, with BeyGOOD, the initiative she founded in 2013 to support people and programs around the world.  BeyGOOD will continue its legacy of philanthropy, building out this focus on economic equity by supporting organizations that serve marginalized and underserved communities with access to scholarships, opportunities for internships that lead to job placement, and resources to support entrepreneurship.

In various cities throughout the tour, BeyGOOD will support entrepreneurs through Black Parade Route luncheons, celebrating small business owners, with grant opportunities being awarded and a foray of services with global partners to promote business sustainability. One thousand small businesses will be supported with a commitment totaling one million dollars.

BeyGOOD will also support students through scholarship funds that will be given to colleges and universities in ten different cities along the tour. Each school will be given one hundred thousand dollars and will select the student recipients. BeyGOOD’s total scholarship commitment during RENAISSANCE WORLD TOUR will be one million dollars.

Working with Beyoncé and the BeyGOOD Foundation, Citi and Verizon will purchase 100 tickets combined in each market across the U.S. touring leg for distribution to local community initiatives.

A noted partner with Beyoncé, Tiffany & Co. is the official jeweler of  RENAISSANCE WORLD TOUR.  Tiffany & Co. has a longstanding commitment to conducting itself responsibly, sustaining the natural environment, prioritizing diversity and inclusion, and positively impacting the communities in which it operates.

TICKETING DETAILS :

On sale dates:

• North American Dates:  Verified Fan Registration is open now and closes at different times based on city. Visit  beyonce.livenation.com  for the exact details as ticketing on sale timelines vary by city. 
• Europe an  Dates:  Check your local event listings for complete ticket information regarding European dates of the tour.

Pre sale dates:

• Citi Presale powered by Verified Fan:  Citi is the official credit card of  RENAISSANCE WORLD TOUR . After the Verified Fan process, Citi cardmembers may have the opportunity to access the special Citi Presale powered by Verified Fan for tour dates in the United States. For those who are not existing Citi cardmembers, consumers can apply for the Citi Custom Cash Card online. If approved, new cardmembers may request instant access to their card for the Citi Presale powered by Verified Fan.* For complete presale details visit  www.citientertainment.com  and for details on Custom Cash instant access visit  www.citientertainment.com/faq . 
• Verizon Up Presale:  Verizon Up customers can access this presale by visiting   Verizon Up . Verizon will offer an exclusive presale for  RENAISSANCE WORLD TOUR  in the U.S through the customer loyalty program Verizon Up. Customers will have access to purchase presale tickets for select shows.

RENAISSANCE WORLD TOUR DATES:

May 10, 2023 – Stockholm, SE – Friends Arena

May 14, 2023 – Brussels, BE – King Baudouin Stadium

May 17, 2023 – Cardiff, UK – Cardiff Principality Stadium

May 20, 2023 – Edinburgh, UK – BT Murray Field Stadium

May 23, 2023 – Sunderland, UK – Stadium of Light

May 26, 2023 – Paris, FR – Stade de France

May 29, 2023 – London, UK – Tottenham Hotspur Stadium

May 30, 2023 – London, UK – Tottenham Hotspur Stadium

June 08, 2023 – Barcelona, ES – Olympic Stadium

June 11, 2023 – Marseille, FR – Orange Velodrome

June 15, 2023 – Cologne, DE – Rhein Energie Stadion

June 17, 2023 – Amsterdam, NL – Johan Crujff Arena

June 21, 2023 – Hamburg, DE – Volksparkstadion

June 24, 2023 – Frankfurt, DE – Deutsche Bank Park

June 27, 2023 – Warsaw, PL – PGE Narodowy

NORTH AMERICA

July 8, 2023 – Toronto, ON – Rogers Centre

July 12, 2023 – Philadelphia, PA – Lincoln Financial Field

July 15, 2023 – Nashville, TN – Nissan Stadium

July 17, 2023 – Louisville, KY – L&N Federal Credit Union Stadium

July 20, 2023 – Minneapolis, MN – Huntington Bank Stadium

July 22, 2023 – Chicago, IL – Soldier Field Stadium

July 26, 2023 – Detroit, MI – Ford Field

July 29, 2023 – East Rutherford, NJ – MetLife Stadium

Aug. 01, 2023 – Boston, MA – Gillette Stadium

Aug. 03, 2023 – Pittsburgh, PA – Acrisure Stadium

Aug. 05, 2023 – Washington, DC – FedEx Field

Aug. 09, 2023 – Charlotte, SC – Bank of America Stadium

Aug. 11, 2023 – Atlanta, GA – Mercedes-Benz Stadium

Aug. 16, 2023 – Tampa, FL – Raymond James Stadium

Aug. 18, 2023 – Miami, FL – Hard Rock Stadium

Aug. 21, 2023 – St. Louis, MO – Dome at America’s Center

Aug. 24, 2023 – Phoenix, AZ – State Farm Stadium

Aug. 26, 2023 – Las Vegas, NV – Allegiant Stadium

Aug. 30, 2023 – San Francisco, CA – Levi’s Stadium

Sept. 02, 2023 – Inglewood, CA – SoFi Stadium

Sept. 11, 2023 – Vancouver, BC – BC Place

Sept. 13, 2023 – Seattle, WA – Lumen Field

Sept. 18, 2023 – Kansas City, MO – Arrowhead Stadium

Sept. 21, 2023 – Dallas, TX – AT&T Stadium

Sept. 23, 2023 – Houston, TX – NRG Stadium

Sept. 27, 2023 – New Orleans, LA – Caesars Superdome

For complete ticketing and additional information visit  beyonce.livenation.com  and  tour.beyonce.com .

*Citi Instant Access Process:  *If approved for the card after applying online, new Citi Custom Cash cardmembers must write down their temporary account information to have ready when they go to try to make a purchase during the presale. They will not have access to their information again until the physical card arrives in the mail, which may take 7-10 days. 

About Parkwood Entertainment

Parkwood Entertainment is a film and production company, record label and management firm founded by entertainer and entrepreneur, Beyoncé Knowles-Carter in 2010.  With offices in Los Angeles and New York City, the company houses departments in music, film, video, live performances and concert production, management, business development, marketing, technology, creative, philanthropy, and publicity.  Under its original name, Parkwood Pictures, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company has also released the films Obsessed (2009), with Beyoncé as star and executive producer, the winner of the Peabody Award for Entertainment, Lemonade (2017), the Emmy®-nominated Homecoming: A Film By Beyoncé (2019), which documents Beyoncé’s history-making performance at the Coachella Valley Music & Arts Festival in 2018, and the Emmy®-winning Black Is King (2020). Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014), The Formation World Tour (2016), and the aforementioned “Homecoming” performances at Coachella (2018) and co-produced the ON THE RUN Tour (2014) and ON THE RUN II (2018).

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit   www.livenationentertainment.com .

MEDIA CONTACTS:

Parkwood Entertainment

Yvette Noel-Schure, Parkwood Entertainment  |  [email protected]

Live Nation Concerts

Monique Sowinski |  [email protected]

Maya Sarin |  [email protected]

Valeska Thomas |  [email protected]

Read more about

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• Europe edition

Beyoncé: Renaissance World Tour review – a dizzying three-hour spectacular

Friends Arena, Stockholm Queen Bey’s first solo headline tour in seven years is a lavish leap forward for live entertainment, dripping with sci-fi disco decadence, sex and Black pride

E ven without Taylor Swift’s Ticketmaster-melting Eras Tour nipping at her heels, it wouldn’t do for a star as compulsively ambitious as Beyoncé to merely protect her status as the greatest pop show on Earth. Not when her first solo headline tour since 2016 could instead push 21st-century live entertainment another lavish leap forward.

Titled after the Texan’s disco glitter bomb post-pandemic party album of the same name , Renaissance is a monster blockbuster concert experience on a different plane. Fifty-seven stadium dates globally, starting in Stockholm, are projected to gross as much as £1.9bn ($2.4bn) by the time the tour ends in New Orleans late September. Dripping with sci-fi disco decadence, sex, body positivity and feminine Black pride, the near three-hour spectacular plays out in front, behind and, at times, inside a football-pitch-wide high-definition video screen designed to assault the senses at dizzying scale.

The BeyHive, as Beyoncé’s fans collectively style themselves, are buzzing pre-show as they flood into the venue from around the world for their first chance proper to see their queen live since 2018’s On the Run II co-headliner with Mr B, Jay-Z. Dressed head to toe in official tour merch, including a cap and hoodie both emblazoned with the word “THIQUE”, Mykwain Gainey has been to 20 Beyoncé shows over the past two decades and has spent nearly £2,000 to fly here from New York. “To see her transcend, and become what she has become, especially as a Black woman, is exciting,” he enthuses.

Brazilian Yhes Bezerra wears a spangly cowboy hat like the one sported by Beyoncé in the tour poster, except theirs is homemade; sticking on the thousands of tiny mirror panels took nine hours. They were determined to come to the opening night to avoid social media spoilers about what to expect. “I want everything to be a surprise,” Bezerra smiles.

Beyoncé appears first in a video cut scene, laid out luxuriously across the giant screen semi-naked in dimensions big enough to be visible from space. And yet, once she emerges in the flesh – all sequins, shoulder pads and that megawatt smile, drinking in the crowd’s screams – she begins disarmingly with a slew of her rawest soul songs. By the second, Flaws and All, she already appears to be fighting back tears, whether of release or gratitude or both. It’s an opening that seems designed to strip away artifice, if only to provide some sharp contrast for the heavily technologically augmented spectacle about to follow.

Harking back to early house and techno and the ecstatic utopia of the dancefloor, a segment dedicated to the Renaissance album ensues with Beyoncé done up something akin to the Maschinenmensch in Metropolis. She grinds with a dozen backing dancers to the jittery reggaeton of her boss bitch mission statement I’m That Girl, then dances with some actual robots (a pair of mechanical arms) during Cosy. Were all that not semi-hallucinogenic enough, Alien Superstar interpolates narcissistic anthem I’m Too Sexy by 90s dance-pop twosome Right Said Fred.

With many of the setlist’s whopping 36 songs abridged, the tempo is relentless. Blink and you’ll miss dancers popping out of the stage like champagne corks, or Beyoncé’s powerhouse band getting wheeled into occasional view on a tall stepped riser (shades of Beychella), such as during Chic-style feelgood funk workout Cuff It. “Y’all having a good time, Stockholm?” our host inquires, wiping an imperceptible bead of sweat from her brow. “Me too.”

Black Parade finds Beyoncé cruising the stage atop what looks like a kind of lunar rover. Somewhat comically, it exits up the gusset of a pair of massive splayed legs. Later she sings Plastic Off the Sofa stretched out in a clamshell. Come Crazy in Love, the show finally gets the enormous disco ball it seems to have long craved, dangled from the rafters for only a bit longer than the time it takes for the crew to get it up there and back down.

Bass-quaking, envelope-pushing Black power anthem Formation is a powerful political statement in any setting. Performed in a kind of virtual cathedral, horny southern rap and gospel cocktail Church Girl (sample lyric: “drop it like a thottie, drop it like a thottie”) might just be intended to provoke. But by Beyoncé’s own standards, it’s hard not to read Renaissance as a show much lighter on overt socio-political messaging than it is sheer, unfettered, mildly chaotic indulgence. And who could blame her?

In a final, unsubtle, retro-futuristic fanfare, Bey summons Bianca Jagger’s iconic Studio 54 moment by gliding through the air on a glitter-encrusted white horse while Summer Renaissance – which samples Donna Summer’s I Feel Love – blares. The disco history references may or may not be landing with the mostly young BeyHive, but that’s not really the point. By rewiring dance music past in a sensory overload of truly stunning ambition and stamina, Beyoncé is writing some history of her own.

The Renaissance World Tour continues until 27 September, see https://tour.beyonce.com/ for dates

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Beyoncé Announces Her Renaissance World Tour 2023: All We Know

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Beyoncé kicked off Black History Month with the announcement the world has been waiting months for: Her Renaissance World Tour is happening, this year. Bey unveiled the news with a simple Instagram post: “RENAISSANCE WORLD TOUR 2023.” She did not immediately provide more information, but more is obviously coming.

So, what is known so far about her tour? What can the world expect? Here, we've gathered everything released so far.

When is the Renaissance World Tour happening?

• May 10: Stockholm, Sweden @ Friends Arena
• May 14: Brussels, Belgium @ King Baudouin Stadium
• May 17: Cardiff, Wales, U.K. @ Cardiff Principality Stadium
• May 20: Edinburgh, Scotland, U.K. @ BT Murrayfield Stadium
• May 23: Sunderland, U.K. @ Stadium of Light
• May 26: Paris, France @ Stade de France
• May 29: London, U.K. @ Tottenham Hotspur Stadium
• May 30: London, U.K. @ Tottenham Hotspur Stadium
• June 8: Barcelona, Spain @ Olympic Stadium
• June 11: Marseille, France @ Orange Vélodrome
• June 15: Cologne, Germany @ Rhein Energie Stadion
• June 17: Amsterdam, Netherlands @ Johan Cruijff Arena
• June 21: Hamburg, Germany @ Volksparkstadion
• June 24: Frankfurt, Germany @ Deutsche Bank Park
• June 27: Warsaw, Poland @ PGE Narodowy
• July 8: Toronto, Canada @ Rogers Centre
• July 12: Philadelphia, PA @ Lincoln Financial Field
• July 15: Nashville, TN @ Nissan Stadium
• July 17: Louisville, KY @ L&N Federal Credit Union Stadium
• July 20: Minneapolis, MN @ Huntington Bank Stadium
• July 22: Chicago, IL @ Soldier Field Stadium
• July 26: Detroit, MI @ Ford Field
• July 29: East Rutherford, NJ @ MetLife Stadium
• August 1: Boston, MA @ Gillette Stadium
• August 3: Pittsburgh, PA @ Acrisure Stadium
• August 5: Washington, DC @ FedEx Field
• August 9: Charlotte, NC @ Bank of America Stadium
• August 11: Atlanta, GA @ Mercedes-Benz Stadium
• August 16: Tampa, FL @ Raymond James Stadium
• August 18: Miami, FL @ Hard Rock Stadium
• August 21: St. Louis, MO @ Dome at America's Center
• August 24: Phoenix, AZ @ State Farm Stadium
• August 26: Las Vegas, NV @ Allegiant Stadium
• August 30, San Francisco, CA @ Levi’s Stadium
• September 2: Inglewood, CA @ SoFi Stadium
• September 11: Vancouver, BC @ BC Place
• September 13: Seattle, WA @ Lumen Field
• September 18: Kansas City, MO @ Arrowhead Stadium
• September 21: Dallas, TX @ AT&T Stadium
• September 23: Houston, TX @ NRG Stadium
• September 27: New Orleans, LA @ Caesars Superdome

Where can you get tickets?

Tickets for the North American leg of the tour will be available through Ticketmaster's Verified Fan program. Tickets will go on sale Monday, Feb 6, with an exclusive presale to BeyHive members, according to a Live Nation press release.

Verified Fan registration is now open. Once you register, you'll be placed in a lottery system that determines which fans get invited to purchase tickets. Registration alone doesn't guarantee tickets. If you're selected, you'll get an access code the day before tickets go on sale. Everyone else will be placed on a waitlist. According to Live Nation, this process is intended to help Ticketmaster weed out the resellers and verify your account so that actual fans get priority to buy tickets.

Citi cardmembers will have a special Citi Presale after the Verified Fan process. Get more details here . Verizon will also offer an exclusive presale through their customer loyalty program Verizon Up .

Will Beyoncé be using Ticketmaster like Taylor Swift to sell tickets?

Yes, but given what happened with Taylor Swift's Eras tour (and the fact it led to Congressional hearings about Ticketmaster ’s practices), it seems very likely both Beyoncé and Ticketmaster would want to avoid repeating that mess. That most likely explains the usage of the Verified Fan system.

Where will Beyoncé be playing?

The Renaissance World Tour will hit 40 cities in North America and across Europe. Stops include Paris, London, Amsterdam, Toronto, Chicago, East Rutherford, Atlanta, Las Vegas, Los Angeles, Houston, and many more.

What has Beyoncé said about the Renaissance World Tour?

She just announced it was happening with a post on February 1. Her website didn't immediately contain any more details. But during the Wearable Art Gala in October 2022, she appeared to confirm it would start this summer, as a backstage tour with her mother Tina Lawson was up for auction at the event.

Will Beyoncé be performing at the Grammys (on February 5) and sharing more tour details there?

Not clear yet, but she is the most nominated artist at the ceremony . On January 21, Variety reported that “ talks with show producers are ongoing for a possible onstage appearance ” by Beyoncé.

What can we expect from the tour on stage?

Beyoncé hasn't shared that yet either, but given the artistry she put into her recent Dubai show , it's fair to say we can expect no less than excellence, elaborate costumes, and an incredible experience.

This post will be updated the moment more detail is released.

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Beyoncé Announces Renaissance World Tour

By Evan Minsker and Allison Hussey

Beyoncé has announced that she’s touring in support of her latest album, Renaissance . The tour begins with a European leg in May, followed by dates in Canada and the United States that extend from from early July through late September. It’s her first tour since her 2018 co-headlining On the Run II Tour with Jay-Z behind their collaborative album, Everything Is Love , and her first headlining tour since 2016’s Formation World Tour behind Lemonade . The Renaissance World Tour is produced by Parkwood Entertainment and promoted by Live Nation. See all of the dates below.

Renaissance arrived July 29, rising swiftly to No. 1 on the Billboard 200 and marking Beyoncé’s seventh album to summit the albums chart. It is the first act in what will be a three-part series, she has indicated.

Beyoncé hinted at her world tour in late October, during the fifth annual Wearable Art Gala, where the raffle included “ a UNIQUE experience ” to see her on the Renaissance tour. Purported images from the auction featured descriptions of the summer 2023 trek. Valued at $20,000, the package included first-class plane tickets, a three-night hotel stay, two concert tickets, and a guided backstage tour from Beyoncé’s mother, Tina Knowles aka Miss Tina. Beyoncé was reportedly in attendance at the gala. In January, she performed at the opening of a new luxury resort in Dubai, but did not play any Renaissance material at the private concert . It was her first live performance since 2020.

Since sharing Renaissance , Beyoncé has made a few adjustments to the album; she replaced ableist lyrics in “ Heated ,” and removed an interpolation of Kelis ’ “Milkshake” on “Energy” after Kelis said she was not informed by Beyoncé and her team that her music was going to be used on the new album. Beyoncé also dropped Honey Dijon and Madonna remixes of “ Break My Soul .” 

In 2019, Beyoncé released Homecoming: The Live Album . The next year, she shared Black Is King , a visual album based on her 2019 soundtrack for The Lion King: The Gift . (Beyoncé voiced adult Nala in the CGI remake film.) On Juneteenth of that year, she surprise-released “ Black Parade ,” which would go on to win the Grammy Award for Best R&B Performance . At the same ceremony, she also won Best Rap Performance and Best Rap Song (for her feature on the remix of Megan Thee Stallion ’s “ Savage ”), as well as Best Music Video (for The Gift ’s “ Brown Skin Girl ”). “ Be Alive ”—her contribution to the King Richard soundtrack—was nominated for an Oscar at last year’s ceremony.

Beyoncé is nominated for nine honors at the 2023 Grammy Awards : Record of the Year , Song of the Year , and Best Dance/Electronic Recording for “Break My Soul”; Album of the Year and Best Dance/Electronic Music Album for Renaissance ; Best R&B Performance for “Virgo’s Groove”; Best Traditional R&B Performance for “Plastic Off the Sofa”; Best R&B Song for “Cuff It”; and Best Song Written for Visual Media for “Be Alive.”

Read “ 5 Takeaways From Beyoncé’s New Album, Renaissance ” over on the Pitch.

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

05-10 Stockholm, Sweden - Friends Arena 05-14 Brussels, Belgium - King Baudoin Stadium 05-17 Cardiff, Wales - Cardiff Principality Stadium 05-20 Edinburgh, Scotland - BT Murrayfield Stadium 05-23 Sunderland, England - Stadium of Light 05-26 Paris, France - Stade de France 05-29 London, England - Tottenham Hotspur Stadium 05-30 London, England - Tottenham Hotspur Stadium 06-08 Barcelona, Spain - Olympic Stadium 06-11 Marseille, France - Orange Velodrome 06-15 Cologne, Germany - RheinEnergieStadion 06-17 Amsterdam, Netherlands - Johan Cruijff Arena 06-21 Hamburg, Germany - Volksparkstadion 06-24 Frankfurt, Germany - Deutsche Bank Park 06-27 Warsaw, Poland - PGE Nardowy 07-08 Toronto, Ontario - Rogers Centre 07-09 Toronto, Ontario - Rogers Centre 07-12 Philadelphia, PA - Lincoln Financial Field 07-15 Nashville, TN - Nissan Stadium 07-17 Louisville, KY - L&N Federal Credit Union Stadium 07-20 Minneapolis, MN - Huntington Bank Stadium 07-22 Chicago, IL - Soldier Field 07-23 Chicago, IL - Soldier Field 07-26 Detroit, MI - Ford Field 07-29 East Rutherford, NJ - MetLife Stadium 07-30 East Rutherford, NJ - MetLife Stadium 08-01 Foxborough, MA - Gillette Stadium 08-03 Pittsburgh, PA - Acrisure Stadium 08-05 Washington, D.C. - FedEx Field 08-06 Washington, D.C. - FedEx Field 08-09 Charlotte, NC - Bank of America Stadium 08-11 Atlanta, GA - Mercedes-Benz Stadium 08-16 Tampa, FL - Raymond James Stadium 08-18 Miami Gardens, FL - Hard Rock Stadium 08-21 St. Louis, MO - Dome at America’s Center 08-24 Glendale, AZ - State Farm Stadium 08-26 Las Vegas, NV - Allegiant Stadium 08-30 Santa Clara, CA - Levi’s Stadium 09-02 Inglewood, CA - SoFi Stadium 09-03 Inglewood, CA - SoFi Stadium 09-11 Vancouver, British Columbia - BC Place 09-13 Seattle, WA - Lumen Field 09-18 Kansas City, MO - GEHA Field at Arrowhead Stadium 09-21 Dallas, TX - AT&T Stadium 09-23 Houston, TX - NRG Stadium 09-24 Houston, TX - NRG Stadium 09-27 New Orleans, LA - Caesars Superdome

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By Jazz Monroe

By Matthew Strauss

Beyoncé adds extra dates for long-awaited Renaissance World Tour: See show schedule

"Please do not be alarmed, remain calm. Do not attempt to leave the dance floor."

Beyoncé announced her long-awaited tour for her seventh studio album " Renaissance " on Wednesday to kick off Black History Month . Demand for tickets skyrocketed so fast, the artist added second show dates seven cities: Toronto; Chicago; Washington D.C.; Atlanta; Houston; Inglewood, Calif. and East Rutherford, New Jersey.

The album, which debuted in July, is an ode to Black queer culture. Disco anthems, soulful ballads and sexy lyrics are packaged together in "Renaissance."

"RENAISSANCE WORLD TOUR 2023," she shared on Instagram .

Beyoncé performs in Dubai  for luxury hotel opening, daughter Blue Ivy joins

Beyoncé's 'Renaissance' album review: Unapologetic and raunchy as she beckons us to the dance floor

Full Renaissance World Tour dates

Beyoncé's world tour kicks off in May and ends in September and includes stops in Nashville, Louisville, Chicago, Detroit, New York, Boston, Miami, Phoenix, Las Vegas, Los Angeles and many more.

Note: Some dates have changed. For the most up-to-date information, visit  tour.beyonce.com .

• May 10: Stockholm, SE (Friends Arena)
• May 14: Brussels, BE (Baudoin Stadium)
• May 17:  Cardiff, UK (Principality Stadium)
• May 20: Edinburgh, UK (Murrayfield)
• May 23: Sunderland, UK (Stadium of Light)
• May 26:  Paris, FR (Stade de France)
• May 29: London, UK (Tottenham Hotspur Stadium)
• May 30:  London, UK (Tottenham Hotspur Stadium)
• June 6:  Lyon, FR (Groupama Stadium)
• June 8: Barcelona, SP (Olympic Stadium)
• June 11:  Marseille, FR (Orange Vélodrome)
• June 15:  Cologne, DE (Rheinenergiestadion)
• June 17:  Amsterdam, NL (JC Arena)
• June 18: Amsterdam, NL (JC Arena)
• June 21:  Hamburg, DE (Volksparkstadion)
• June 24: Frankfurt, DE (Deutsche Bank Park)
• June 27:  Warsaw, PL (Pge Nardowy)
• July 8:  Toronto, CA (Rogers Centre)
• July 9: Toronto, CA (Rogers Centre)
• July 15: Nashville, TN (Nissan Stadium)
• July 17: Louisville, KY (L&N Federal Credit Union Stadium)
• July 20: Minneapolis, MN (Huntington Bank Stadium)
• July 22: Chicago, IL (Soldier Field)
• July 23: Chicago, IL (Soldier Field)
• July 26: Detroit, MI (Ford Field)
• July 29: East Rutherford, NJ (Metlife Stadium)
• July 30: East Rutherford, NJ (Metlife Stadium)
• Aug. 1: Boston, MA (Gillette Stadium)
• Aug. 3: Pittsburgh, PA (Heinz Field)
• Aug. 5: Washington, DC (FedEx Field)
• Aug. 6: Washington, DC (FedEx Field)
• Aug. 9: Charlotte, NC (Bank of America Stadium)
• Aug. 11: Atlanta, GA (Mercedes Benz Stadium)
• Aug. 12: Atlanta, GA (Mercedes Benz Stadium)
• Aug. 16: Tampa, FL (Raymond James Stadium)
• Aug. 18: Miami, FL (Hard Rock Stadium)
• Aug. 21:  St. Louis, MI (Dome at Americas Center)
• Aug. 24: Phoenix, AZ (State Farm Stadium)
• Aug. 26: Las Vegas, NV (Allegiant Stadium)
• Aug. 30: San Francisco, CA (Levi's Stadium)
• Sept. 2:  Inglewood, CA (SoFi Stadium)
• Sept. 3:  Inglewood, CA (SoFi Stadium)
• Sept. 11: Vancouver, CA (BC Place)
• Sept. 13: Seattle, WA (Lumen Field)
• Sept. 18: Kansas City, MO (Arrowhead Stadium)
• Sept. 21: Dallas, TX (AT&T Stadium)
• Sept. 23: Houston, TX (NRG Stadium)
• Sept. 24: Houston, TX (NRG Stadium)
• Sept. 27: New Orleans, LA (Caesars Superdome)

How to purchase tickets, presale information

Ticketing begins Feb. 6, starting with an exclusive presale to BeyHive members.

There are several presale ticket options for Beyoncé fans. Verified fan registration for North American dates are available on beyonce.livenation.com  and Ticketmaster . Citi cardmembers will have access to a presale via citientertainment.com . Verizon Up members can buy presale tickets at  verizon.com/featured/verizon-up .

Visit the various websites for more on presale tickets as times vary by city.

You can also find "Register" buttons next to each date on her tour website .

Beyoncé returned to the stage for first time in four years in January

Last month, Beyoncé made her return to the stage and performed at the opening of the Atlantis The Royal hotel in Dubai. Despite the luxury experience, the singer left fans wanting more, as she did not perform any songs from "Renaissance," The Hollywood Reporter reported.

The invitation-only event marked her first concert in more than four years. She last performed at the  Global Citizen Festival: Mandela 100 event in 2018.

Beyoncé dominates Grammy nominations

The singer's tour announcement comes days ahead of the Grammys where Beyoncé leads the 2023 lineup with nine nominations, including best dance/electronic album ("Renaissance"), best R&B performance ("Virgo’s Groove") and best traditional R&B performance ("Plastic Off the Sofa"). 

With 28 wins and 88 total career nominations, Beyoncé now ties her husband, rapper Jay-Z , for the most nominations in Grammy history. If Beyoncé picks up four or more awards this year, she will surpass the late Georg Solti for the most Grammy wins of all time. (The Hungarian-born conductor holds the record with 31.) 

Beyoncé's 'Renaissance' has arrived.: What we know, including the album leak, Kelis' sample

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Beyoncé and Jay-Z have got "to be the most intense power couple in the history of music," Recording Academy president Harvey Mason Jr. Mason said after the nominations were revealed. "That’s music and Grammy royalty – that’s the royal family."

Their combined 176 nominations are "absolutely a testament to their talent, to their level of excellence, to their work ethic, to their level of greatness over a long period of time. I don’t even know what the next (leading) couple would be, but it’s not anywhere close.”

Beyoncé's 'Break My Soul.' Taylor Swift's 'Anti-Hero.'  These are the 10 best songs of 2022, ranked.

Beyoncé noticeably was not nominated in any of the music video categories for the Grammys, having not released any album visuals for "Renaissance" since its debut.

Contributing: Patrick Ryan

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• Everything to Know About Beyoncé’s <i>Renaissance</i> Tour

Everything to Know About Beyoncé’s Renaissance Tour

B eyoncé’s fans have been waiting for this day: the pop megastar finally announced that she will embark on the long-awaited Renaissance World Tour. She uploaded a post to Instagram early Wednesday morning with the caption: “RENAISSANCE WORLD TOUR 2023,” and her official website has been updated to show the tour dates. The tour starts in May in Sweden and will hit Belgium, the United Kingdom, France, Spain, Denmark, the Netherlands, and Poland, before she makes her way to North America. The first date stateside will be in Philadelphia, Pa., in July and the tour will hit the major U.S. cities before wrapping up in New Orleans, La., on Sept. 27.

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Following the release of her seventh album, Renaissance , in July, fans have been itching for a tour announcement, in addition to music videos to accompany the songs. Beyoncé’s last solo tour was the Formation World Tour back in 2016 to support her sixth album, Lemonade . Following that, she went on the On The Run Tour with her husband, Jay-Z, in 2018 after releasing their joint project, Everything Is Love . The announcement of a new tour just before the Grammy Awards on Sunday raises suspicion that Beyoncé might be performing or, at the very least, attending the night’s festivities.

The singer is nominated for nine Grammys at this year’s awards ceremony, which are set to take place on Feb. 5 in Los Angeles. This year, she is up against Adele for multiple awards, including Album of the Year, Song of the Year, and Record of the Year. There has been speculation about whether or not Beyoncé would be performing ever since the nominations were announced. The last time fans saw her perform on a major televised stage was at last year’s Oscars ceremony, where she performed “Be Alive” from the King Richard movie for the first time.

Read More: 6 Takeaways from Beyoncé’s New Album Renaissance

Beyoncé most recently took the stage for a private concert at the opening of the Atlantis The Royal resort in Dubai in January. However, she did not perform any songs from Renaissance . Also, given that Beyoncé unveiled the album’s title on Instagram as “act [one],” her dedicated fanbase has been busy theorizing what acts two and three might be. Some have hypothesized that the tour would be act two and then a concert movie would be act three. Others have ventured to guess that this is a three-part album and that Renaissance was just the beginning.

Tickets for the concert will not be an easy get if Taylor Swift’s Eras Tour is any indication. Beyoncé’s fans can click on the date they would like to attend to register for Ticketmaster’s Verified Fan program and will then have to wait to see if they are given an access code to purchase tickets to the event. With Verified Fan and the “unexpected” traffic the pre-sale brought to the site, many Swifties likened the ticket-buying process to a warzone. The disastrous rollout drew ire from Swift’s fans and political officials alike. After the ticketing fiasco, the Senate held a hearing to look into whether Live Nation and Ticketmaster have a monopoly over the ticketing industry. This, coupled with the technical problems that Swift fans faced, have Beyoncé fans worrying that finding their way to an actual concert will be nothing short of an ordeal.

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Fatima Robinson Talks Beyoncé’s Renaissance Tour, Crowns Her ‘The Michael Jackson of Our Time’

The renowned choreographer stopped by the Questlove Supreme podcast to describe Beyoncé's process behind the Renaissance World Tour.

By Kyle Denis

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Beyoncé may be riding high off Cowboy Carter right now, but Renaissance is the gift that keeps on giving.

In a revelatory conversation with Ahmir Questlove Thompson on his Questlove Supreme podcast, renowned choreographer Fatima Robinson revealed how Beyoncé came up with stage design and concept for the Renaissance World Tour during the pandemic — and why the superstar shifted her approach to dance on her most recent trek.

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“That was Beyoncé sitting in a pandemic with a lot of time on her hands and coming up with the most incredible, creative stage that I had ever gotten to work on,” Robinson gushed of the Renaissance World Tour stage. The sold-out stadium tour featured two separate platforms connected by a moving ramp, a main stage complete with a sprawling flatscreen, a B stage that stretched into the crowd, and a slew of props including, a tank, pyrotechnics, a laser show, a giant clam shell, robot arms, a flying “disco horse” and various levitating platforms.

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“She has quite a few choreographers across her span of music,” said Robinson. “We gave me the title ‘director of choreography’ because I was the point person that all the choreographers worked under and with. It was such a big boulder to get up a hill, that show.”

While Robinson has worked with Beyoncé in the past — most notably on 2006’s Oscar-winning Dreamgirls and her “Be Alive” performance at the 2022 Oscars — she joined forces with several other choreographers for the Renaissance tour, including her two other team members, Chris Grant and four other choreographers who worked on numbers sporadically.

Her first solo concert tour since 2016’s Formation World Tour , the Renaissance World Tour presented a notably different Beyoncé. While the three-hour show was still a feast for the eyes and ears, the performance included less intense choreography than her past tours — partially due to a knee injury she suffered before those 56 sold-out shows.

Robinson’s revelations echo sentiments Beyoncé herself shared in Renaissance: A Film by Beyoncé . Throughout the documentary, Queen Bey mused about looking to her idols to inform how she moves in her career. The Renaissance tour was a celebration of that, from a surprise appearance from Diana Ross to a multi-city tribute to the late Tina Turner .

“Look at how Prince was when he passed away, he had those hip replacements because of all those splits and stuff,” noted Robinson. “Look where Michael [Jackson] is. We want you around performing for years to come, so let’s not put that kind of pressure. Let’s ease into it, let’s stand there and be powerful and step into a different kind of power, and guess what? They gon’ come with you!”

That approach to performing also resulted in a very Beyoncé take on the concept of an opening act. For each show, Beyoncé began with a set of ballads , introduced by a beautiful piano-led rendition of 2003’s seminal “Dangerously In Love 2.”

“I turned to her and I was like, ‘This is really fly, starting with ballads,'” recounted Robinson. “She laughed and she said, “I’m opening up for myself!”

In addition to the Renaissance World Tour, Robinson also worked on 2023’s The Color Purple movie musical, which topped the domestic box office on opening day and earned one Oscar nomination (best supporting actress for Danielle Brooks).

Click here to watch the full clip of Fatima Robinson describing the creation of the Renaissance World Tour.

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Beyoncé Regally Resets Her Renaissance World Tour With a U.S. Premiere in Philadelphia: Concert Review

By A.D. Amorosi

A.D. Amorosi

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From a private show in Dubai and its official opening in Stockholm to its Canadian dates last week, most of the globe has gotten at least a glimpse, from afar, of Beyoncé on the Renaissance World Tour — her first in nearly five years. Last night, the United States got its first in-person peek at the vibrancy of Club Renaissance with an opening show at Philadelphia’s Lincoln Financial Center.

Four words immediately come to mind in trying to do justice to the show: Daring. Elastic. Silvery. Very .

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After the balladry of segment one’s “Opening Act” (the show is broken into six segments), the mood shifted and Beyoncé and company were ready to party, albeit robotically. Removing herself from “Metropolis”-inspired, metallic fem-bot gear, the vocalist jaggedly cut through fresh robo-R&B versions of “Renaissance” material such as “I’m That Girl,” “Cozy” and “Alien Superstar.” By doing so – and with adventurous choreography utilizing mechanical framing to mirror the songs’ lyrics – Beyoncé recontextualized her most recent album as something stranger, freer and more audacious in its live setting than in its studio renditions. For good measure, Bey also threw in elements of the odd-hop “Apeshit” from her Carters album with husband Jay-Z, and a stretch of Hova’s “Lift Off” cut with Kanye West.

Listening for what Beyoncé laced into each song and interpolated throughout each track became something of a spectator sport during this “Motherboard” segment. The brassy, hand-clapped disco of “Cuff It” mixed into thumpers such as “Energy” and “Break My Soul,” interspersing crowd-thrilling covers such as Teena Marie’s “Ooh La La,” the Jacksons’ “Shake Your Body,” Robin S’s “Show Me Love” and – for real pop-house punctuation – Madonna’s “Vogue.”

That segment’s rough feel made the next shift, “Anointed,” all the nicer. Starting off with a processional coat of many colors, this segment found her in peak vocal form, and her band at its most fluidly musical. The slow-to-fast gospel pop of “Church Girl,” the cosmopolitan quiet storm of “Rather Die Young” (you could hear her heart breaking when she sang “Boy, you’ll be the death of me”), the ever-ascending “Love on Top” (with its hat tipped to “I Want You Back” from the Jackson 5) — perfection. When Bey sang elastically through an insistent, aggressive “Crazy in Love,” with its catwalk choreography, it was the tart cherry on an already delicious sundae. When an oversized disco ball moved through mid-air for the creamy, drifting balladry of “Plastic Off the Sofa” and an overheated, swirlingly romantic mash-up of “Virgo’s Groove” and “Naughty Girl” (the latter with a caramelly chunk of “Say My Name” at its center), Beyoncé readied her crowd for an old school, tickling house music finale. With the star dressed in bee-bug yellow-and-black gear for this last “Mind Control” segment, the party rolled on hard with spare, bone-rattling percussion and bitchy swagger (“I’m just as petty as you are,” she roared during “Heated”), some Kraftwerk-ian soul (on the rough-edged “America Has a Problem”) and her lowest-voiced sing-speak (“Pure/Honey”). This transpired before yet another costume change (yes, a shiny silvery one) and her mount atop an arena-traveling flying horse for the syncopated, heavenly Giorgio Moroder epiphany of “Summer Renaissance.”

Two and a half hours after its start, Beyoncé turned off the strobe lights on Club Renaissance, and the party that started off with surprise tenderness and welcome poignancy ended with a loud and lovely bang of glorious disco communion.

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A Silvery, Shimmering Summer of Beyoncé

The Renaissance tour is a blueprint for how to cultivate pleasure and hold onto it at all costs.

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By Jenna Wortham

In late August, Beyoncé shared a story on Instagram: She asked those attending upcoming Renaissance World Tour dates to come dressed in silver. It was her birthday wish. “We’ll surround ourselves in a shimmering human disco ball each night,” she wrote. “Everybody mirroring each other’s joy.” It was a rare request from a woman who, in the last 10 years, has pulled back almost entirely from media interactions, preferring to speak only through her art.

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Three nights later, in Las Vegas, the town glimmered with anticipation. Everyone understood the assignment: Gleaming chrome thigh-high boots, glittering purses, shiny Telfar bags and rhinestone cowboy hats caught and bounced back the light from the stark desert sun, sending Morse signals to the rest of us who were in town for the same reason. There were strings of discarded rhinestones piled on slot machines, sequined bras abandoned in bathrooms and errant pieces left in the back seat of nearly every cab, Lyft and Uber I got into. In a city where there are dozens of large-scale events occurring simultaneously, the Beyoncé effect rolled through like an earthquake. Or maybe an eclipse.

Silver is the most powerful conductor on the planet; it moves electricity faster and more efficiently than any other material. On that night, tens of thousands of people draped in that lustrous color formed a circuit of pure energy. The stadium glowed. The human disco ball of Beyoncé’s dreams was also a renewable energy source. Charging up people. Charging up ideas. Charging up momentum. The stadium twinkled, each flash of silver a reminder of the constellation of moments that we move through, that sustain us. That even if they are few and far between, they are enough.

Renaissance, which kicked off in Stockholm in May, was Beyoncé’s first tour in nearly seven years, with 56 shows worldwide, tied to her 2022 album of the same name. In recent years, her musical projects have become more declarative of her personal values. “Homecoming” celebrated historically Black universities; “Lemonade” charted the arc of her husband’s infidelity into their redemption. (She is married to the rapper Shawn Carter, a.k.a. Jay-Z.) And now “Renaissance”: an ode to Black queer and trans history, told through a dreamscape of house music that could easily double as a soundtrack for a druggy Brooklyn sex party. Live, the production of “Renaissance” was maximalist, even operatic. Pyrotechnics punctuated beat drops, and there were at least six outfit changes per show (with new looks each show), nearly two dozen dancers, a full band, acrobatics and a finale in which Beyoncé rides a crystal horse, deity-like, through a blizzard of silver confetti.

Anything Beyoncé does becomes a cultural event, but the Renaissance World Tour has become a cultural movement. People are crossing the globe to see her, comparing set lists and fashion choices, attending multiple shows. Silver and rhinestones have become Renaissance signals, as recognizable as any brand logo. Products that she used on tour are selling out, and chrome is appearing in fall look books. Video and photos from the tour have blanketed social media for months, documenting the challenges she issues to the crowd — including one tied to her song “Energy,” during which, after she sings the line “look around everybody on mute,” she pauses, waiting to see if the crowd can calm down enough to follow suit. Fans are also charting the budding confidence of Blue Ivy Carter, Beyoncé’s eldest child, who made her stage debut this year. There are Reddit threads dedicated to post-show comedowns. And the tour has surpassed the previous record for highest-grossing by a solo female artist, which was previously held by Madonna in 2009. By its close, Beyoncé will have generated an estimated $4.5 billion for the American economy, about as much as the 2008 Olympics did for Beijing.

The path of totality has changed nearly everyone who stepped into it. Oprah shared a video of her reaction to Beyoncé’s performance on her Instagram. Standing in a nondescript room, hands crossed, she was uncharacteristically speechless. “I couldn’t scream,” she says, her voice hoarse with emotion. “I was in awe. ... That is like the most extraordinary thing I’ve ever seen.” Oprah’s best friend, Gayle King, has made the pilgrimage too, of course. So have Lenny Kravitz, Pharrell Williams, Kelly Rowland, Jeff Bezos, Paul McCartney, Prince Harry and Meghan Markle, LeBron James, Dua Lipa, Vice President Kamala Harris, Shakira, Madonna, Angela Bassett, Natalie Portman, Megan Thee Stallion, Zendaya and Tom Holland and many others.

Across several shows, I’ve watched people process the sensory overload of the performance. Some danced for hours straight; others stood still, hands clasped to chests, reverential, tears streaming down their faces. Folks who couldn’t be there were FaceTimed in. Strangers fanned one another, hugged, encouraged one another to dance when they sat down to rest. The closer my seats were to Beyoncé, however, the less people seemed to move. Instead, they absorbed the full force of her with their entire bodies, not unlike opening the oven to check on a roast and feeling your eyebrows singe a little.

She opened that night in Vegas, as she does every show of the tour, with “Dangerously in Love,” a song from the earliest days of her solo career, about devotion tinged with obsession. It’s an oath, the musical equivalent of pressing two bloody thumbs together. She started singing the song at 19, when she was first falling for Jay-Z. More than 20 years later, time and maturity have decanted the song into something richer.

Beyoncé has always been able to utilize her voice with the precision of a lab technician, inspecting riffs and pulling syllables apart, pipetting out sounds and testing the resonance of melodies. Now that she was onstage in front of stadiums of rapt fans, the fruits of years of experimentation were on full display.

Beyoncé, 42, has figured out how to adjust her voice (her characteristic growl floats in falsetto) and adjust her body language (more benevolent, like a gilded patroness) to abstract the object and subject of the song. The fluttery “I love you”s at the beginning no longer feel like a confessional. They feel like a pledge. By the time she slides into the line “I can’t do this thing called life without you here with me,” it feels as if she has left the recklessness of young love behind. Now she is singing about her legacy, her career, her fans, this world she built for herself. There’s a vocal run toward the end of the song that rises out of Beyoncé’s throat and finds its way into your chest, unclenching any stuck emotions that might be lodged in there.

As a singer and a songwriter, Beyoncé — like all pop stars — is a scholar of love. As she says on the album, it is her weakness. She has been drunk on it, driven crazy by it, trying to get over it, craving it. Historically, it seemed elusive to her. Yet now it seems that she has found a surplus of it to radiate back out. If love is a feeling in the heart, pleasure is its embodied action. And finding that pleasure is not only a hedonistic pursuit, as Audre Lorde wrote in her landmark essay “Uses of the Erotic: The Erotic as Power,” it is a question of how much “we can feel in the doing.”

The feeling in the doing is at the center of the Renaissance World Tour. It is made material in the shape of a giant hole cut into the center of the stage, where Beyoncé’s band performs. It’s like the inside of a disco ball. The album “Renaissance” opens with a sample of a verse from the Memphis rapper Princess Loko that intones, “Please, [expletive] ain’t stopping me.” During the concert, Beyoncé lets the sample loop again and again, for longer than it does on the track. The effect is exhilarating. “Renaissance” as an album is a blueprint for how to cultivate pleasure and hold onto it at all costs; the tour is a chance to practice the vision for the world we hope to live in, and simultaneously release grief for the one that we do live in.

There are two very different revivals being proposed in this country right now. In Las Vegas, the distinction could not have been clearer. Beyoncé performed at the south end of the famous glitzy strip, while the Trump International hotel, a beacon for so much disappointment and so many deferred desires, loomed at the northern end. Beyoncé has said that she spent the grim days of the pandemic making the “Renaissance” album, which is the first of a three-part series. A renaissance, after all, is another way of bringing something back. And what does Beyoncé think is worthy of resurrection? Love, freedom, safety. It’s another type of insurrection. And what she is inciting is the will to fully inhabit your body.

One of the most striking moments of the show comes during the secular club anthem “Church Girl,” when Beyoncé sings — well, not so much sings as howls in a way that the words blur together and become a keyhole through which to slip — “Soon as I get it in this party, I’m gon’ let go of this body, I’m gonna love on me.” In concert, she blends this song with an earlier iteration of a similar invocation, her 2006 track “Get Me Bodied,” a raucous 1.0 version of “Church Girl.” Each song is a meditation on the deliciousness of releasing the body through movement and how that can awaken the senses further. Only now, she has figured out how to do that for herself, without any external validation. From there, the song fades into Beyoncé’s cover of “Before I Let Go,” the classic summer anthem by Maze featuring Frankie Beverly. Her dancers break into a familiar and familial dance — the Electric Slide. Communal dance has the uncanny ability to reunite the body and spirit; many of the tools of embodiment are already located in Black social rituals. If that release seems unsafe or scary, Beyoncé and her dancers seem to say, a few different ways, let us show you how. Multiple times during the show, visuals of spread legs appeared arranged around the perimeter of the stage’s glory hole, with the perspective zooming ahead, inviting us in. Get inside your body, or if you can’t, come inside mine.

A common criticism of the Knowles-Carters is that their efforts to accumulate assets, power and liberties have felt all-consuming. Yet, during “Pure/Honey,” there’s a moment when the stage transforms into a soul-train line and ballroom stage. And then Beyoncé does something extraordinary: She switches bodies with her dancers. Which is to say, she trades places with them, turning her back on the main stage (a full-body mic drop), and lets her tremendous team of dancers inherit her place. The dancers, emboldened by the spotlight, take turns vogueing and cat-walking down the stages. It is one of the most triumphant moments of the tour.

Now that she was onstage in front of stadiums of rapt fans, the fruits of years of experimentation were on full display.

We live in extremely unfeeling times. Reckoning with compounding climate crises, escalating economic pressures and broader global turns toward bigotry and fascism can have an anesthetizing effect on the body and mind. The Renaissance tour has become something of an antidote to that. The show feels like a three-hour somatic workshop on remembering how to feel any feelings that you can access, whether they be elation or sorrow. Beyoncé herself is modeling it. On “Cuff It,” she asks, Have you ever had fun like this? She delivers the answer in her performance. Her sense of humor is on full display, from outfit choices to exaggerated facial expressions. For all the versions of Beyoncé we’ve seen in her career — beauty queen, vixen, scorned women — stand-up comedian might be her most uninhibited. But as much as the Renaissance World Tour is limned with the beauty of aliveness and vitality, it is also preoccupied with mortality. She is deeply aware of the precarity of Black, queer and trans life. On “Heated,” she sings, “Liberated, livin’ like we ain’t got time.” Pleasure at the world’s end feels nearly impossible. And yet Beyoncé shows us that it is our birthright. Back when the original track list for “Renaissance” was released, fans saw the title “America Has a Problem” and assumed it would be a rallying anthem honoring Breonna Taylor and George Floyd. Instead, the song takes an oppositional tactic. America’s problem, she posits, is our having too much freedom.

The first time I saw her, at the New York-area show, it was the same night that a young Black gay man named O’Shae Sibley was stabbed to death for vogueing to her lyrics at a gas station in Brooklyn. There was an awful collision that night between the optimism of resilience — more than 50,000 people screaming “you won’t break my soul” into the night felt like a defiant incantation — and the unchecked violence that threatens trans and queer people relentlessly. On one of the days I saw her in Las Vegas, a white man opened fire in a Dollar General in Jacksonville, Fla., intentionally targeting and killing three Black people. The shift between the ecstasy of the concert and the reality of the world was so disconcerting it was almost physically painful. The concert inserted me back into my body so fully that I couldn’t avoid the broader questions it raised: about the inverse relationship between queer and trans visibility and violence; the price to access this transformative space, prohibitive to most; and how to square some of Beyoncé’s more radical ideas with the gospel of Black capitalism (as she sings, “this kind of love, big business”). And yet, despite grappling with all that, I was reduced to tears listening to the rhapsodic synthesizers that score the speech of Dr. Barbara Ann Teer, founder of the National Black Theater, which soars out of the end of “Alien Superstar,” about the beauty in Black expression. Internal conflicts aside, I was moved by the power inherent in the scale of her message, on loving yourself in a world that would rather see you dead. In many ways, “Renaissance,” like the ballads at the top of the show, is also an elegy. But Beyoncé isn’t the undertaker; she is directing the second-line band at the funeral procession.

“Deep time” is a term that refers to the geological history of Earth. It requires the brain to reorient its scale, to think about time in billion-year chronologies, rather than days or months. It can cause some wrestling with the twinned significance and insignificance of our lives. At one point during the show, a quotation from Albert Einstein flashes on the screen: “Imagination is more important than knowledge.” What we know is limited. What we can imagine — especially for ourselves — is limitless. The concert is punctuated with visuals that offer a sense of Beyoncé’s cosmology: graphics of her soaring through expansive galaxies, including a winged robotic version of the singer astride a rocket navigating outer space. The imagery is suggestive of other ways of being, outside of Earth, known and unknown.

In her lifelong career, Beyoncé has not stopped to wait for anyone else to anoint her (if she did, she would probably still be waiting). And one way to view “Renaissance” is akin to a personal retrospective. Most pop projects (and much of our cultural fixation on self-improvement) revolve around reinvention, discarding past selves to make way for the new. Beyoncé exhumes all her eras and updates them as needed. During her song “Run the World,” “GWORLS,” a colloquial word for trans femmes, flashed on the video screens every time the call-and-repeat stomp of the chorus called out “girls.”

But Beyoncé is also an archivist. The show functions as an altar to her influences: A celestial giggle pays homage to Janet Jackson, and a metallic chest piece nods to Whitney Houston in “The Bodyguard.” The velocity of a hair flip recalls Tina Turner. Quick hips resurrect Josephine Baker’s banana skirt. Beyoncé’s musical production, headed by her, involves tethering parts of “Renaissance” to her earlier catalog, showcasing an evolution of narrative and musical priorities. Live, she braids “Virgo’s Groove” with earlier love songs, “Rocket” and “Say My Name,” diagraming the arrival of a woman confident in her sexuality and partnership. Much of the show’s sartorial catalog is also self-referential. A bee costume designed by Casey Cadwallader for the Mugler brand nods to Beyoncé’s collaborations with Thierry Mugler over the years. A pair of oversize flip-phone earrings recalls her song “Video Phone.” As much as she is taking us through a tour of her music, she is reminding us of the ways that notions about Black femininity have always defined it. She seems to be on a personal mission to rewire how Blackness is understood to be integral and core to America and the world.

A particularly emotional moment arrives when Blue Ivy takes the stage during “MY POWER,” a song from Beyoncé’s 2020 visual album, “Black Is King.” From the time she was born, Blue Ivy has been bullied online for her facial features and hair texture. Here, Beyoncé gestures to her, during the song’s lyric “this that kinfolk, this that skinfolk, this that war, this that bloodline,” as they begin a mother-and-daughter choreography. Her power, which she seems to be passing along to Blue Ivy in that moment, is a fortification against the outside world. It is another kind of legacy, the ability to author her own story, in the ways she will see fit. In one of the most dramatic set changes, Beyoncé appears in a large shimmering clamshell, Botticelliesque and supine, in a bejeweled bodysuit with coyly placed fabric handprints, signaling satirical modesty and also suggestive of self-pleasuring. Beyoncé has emulated a Black Venus for years, including in a lavish photo shoot by Awol Erizku in 2017, when she was pregnant with her twins, Rumi and Sir. The phrase “Black Venus” has also been used to describe Saartjie Baartman, a South African woman who was forcibly exhibited in the early 1800s, nearly naked, for Europeans to gawk at. It seems that as much as Beyoncé is authoring her own image, she is also invoking those who could not.

At one of the shows I saw, Beyoncé closed the show by telling her audience — while flying around the stadium in a dazzling sequined cape — that she hoped they felt loved. That they felt safe. She implored everyone to remember where they were. Before we all left, she encouraged everyone to take a mental picture of the way they felt, whose arms they were holding, the fullness of their heart. “You can return to it anytime.”

An earlier version of this article referred incorrectly to the designer of Beyoncé’s bee costume. It was inspired by Thierry Mugler’s earlier work and designed by Casey Cadwallader for the Mugler brand. It was not designed by Thierry Mugler.

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J Wortham is a staff writer for the magazine, co-host of the podcast “Still Processing” and co-editor of the anthology “Black Futures,” with Kimberly Drew. She is currently working on a book of essays, "Work of Body." More about Jenna Wortham

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Beyonce's Renaissance World Tour: See all the epic photos and fashions

See all the dazzling photos from the "Cuff It" singer's tour.

Beyoncé is currently making her way through the North American leg of her Renaissance World Tour and captivating concertgoers with her dazzling performances and fashion moments.

The Grammy-winning singer most recently performed at Gillette Stadium in Foxborough, Massachusetts, Tuesday night and will perform next at FedExField in Summerfield, Maryland, Aug. 5-6.

MORE: Beyonce's daughter Blue Ivy appears onstage during Paris show

Here are some of Beyoncé's most stunning looks from her shows so far:

Beyoncé first kicked off her world tour in Europe in May, wowing audiences with her vocals, theatrics and style choices in major cities including, Paris, London and Barcelona.

One standout look came during her first show in London, when she stepped out onstage in a red bespoke Off-White bodysuit, which was covered in 40,000 red hotfix crystals , according to the label.

She also wore a custom bee-inspired look from Mugler.

The singer's 11-year-old daughter Blue Ivy Carter has also appeared on the Renaissance World Tour stage. Blue Ivy made her tour debut during her mom's show in Paris . She also took the stage during Beyoncé's concert tour stop in East Rutherford, New Jersey, at MetLife Stadium.

See more of Beyoncé's showstopping looks below:

MORE: Beyonce announces 'Renaissance' world tour for 2023

Read on for everything you need to know about Beyoncé's world tour.

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When did Beyoncé announce the world tour?

Seven months after the release of her seventh studio album, "Renaissance," the "Cuff It" singer took to Instagram to announce her Renaissance World Tour .

The tour is her first solo tour in more than six years.

When did the Renaissance tour start?

The Renaissance World Tour kicked off Wednesday, May 10, at the Friends Arena in Stockholm, Sweden.

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According to the Friends Arena website , the show was slated to run for three hours.

MORE: Beyonce teases new release 'Break My Soul,' dropping at midnight

When does the tour run until.

In addition to Stockholm, Paris, London and Barcelona, the European leg of her tour made stops in Belgium, the United Kingdom, and Denmark. Beyoncé's final European show was in Warsaw, Poland, on June 28.

The North American leg of the world kicked off in Toronto at Rogers Centre on July 8. Following her show at FedExField -- which is located just outside Washington, D.C. -- the singer will head to Charlotte, North Carolina; Atlanta; and Tampa, Florida.

Beyoncé's final scheduled performance of the tour will be held Oct. 1 at GEHA Field at Arrowhead Stadium in Kansas City, Missouri.

When was the last time Beyoncé toured?

Beyoncé's last solo tour was the Formation World Tour in 2016, which followed the release of her sixth studio album, "Lemonade."

In 2018, she toured with her husband Jay-Z, for the On The Run Tour.

What is the Renaissance World Tour setlist?

During her tour, Beyoncé has performed songs off her latest album, including "Cuff It," "Heated" and "Virgo's Groove."

At her first tour stop in Stockholm on May 10, she sang a number of fan favorites, including "1+1," "Run the World (Girls)," "Get Me Bodied," and "America Has a Problem," among others.

Beyoncé's "Renaissance" album was released on July 29, 2022, after it was leaked two days prior. The album is the first part of a three-act project and features a total of 16 tracks with collaborations from artists such as Drake, Tems and Pharrell Williams.

MORE: Beyonce officially drops 'Renaissance' album, thanks fans for 'unwavering support'

In an Instagram post, the singer said that "Renaissance" was recorded over three years during the COVID-19 pandemic.

"Creating this album allowed me a place to dream and to find escape during a scary time for the world," she said. "It allowed me to feel free and adventurous in a time when little else was moving. My intention was to create a safe place, a place without judgment. ... It was a beautiful journey of exploration."

How to get Beyonce 2023 tour tickets

While tickets to see the singer on tour sold out quickly in many cities around the world when sales began in February, fans can still purchase tickets on Ticketmaster.

This article was originally published on May 10, 2023.

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Break my soul, break these records: Beyoncé's Renaissance World Tour by the numbers

Meanwhile, it's been 15 months since Renaissance dropped and we're still listening to it. No skips.

Lester Fabian Brathwaite is a staff writer at Entertainment Weekly , where he covers breaking news, all things Real Housewives , and a rich cornucopia of popular culture. Formerly a senior editor at Out magazine, his work has appeared on NewNowNext , Queerty , Rolling Stone , and The New Yorker . He was also the first author signed to Phoebe Robinson's Tiny Reparations imprint. He met Oprah once.

The Renaissance World Tour has come to a close, leaving a trail of snatched wigs, discarded silver lamé, and depleted checkbooks in its wake.

All in all, Beyoncé 's ninth concert tour pulled in $579 million, making it the highest-grossing tour by a female artist in history, and the seventh-highest-grossing tour overall.

But if you look at it based on number of shows, Queen Bey maintains her crown. The Renaissance Tour had 56 shows that ran the course of the summer versus, say, the No. 6 highest-grossing tour, Guns N' Roses three-year, 158-show Never In This Lifetime... Tour.

And then there's the average gross per show: Bey made $10.3 million per show, compared to the highest-grossing tour of all-time, Elton John 's Farewell Yellow Brick Road, which averaged $2.8 million per show (it ran for five years and 330 shows, grossing $939.1 million).

The Renaissance Tour also broke Billboard's record for biggest one-month gross with $127.6 million.

All that money helped boost the American economy, with The New York Times estimating that the Bey bump generated about $4.5 billion, comparable to what the 2008 Olympics did for Beijing.

Across 10 countries and 39 cities, the Renaissance Tour machine employed 304 people, as Beyoncé gagged 2.7 million fans in 148 different looks from over 35 fashion houses, while singing 34 songs per night.

And for those who missed out on the live o-p-u-l-e-n-c-e, there's a Renaissance concert film coming to theaters Dec. 1, fulfilling the promise of those long-awaited visuals.

And we only had to wait 490 days. But who's counting?

Related content:

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• On Beyoncé's Renaissance : To be queer, gifted, and Black…oh what a lovely, precious dream
• Beyoncé pays tribute to fan fatally stabbed after voguing to her music: 'Rest in Power O'Shae Sibley'
• Hairspray actress Sarah Francis Jones goes into labor at Beyoncé's bday concert, avoids obvious name choice

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See Beyoncé’s best looks from her haute couture-rich Renaissance tour

I t’s not the diamonds or the pearls that make Beyoncé that girl, but fashion is a critical part of what’s made her Renaissance World Tour unforgettable.

In celebration of her seventh album of the same name, Beyoncé’s first solo tour in seven years featured a wardrobe fit for a queen. With many of the looks switching out from venue to venue — and some specific to particular cities on the tour — it also moonlighted as a traveling fashion show, keeping fans on their toes for whatever Beyoncé and her team of stylists had up their sleeves (or opera gloves) next.

This “Renaissance” era in Beyoncé’s music is about unbridled joy, self-empowerment, freedom in love, movement and identity — be it racial, sexual or gender — and the expression of these journeys through disco and futurism.

“Creating this album allowed me a place to dream and to find escape during a scary time for the world,” Beyoncé wrote on Instagram in 2022. “My intention was to create a safe place, a place without judgment. A place to be free of perfectionism and overthinking. A place to scream, release, feel freedom.”

This message — and the creation of community, with attendees sporting their own “Renaissance couture” to fit the tour’s theme — translated sartorially, too.

When developing the tour wardrobe, “Beyoncé and her team talked about a sci-fi disco, like a gigantic party in another galaxy or space,” said fashion designer Iris van Herpen, who created one look for the tour. “I love designing with the concepts of sci-fi as it gives creative freedom to travel time and space. For me, during her Renaissance tour she is Queen B Beyond, a timeless queen that moves in a dazzling constellation.”

“This ethereal and futurist femininity complements and extends her other looks in the tour that beautifully highlight other aspects of feminine empowerment,” van Herpen added.

Designer David Koma was “particularly excited to receive the call for the world tour because I knew it would be an incredible performance,” he said, calling the tour “an iconic pop culture moment I would be so proud to be a part of.”

“It feels like (a) once in a lifetime experience that every attendee will remember forever,” Koma, who has collaborated with Beyoncé for over a decade, told CNN via email.

Here are some of the best Renaissance tour looks, which fans will be able to see even more of upon the release of “Renaissance: A Film by Beyoncé” in theaters December 1.

‘It should cost a billion to look this good’

For the tour’s opening night in Stockholm, Beyoncé stepped into her “House of Chrome” wearing a custom Alexander McQueen bodysuit featuring thousands of silver bugle beads and crystals hand-embroidered on a black tulle base.

For the final stop of the tour in Kansas City, Missouri, meanwhile, she opened the show in a bustier dress embroidered with thousands of rhinestones, paired with black opera gloves.

André Courrèges was one of the instrumental designers of space-inspired, intergalactic fashion of the ‘60s, and critical in defining the “retro-futurism” aesthetic. Fittingly, Beyoncé wore a custom silver Courrèges leotard with cutouts for several performances of “Alien Superstar.”

She opened the first of three London tour stops in a custom full-body cobalt blue gown from the London-based designer Roksanda Ilincic, similar to pieces from Ilincic’s Fall/Winter 2023 collection.

One of the most iconic looks of the tour was a custom gold Loewe bodysuit with hand motifs from the house’s Fall-Winter 2022 runway, which appear like an illusion in tandem with Beyoncé and her backing dancers’ movements.

In collaboration with tour stylist Shiona Turini, Loewe creative director Jonathan Anderson designed a series of looks “inspired by the escapist joy” of “Renaissance,” playing on sculptural forms and body illusion and blending “futuristic concepts with theatrical, disco-era aesthetics,” according to Loewe’s website .

In Amsterdam, Beyoncé wore a custom black corseted Gucci leotard with strands of crystals crisscrossing the bodice, atop sheer mesh with rhinestone detailing. She paired the look with a wide-brimmed, metallic silver hat — and a pair of ornate sunglasses.

The custom Mugler bee outfit Beyoncé often wore while performing “America Has a Problem” referenced the house’s Spring-Summer 1997 “Les Insects” collection . Designed by Mugler creative director Casey Cadwallader and styled by Turini, the look pays homage to Beyoncé’s “queen bee” persona while also contributing to the otherworldly feel of much of the tour’s fashions.

In LA, Beyoncé wore another intricate Mugler piece: a strappy silver bodysuit designed by Cadwallader and styled by Turini.

As Beyoncé floated around the arena during the encore performance, “Summer Renaissance,” at her premiere show, so did her custom Coperni ensemble, which was inspired by a look from the brand’s Fall-Winter 2023 collection.

“She wore an embroidered cape, bodysuit and gloves,” Coperni said on Instagram . The outfit, created from silver laser-cut feathers, required hundreds of hours of hand stitching.

In New York City, the singer opened the “Renaissance” act of the show in a custom Philosophy di Lorenzo Serafini “bodysuit featuring a sculpted bullet bra adorned with a dazzling decoration of degradè Swarovski crystals,” according to the brand’s Instagram . She accessorized with thigh-high silver boots and an apricot eco-kidassia coat.

For her June 18 Amsterdam show, Beyoncé’s own work was among that of Black designers showcased to celebrate Juneteenth. She donned pieces from her Ivy Park fashion line.

“I was so engulfed in all things RENAISSANCE and was inspired by Studio 54, Bob Mackie and the disco era,” the star said in an Instagram post . “I wanted to do a modern twist using the signature IVY PARK neon and bring disco to the beach in this swim collection.”

In Kansas City, she also wore an all-black version of the Ivy Park design.

This custom Iris van Herpen look “was a complex combination of high-tech and craftsmanship. A total of 980 falcate-shapes were 3D constructed by casting silver-marbled silicone into mirrored laser-cut outlines,” van Herpen told CNN. “I designed this look to bring a futuristic softness and otherworldliness to her powerful performance. I wanted her look to be an intense and hypnotizing experience on stage.”

Styled by tour stylist K.J. Moody, this custom David Koma “mother of pearl” print mesh bodysuit and asymmetric skirt was paired with iridescent embossed knee-high cowboy boots.

“I wanted to create a memorable and striking look but with comfort and movement as a priority,” Koma said. “We created pieces that were visually delicate but also durable — something that can be worn for multiple nights of the tour.”

Koma felt like part of his inspiration for the print — Dr. Sylvia Earle, a trailblazing marine biologist — “subconsciously resonated with Beyoncé and the empowerment nature of her music and the tour,” he added.

Beyoncé opened her Chicago show in a custom Schiaparelli minidress designed by Daniel Roseberry and made of black silk faille, with “a floor-length stole covered in hand-embroidered silver stones and leaf feathers,” according to Schiaparelli .

For a California tour date, Beyoncé wore a pink Gucci bustier look with pleated detailing accentuated by crystal embellishments. The look featured bedazzled black velvet opera gloves, matching boots — and binoculars (not pictured).

The camo Ivy Park looks worn for several shows served well the soldier-like arc of the set list, during which Beyoncé and her dancers performed songs including “Formation,” “Diva,” “Run the World (Girls)” and “Black Parade,” a song the singer released to mark Juneteenth in 2020.

Also paired with a pair of thigh-high camo boots, this custom casual jersey look is from Ivy Park’s “Park Trail” collection . With colors that appear to salute Beyoncé’s sister Solange and the Lakers NBA team — “Sol Ange” (solar orange) and “Lake-Her” (legacy indigo), respectively — the collection “is inspired by the resilience of the outdoors, the spirit of the streets, and the possibilities of the future,” according to Adidas .

This full-body Richard Quinn bodysuit featured a peplum-style bodice and a sculptural, dome-like hat that obscured everything except for Beyoncé’s eyes, with large rhinestone details throughout.

For an opening look during a tour date in Atlanta, Beyoncé wore a neon green gown from Indian designer Gaurav Gupta’s “Hiranyagarbha” collection, presented at Paris Haute Couture Week in July.

“She shines in ethereal electricity, chiffon drapes of Athena with orbiting satin sculpting,” Gupta said on Instagram .

For a show in Warsaw, she stunned in a custom Elie Saab haute couture gown styled by Karen Langley and Tara Greville.

And for her Minneapolis show, Beyoncé hit the stage wearing head-to-toe custom Acne Studios, including metallic pink shorts and a bustier, oversized coat and sparkling thigh-high boots.

This custom Balmain look by Olivier Rousteing was one of many silver ensembles Beyoncé donned during the tour. It featured sequins, a dramatic clam shell-like bodice and a hip-level slit. The star released a Renaissance couture collection with the label in March; each look translating a song from the album into fashion.

For the assertive soldier-themed arc of another show, Beyoncé donned a black patent and fishnet look by Peter Dundas, also styled by Moody.

This custom Off-White look, featured on the poster of Beyoncé’s upcoming film, included a bustier-style bodysuit encrusted in 40,000 red hotfix crystals designed by Ibrahim Kamara, the label’s art and image director.

A second all-red Off-White look featured a top hat, bomber jacket and shorter silhouette.

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Will Beyoncé announce the 'Cowboy Carter' tour? Fans think she may be hitting the road again soon

• Beyoncé released her new album "Cowboy Carter" on Friday.
• Some fans think she's gearing up to tour again, though many say they don't have the funds to attend.
• The Renaissance World Tour wrapped last October in Kansas City. It was hailed as a must-see event.

Less than a year after the Renaissance World Tour wrapped, it might already be time for the Beyhive to dust off their boots and head back out to see Beyoncé live again.

The Renaissance World Tour was hailed as a once-in-a-lifetime event , a bona fide status symbol , and a blockbuster concert movie that awed audiences while near-singlehandedly boosting AMC's revenue . The 56-show run wrapped on October 1, 2023, in Kansas City.

On its heels, Beyoncé has released her new album " Cowboy Carter ." The triumphant country-inspired project is billed as "Act II" in a three-part "Renaissance" series.

So it would stand to reason — financially and thematically — that Beyoncé would plan another tour leg for "Cowboy Carter."

Her team seemed to hint that something is coming by launching a new website, " Been Country ." The landing page shows a photo of young Beyoncé performing at the Texas Sweetheart Pageant, as well as a childhood photo of her mother, Tina Knowles-Lawson , and an image of a banjo.

View this post on Instagram A post shared by Slayonce Avenue (@slayonce_avenue2)

A fan account on Instagram shared a rumor that the tour announcement is scheduled for Friday, exactly one week after the album's arrival. Knowles-Lawson liked the post, adding more fuel to the rumor's flame.

Beyoncé's longtime collaborator The-Dream, who produced 10 of the new album's 27 tracks, also alluded to a forthcoming tour. He celebrated the release of "Cowboy Carter" on X, writing, "This tour bout to B' Incredible!"

Related stories

Fans grabbed screenshots of The-Dream's post, though it has since been deleted.

'The-Dream' via Twitter: “This tour bout to B’ incredible!” The singer-songwriter is Beyoncé’s longtime friend, and worked on 10 songs on her new album #CowboyCarter . pic.twitter.com/KNHQOuqFI9 — COWBOY CARTER TOUR (@CowboyCarterWT) March 31, 2024

However, the six-month turnaround since Beyoncé's last concert does cast suspicion on these theories. Thanks to "Renaissance: A Film by Beyoncé," we know the Renaissance World Tour took four years to ideate and execute.

It's unclear if plans for a "Cowboy Carter" show were also in the works during that time, but if not, fans may have to wait a bit longer to watch Beyoncé perform. As she's already made clear, " A queen moves at her own pace ."

Even so, a delay may come as welcome news, even for dedicated members of the Beyhive.

Many fans have been posting about their lack of ticket funds on X, playfully begging Beyoncé to put off touring until next year.

- I don’t want https://t.co/QqyQduNfkr to be a tour because we https://t.co/icyUqbLR1L . pic.twitter.com/XZ5WHMUqyL — Rob Milton (@therobmilton) April 3, 2024

She can announce it for 2025 but in 2024 we are at capacity https://t.co/Gtg7f2jvSG — Antoinette “Asst (To The) Regional Manager” Childs (@TheFancyFriend) March 31, 2024

. @Beyonce keep the tour announcement for next year…I have trips planned for this summer pic.twitter.com/GPhRrW1GiF — Nicolas is happy (@niggaolas) April 3, 2024

what i’m eating if beyoncé announce this tour https://t.co/CfI1Vm3XuG — 𐚁 onii 𐚁 (@__Onixivy_) April 4, 2024

i'm begging beyoncé to tour in 2025 and not this summer pic.twitter.com/Nqw68434Bu — zae (@itszaeok) March 27, 2024

the whole fandom begging beyoncé not to announce a tour is HILARIOUS! we are BROKE DOWN pic.twitter.com/YXDFHuzELM — j. (@virgosgrooviest) March 27, 2024

Representatives for Beyoncé did not immediately respond to a request for comment from Business Insider.

This is a developing story. Check back for updates.

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Unesco social media, kremlin and red square, moscow.

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Inextricably linked to all the most important historical and political events in Russia since the 13th century, the Kremlin (built between the 14th and 17th centuries by outstanding Russian and foreign architects) was the residence of the Great Prince and also a religious centre. At the foot of its ramparts, on Red Square, St Basil's Basilica is one of the most beautiful Russian Orthodox monuments.

Description is available under license CC-BY-SA IGO 3.0

Le Kremlin et la place Rouge, Moscou

Indissolublement lié à tous les événements historiques et politiques les plus importants survenus en Russie depuis le XIII e siècle, le Kremlin a été construit entre le XIV e et le XVII e siècle par des architectes russes et étrangers exceptionnels. C'était la résidence du grand-prince ainsi qu'un centre religieux. Au pied de ses remparts, sur la place Rouge, s'élève la basilique Basile-le-Bienheureux, l'un des plus beaux monuments de l'art orthodoxe.

الكرملين والساحة الحمراء، موسكو

يرتبط الكرملين ارتباطاً وثيقاً بجميع الأحداث التاريخيّة والسياسيّة المهمّة التي توالت على روسيا منذ القرن الثالث عشر ولقد جرى تشييده بين القرنين الرابع والسابع عشر على يد مهندسين روس وأجانب استثنائيين. وكان الكرملين مقرّ الأمير الكبير كما كان مركزاً دينيّاً. عند أسفل أسواره في الساحة الحمراء شيدت بازيليك القديس بازيل وهي من أروع تحف الفنّ الأرثوذكسي.

source: UNESCO/CPE Description is available under license CC-BY-SA IGO 3.0

莫斯科克里姆林宫和红场

由俄罗斯和外国建筑家于14世纪至17世纪共同修建的克里姆林宫，作为沙皇的住宅和宗教中心，与13世纪以来俄罗斯所有最重要的历史事件和政治事件密不可分。在红场上防御城墙的脚下坐落的圣瓦西里教堂是俄罗斯传统艺术最漂亮的代表作之一。

El kremlin y la Plaza Roja de Moscú

Indisolublemente vinculado a los más trascendentales acontecimientos históricos y políticos de Rusia desde el siglo XIII, el kremlin de Moscú fue construido entre los siglos XIV y XVII por toda una serie de excelentes arquitectos rusos y extranjeros. Además de ser la residencia del Gran Príncipe, fue un importante centro religioso. Al pie de sus murallas, en la Plaza Roja, se alza la basílica de San Basilio el Bienaventurado, uno de los más hermosos monumentos de arte ortodoxo.

モスクワのクレムリンと赤の広場

source: NFUAJ

Kremlin en Rode Plein, Moskou

Het Kremlin is onlosmakelijk verbonden met alle belangrijke historische en politieke gebeurtenissen in Rusland sinds de 13e eeuw. Het werd door de Grote Prins Yuri van Kiev gesticht als residentie en religieus centrum. De bouw vond plaats tussen de 14e en 17e eeuw en het ontwerp was in handen van uitstekende Russische en buitenlandse architecten. Binnen de muren van het Kremlin vindt men een reeks meesterwerken qua architectuur, maar ook beeldende kunst en religieuze monumenten van uitzonderlijke schoonheid. Aan de voet van de stadsmuren, op het Rode Plein, bevindt zich een van de mooiste Russisch-orthodoxe monumenten, de Pokrovkathedraal ook wel Basiliuskathedraal genoemd.

Source: unesco.nl

Outstanding Universal Value

Brief synthesis

At the geographic and historic centre of Moscow, the Moscow Kremlin is the oldest part of the city. First mentioned in the Hypatian Chronicle in 1147 as a fortification erected on the left bank of the Moskva river by Yuri Dolgoruki, Prince of Suzdal, the Kremlin developed and grew with settlements and suburbs which were further surrounded by new fortifications - Kitaigorodsky Wall, Bely Gorod, Zemlyanoy Gorod and others. This determined a radial and circular plan of the centre of Moscow typical of many other Old Russian cities.

In 13th century the Kremlin was the official residence of supreme power - the center of temporal and spiritual life of the state. The Kremlin of the late 15th – early 16th century is one of the major fortifications of Europe (the stone walls and towers of present day were erected in 1485–1516). It contains an ensemble of monuments of outstanding quality.

The most significant churches of the Moscow Kremlin are situated on the Cathedral Square; they are the Cathedral of the Dormition, Church of the Archangel, Church of the Annunciation and the bell tower of Ivan Veliki. Almost all of them were designed by invited Italian architects which is clearly seen in their architectural style. The five-domed Assumption Cathedral (1475–1479) was built by an Italian architect Aristotele Fiorvanti. Its interior is decorated with frescos and a five-tier iconostasis (15th–17th century). The cathedral became the major Russian Orthodox church; a wedding and coronation place for great princes, tsars and emperors as well as the shrine for metropolitans and patriarchs.

In the same square another Italian architect, Alevisio Novi, erected the five-domed Church of the Archangel in 1505-1508. From the 17th to 19th century, its interior was decorated by wonderful frescos and an iconostasis. In this church many great princes and tsars of Moscow are buried. Among them are Ivan I Kalita, Dmitri Donskoi, Ivan III, Ivan IV the Terrible, Mikhail Fedorovich and Alexei Mikhailovich Romanovs.

The Cathedral of the Dormition was built by Pskov architects in 1484–1489. Inside the cathedral some mural paintings of 16th–19th century have been preserved and the icons of Andrei Rublev and Theophanes the Greek are part of the iconostasis.

In 1505-1508 the bell tower of Ivan Veliki was built. Being 82 metres high it was the highest building in Russia which became the focal point of the Kremlin ensemble.

Among the oldest civil buildings of the Moscow Kremlin, the Palace of the Facets (1487–1491) is the most remarkable. Italian architects Marco Fryazin and Pietro Antonio Solario built it as a great hall for holding state ceremonies, celebrations and for receiving foreign ambassadors. The most noteworthy civil construction of the 17th century built by Russian masters is the Teremnoi Palace.

From the early 18th century, when the capital of Russia moved to St. Petersburg, the Kremlin mainly played a ceremonial role with religious functions. By the end of the century the architectural complex of the Kremlin expanded with the Arsenal reconstructed after the Fire of 1797 by Matvei Kazakov. The Senate was built in 1776–1787 according to the plans of the same architect as the home of the highest agency of State power of the Russian Empire - the Ruling Senate. Today it is the residence of the President of Russia.

From 1839 to 1849 a Russian architect K.A. Thon erected the Great Kremlin Palace as a residence of the imperial family which combined ancient Kremlin buildings such as the Palace of the Facets, the Tsarina’s Golden Chamber, Master Chambers, the Teremnoi Palace and the Teremnoi churches. In the Armory Chamber built by K.A. Thon within the complex of the Great Kremlin Palace, there is a 16th century museum officially established by the order of Alexander I in 1806.

Red Square, closely associated with the Kremlin, lies beneath its east wall. At its south end is the famous Pokrovski Cathedral (Cathedral of St Basil the Blessed), one of the most beautiful monuments of Old Russian church architecture, erected in 1555–1560 to commemorate the victory of Ivan the Terrible over the Kazan Khanate. In the 17th century the cathedral gained its up-to-date appearance thanks to the decorative finishing of the domes and painting both inside and outside the cathedral. The construction of Red Square was finished by the late 19th century together with the erection of the Imperial Historic Museum (today the State Historical Museum), the Upper Trading Rows (GUM) and the Middle Trading Rows. In 1929, , Lenin’s Mausoleum, designed by A.V. Shchusev and an outstanding example of the Soviet monumental architecture, was finished.

Criterion (i) : The Kremlin contains within its walls a unique series of masterpieces of architecture and the plastic arts. There are religious monuments of exceptional beauty such as the Church of the Annunciation, the Cathedral of the Dormition, the Church of the Archangel and the bell tower of Ivan Veliki; there are palaces such as the Great Palace of the Kremlin, which comprises within its walls the Church of the Nativity of the Virgin and the Teremnoi Palace. On Red Square is Saint Basil the Blessed, still a major edifice of Russian Orthodox art.

Criterion (ii) : Throughout its history, Russian architecture has clearly been affected many times by influences emanating from the Kremlin. A particular example was the Italian Renaissance. The influence of the style was clearly felt when Rudolfo Aristotele Fioravanti built the Cathedral of the Dormition (1475-79) and grew stronger with the construction of the Granovitaya Palace (Hall of the Facets, 1487-91) by Marco Fryazin and Pietro Antonio Solario. Italian Renaissance also influenced the towers of the fortified enceinte, built during the same period by Solario, using principles established by Milanese engineers (the Nikolskaya and the Spasskaya Towers both date from 1491). The Renaissance expression was even more present in the classic capitals and shells of the Church of the Archangel, reconstructed from 1505 to 1509 by Alevisio Novi.

Criterion (iv) : With its triangular enceinte pierced by four gates and reinforced with 20 towers, the Moscow Kremlin preserves the memory of the wooden fortifications erected by Yuri Dolgoruki around 1156 on the hill at the confluence of the Moskova and Neglinnaya rivers (the Alexander Garden now covers the latter). By its layout and its history of transformations (in the 14th century Dimitri Donskoi had an enceinte of logs built, then the first stone wall), the Moscow Kremlin is the prototype of a Kremlin - the citadel at the centre of Old Russian towns such as Pskov, Tula, Kazan or Smolensk.

Criterion (vi) : From the 13th century to the founding of St Petersburg, the Moscow Kremlin was directly and tangibly associated with every major event in Russian history. A 200-year period of obscurity ended in 1918 when it became the seat of government again. The Mausoleum of Lenin on Red Square is the Soviet Union’s prime example of symbolic monumental architecture. To proclaim the universal significance of the Russian revolution, the funerary urns of heroes of the revolution were incorporated into the Kremlin’s walls between the Nikolskaya and Spasskaya towers. The site thus combines in an exceptional manner the preserved vestiges of bygone days with present-day signs of one of the greatest events in modern history.

From the date of including the Moscow Kremlin and Red Square on the World Heritage List all the components representing the Outstanding Universal Value of the property are within its boundaries. The territory and the integrity of the World Heritage property have also remained unchanged. Within its boundaries the property still comprises all the elements that it contained at the date of nomination. The biggest threat, however, is unregulated commercial development of the adjacent areas.

Authenticity

The history of the Moscow Kremlin and Red Square is reflected in the archival documents of 12th–19th century, for example in medieval chronicles, cadastral surveys, estimated construction books, painted lists, inventories, foreign notes and in graphic matters such as manuscripts, chronicles, plans, drafts, engravings, lithographs, sketches of foreign travelers, paintings and photographs. These documents are exceptionally valuable information sources. Comparison of the data received from archival documents and those obtained in the process of field study gives the idea of authenticity of  the property and its different elements. This comparison also serves as the basis for project development and for the choice of the appropriate methods of restoration that may preserve the monuments’ authenticity.

On the border of the ensemble a number of monuments destroyed in the 1930s were reconstructed according to measured plans.

Protection and management requirements

The statutory and institutional framework of an effective protection, management and improvement of the World Heritage property “Kremlin and Red Square, Moscow” has been established by laws and regulations of the Russian Federation and the city of Moscow.

According to the decree of the President of RSFSR of 18 December 1991 № 294, the Moscow Kremlin was included among especially protected cultural properties of nations of Russia - the highest conservation status for cultural and historical monuments in Russian legislation.

“Kremlin and Red Square, Moscow” is a Cultural Heritage Site of federal importance. State protection and management of federal sites is provided by Federal Law of 25.06.2002 № 73-FZ “On cultural heritage sites (historical and cultural monuments) of nations of the Russian Federation”. The federal executive body responsible for protection of the cultural property is the Department for Control, Supervision and Licensing in the Cultural Heritage Sphere of the Ministry of Culture of the Russian Federation.It is in charge of all methodological and control functions concerning restoration, usage and support of cultural heritage sites and the territories connected.

The World Heritage property is situated in the urban environment of Moscow. The city policy regarding cultural heritage protection and town-planning regulation is the responsibility of Moscow City Government, represented by the Department of Cultural Heritage, the Department of Urban Development and the Committee for Urban Development and Architecture of Moscow. In 1997 the boundaries of the protective (buffer) zone were approved in order to preserve the property, and to maintain and restore the historical architectural environment as well as the integral visual perception of the property.. There is a need to ensure the creation of an appropriate buffer zone and to develop close liaison between all stakeholders, including the Moscow City authorities, to ensure that constructions around the property do not impact adversely on its Outstanding Universal Value.

The World Heritage property is used by the following organizations: FGBUK (Federal Government Budgetary Institution of Culture), the State Historical and Cultural Museum-preserve “The Moscow Kremlin”, the Administrative Department of the President of the Russian Federation, the Federal Guard Service of the Russian Federation and OJSC “GUM Department Store”.

• Official site of 'The Moscow Kremlin' State Historical and Cultural Museum and Heritage Site
• Moscow Kremlin Museums Telegram Group (in Russian only)
• Moscow Kremlin Museums VKontakte Page (in Russian only)
• Moscow Kremlin Museums Dzen Page (in Russian only)
• State Historical Museum VKontakte Group (in Russian only)
• Msk Guide Page (in Russian only)
• Official site of the State Department Store
• State Historical Museum (in Russian only)

State of Conservation (SOC)

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City Sightseeing Moscow: Hop-On, Hop-Off Tour

Activity schedule, key highlights.

• Inclusions & Exclusions

24 hours and 48 hours (take your pick)

10am to 6pm

• Meeting Point Moscow Hop On, Hop Off Tour: You may hop on the bus at any stop. The voucher can be exchanged at any of the stops directly with the driver.

You may hop off the bus at any stop

• See all of Moscow from the UNESCO World Heritage Site Red Square to the Pushkin Museum of Fine Arts
• The routes and stops take you to the most popular attractions of Moscow
• Choose between 24-hour or 48-hour hop-on, hop-off bus tour and explore Moscow at your own pace
• Hop on and off at any of the well-placed stops and see attractions of your choice
• Enjoy a complimentary walking tour and visit attractions like Kazan Cathedral, Red Square, Lenin’s Mausoleum & more!
• Audio commentary in multiple languages ensures that you don’t miss a thing!
• Both printed and smartphone vouchers accepted!

Our local partners answers all your concerns about travel plans during COVID-19, click the link below to know more.

Explore this bustling city comfortably aboard a hop-on hop-off bus with a 24-hour/48-hour hop-on, hop-off bus tour. With strategic routes and stops across the city, you have easy access to all the popular attractions of Moscow. Enjoy a FREE walking tour with your Moscow hop-on, hop-off ticket.

MAJOR ATTRACTIONS COVERED

• Alexander Garden at Mokhovaya St.
• Okhotny Ryad
• Big Moskvoretsky Bridge
• Arbatskaya Sq.
• Estrada Theatre
• Big Stone Bridge
• Lubyanka Square

About the Supplier: City Sightseeing is one of the leading tour operators offering hop-on, hop-off services across 100 locations worldwide. They have been providing quality services since 1998.

• 24-hour/48-hour hop-on, hop-off bus tour (if 'Bus tour only' option chosen)
• Commentary in English, Spanish, French, German, Italian, Chinese, Portuguese, Russian, Arabic, Farsi
• Free walking tour
• Entrances, unless specified

Useful downloads

Please note.

Voucher information: You can show your voucher on your smartphone (But if you’d rather print a copy – that’s fine too!)

Validity: 12 months from the date chosen at the time of booking

Wheelchair accessibility: Yes

Moscow is a functioning city and weather, traffic and events may occasionally cause disruption.

Timings and stops are subject to change.

The boat ticket is for single use only. Boat tour is available from May to October.

Customer Reviews

Oleksandra dokan.

Best way to see any new city . City is very clean and beautiful .

Fabulous. Easy to use and great informative audio guide. Great guide stopping off at the sights you want to see

The walk tour was great. Will recommend it to everyone

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Beyonce's Renaissance World Tour: See all the epic photos and fashions

Beyoncé is currently making her way through the North American leg of her Renaissance World Tour and captivating concertgoers with her dazzling performances and fashion moments.

The Grammy-winning singer most recently performed at Gillette Stadium in Foxborough, Massachusetts, Tuesday night and will perform next at FedExField in Summerfield, Maryland, Aug. 5-6.

MORE: Beyonce's daughter Blue Ivy appears onstage during Paris show

Here are some of Beyoncé's most stunning looks from her shows so far:

Beyoncé first kicked off her world tour in Europe in May, wowing audiences with her vocals, theatrics and style choices in major cities including, Paris, London and Barcelona.

One standout look came during her first show in London, when she stepped out onstage in a red bespoke Off-White bodysuit, which was covered in 40,000 red hotfix crystals , according to the label.

She also wore a custom bee-inspired look from Mugler.

The singer's 11-year-old daughter Blue Ivy Carter has also appeared on the Renaissance World Tour stage. Blue Ivy made her tour debut during her mom's show in Paris . She also took the stage during Beyoncé's concert tour stop in East Rutherford, New Jersey, at MetLife Stadium.

See more of Beyoncé's showstopping looks below:

MORE: Beyonce announces 'Renaissance' world tour for 2023

Read on for everything you need to know about Beyoncé's world tour.

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When did Beyoncé announce the world tour?

Seven months after the release of her seventh studio album, "Renaissance," the "Cuff It" singer took to Instagram to announce her Renaissance World Tour .

The tour is her first solo tour in more than six years.

When did the Renaissance tour start?

The Renaissance World Tour kicked off Wednesday, May 10, at the Friends Arena in Stockholm, Sweden.

According to the Friends Arena website , the show was slated to run for three hours.

MORE: Beyonce teases new release 'Break My Soul,' dropping at midnight

When does the tour run until.

In addition to Stockholm, Paris, London and Barcelona, the European leg of her tour made stops in Belgium, the United Kingdom, and Denmark. Beyoncé's final European show was in Warsaw, Poland, on June 28.

The North American leg of the world kicked off in Toronto at Rogers Centre on July 8. Following her show at FedExField -- which is located just outside Washington, D.C. -- the singer will head to Charlotte, North Carolina; Atlanta; and Tampa, Florida.

Beyoncé's final scheduled performance of the tour will be held Oct. 1 at GEHA Field at Arrowhead Stadium in Kansas City, Missouri.

When was the last time Beyoncé toured?

Beyoncé's last solo tour was the Formation World Tour in 2016, which followed the release of her sixth studio album, "Lemonade."

In 2018, she toured with her husband Jay-Z, for the On The Run Tour.

What is the Renaissance World Tour setlist?

During her tour, Beyoncé has performed songs off her latest album, including "Cuff It," "Heated" and "Virgo's Groove."

At her first tour stop in Stockholm on May 10, she sang a number of fan favorites, including "1+1," "Run the World (Girls)," "Get Me Bodied," and "America Has a Problem," among others.

Beyoncé's "Renaissance" album was released on July 29, 2022, after it was leaked two days prior. The album is the first part of a three-act project and features a total of 16 tracks with collaborations from artists such as Drake, Tems and Pharrell Williams.

MORE: Beyonce officially drops 'Renaissance' album, thanks fans for 'unwavering support'

In an Instagram post, the singer said that "Renaissance" was recorded over three years during the COVID-19 pandemic.

"Creating this album allowed me a place to dream and to find escape during a scary time for the world," she said. "It allowed me to feel free and adventurous in a time when little else was moving. My intention was to create a safe place, a place without judgment. ... It was a beautiful journey of exploration."

How to get Beyonce 2023 tour tickets

While tickets to see the singer on tour sold out quickly in many cities around the world when sales began in February, fans can still purchase tickets on Ticketmaster.

This article was originally published on May 10, 2023.

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17 Top Tourist Attractions in Moscow

The capital of Russia is an incredible place to explore. Visitors to Moscow come away spellbound at all the amazing sights, impressed at the sheer size and grandeur of the city. Lying at the heart of Moscow, the Red Square and the Kremlin are just two of the must-see tourist attractions; they are the historical, political and spiritual heart of the city – and indeed Russia itself.

A fascinating city to wander around, stunning cathedrals, churches, and palaces lie side-by-side with bleak grey monuments and remains from the Soviet state. In addition to its plethora of historical and cultural tourist attractions, Moscow is home to world-class museums, theaters and art galleries.

Renowned for its performing arts, fantastic ballets and amazing circus acts, catching a show while in Moscow is a must. The wealth of brilliant restaurants, trendy bars, and lively nightlife means there is something for everyone to enjoy.

See also: Where to Stay in Moscow

17. Tsaritsyno Palace

Once the summer residence of Catherine the Great, the stunning Tsaritsyno Palace is now a museum-reserve. The architecture is magnificent and there is a lovely park surrounding it for visitors to explore.

Located in the south of Moscow, the palace was commissioned in 1775 and recent renovations mean its lavish interior looks better than ever before with its elegant halls and beautiful staircases.

The exhibits on display look at the life of the empress as well as the history of Tsaritsyno itself. The huge palace grounds are also home to some other delightful buildings with the elegant opera house and wonderful brickwork of the Small Palace being particularly impressive to gaze upon.

Starting out in 1935 as the ‘All-Union Agricultural Exhibition’, VDNKh has slowly morphed over the years into the fascinating open-air museum of today. Remarkably, over 400 buildings can now be found within its confines.

The huge park complex has numerous pavilions representing former Soviet republics on show, such as those of Armenia and Turkmenistan and the distinctive architecture of each of the buildings is always interesting to gaze upon. In addition to this there is the fascinating Memorial Museum of Cosmonautics which is dedicated to space exploration and the fun Moskvarium aquarium even offers you the chance to swim with dolphins.

With lots of eateries scattered about and numerous entertainment options such as horse-riding and zip-lining, there is something for everyone to enjoy; the Friendship of Nations fountain truly is wonderful.

15. Kremlin Armoury

One of the oldest museums in the city, the Kremlin Armoury has a wealth of treasures; highlights include the ornate Grand Siberian Railway egg, the historic Cap of Monomakh and the stunning Imperial Crown of Russia which often has a crowd of tourists around it, jostling to take a photo.

Once the royal armory, there are loads of fascinating objects on display. Perusing the many sabers, jewelry, armor and more is as interesting as it is educational and entertaining and the swords are so finely crafted that you’ll almost wish you could pick up one and wield if yourself.

Established in 1851, the museum is situated in the Moscow Kremlin.

14. GUM Department Store

Standing for ‘Main Universal Store’ in Russian, GUM is stunning. Its wonderful skylights and beautiful facades mean it doesn’t look out of place alongside its illustrious neighbors on Red Square.

With over 200 shops, boutiques and upmarket eateries inside, it is a shopaholic’s heaven and concerned partners will be glad to find more affordable options alongside luxury brands such as Dior and Prada.

The main department store in the city, GUM was opened in 1893. The stunning architecture makes it well worth a visit even if shopping isn’t your thing.

13. Moscow Metro

It’s not often that public transport looks like a work of art. So many stops on the Moscow Metro will astound visitors with their beauty and elegance.

Decked in marble and with frescoes covering the walls, the stations are amazing to gaze upon and are part of one of the longest metro systems in the world, with the first stations opened in 1935.

Using the metro is the quickest and easiest way to get around Moscow and braving the crowds of commuters is well worth it for the beauty all around you.

12. Arbat Street

An elegant yet lively street, Arbat is full of impressive architecture and was once a popular place to live for aristocrats, artists, and academics.

A historic place, it is down Arbat Street that Napoleon’s troops are said to have headed on their way to capture the Kremlin.

Nowadays, there are many cafes, restaurants, and shops, as well as various monuments and statues to former residents such as Alexander Pushkin who was reputed to be a lover of the Russian Empress due to his massive influence in court.

11. Novodevichy Convent

Drenched in history, the Novodevichy Convent is located in a striking building that was once a fortress. This captivating place is well worth visiting when in Moscow.

Founded in 1524, the convent houses four cathedrals; Smolensk Cathedral is the undoubted highlight due to its delightful 16th-century frescoes.

Wandering around the grounds is like stepping back in time. The Novodevichy Cemetery is where many famous leaders of the Soviet Union are buried, such as Yeltsin and Khrushchev.

10. Pushkin Museum

Despite its name, the Pushkin Museum of Fine Arts actually has no connection at all to the famous poet other than that it was named in his honor after his death. A delight to visit, its extensive collection focuses on European art with masterpieces by Botticelli, Rembrandt, and van Gogh all featuring.

Sculptures, graphic art, paintings and more can be found in its beautiful galleries; various sections look at themes and epochs such as the Renaissance, the Dutch Golden Age, and Byzantine art.

Among the many highlights are the clownish characters which can be found in Cezanne’s Fastnacht (Mardi Gras) and the twirling ballerinas who look so elegant in Degas’ Blue Dancers. Picasso’s Young acrobat on a Ball is also well worth checking out for its interesting use of shapes and colors.

9. Christ The Savior Cathedral

This gorgeous Russian Orthodox cathedral is located on the banks of the Moskva River, just a stone’s throw away from the Kremlin.

The church as it stands today was consecrated in 2000, as the original church that stood here was destroyed on the command of Josef Stalin in 1931 due to the anti-religious campaign.

With its delightful golden dome, spires and dazzling white facades, the Christ the Savior Cathedral is stunning. The interior is just as captivating to wander around, with its beautifully tiled floors and impressive altar.

8. Lenin Mausoleum

Opened to the public in 1924, Lenin’s Mausoleum is one of the most popular tourist attractions in Moscow. The red granite structure is located at the heart of the city in Red Square.

Lenin’s embalmed body lies in a glass sarcophagus; it is a somewhat eerie experience walking past the former leader of the Soviet Union but is well worth doing as you understandably can’t do it anywhere else in the world.

After visiting the mausoleum, head to the Kremlin wall right next to it for more graves of important communist figures such as Stalin and Brezhnev.

7. Tretyakov Gallery

Home to the most extensive and impressive collection of Russian fine art in the world, the State Tretyakov Gallery is definitely worth visiting when in Moscow for the wealth of amazing art pieces that it has on display.

Having started out as the private art collection of the Tretyakov brothers, there are now over 130,000 exhibits. Highlights include the iconic Theotokos of Vladimir which you will almost certainly recognise despite probably not knowing the name and Rublev’s Trinity which is considered to be one of highest achievements in Russian art.

An absolute must for art lovers, the State Tretyakov Gallery will delight visitors with all that is has to offer.

6. Kolomenskoye

Once a royal estate, Kolomenskoye is now a museum-reserve and lies a few kilometers outside of the city center. A captivating place to visit, there is a plethora of history on show and the site overlooks the Moskva River.

Consisting of four historical sites, there are extensive gardens for visitors to explore, as well as loads of interesting old buildings, the former village of Kolomenskoye itself and the impressive Palace of the Tsar Alexey Mikhailovich – once considered the Eighth Wonder of the World by contemporaries.

Among the many stunning sights, it is the brilliantly white Ascension Church that is the undoubted highlight – dating back to 1532.

5. Gorky Park

Lying alongside the Moskva River, the huge Gorky Park is a lovely place to visit. Its extensive gardens are home to numerous cultural institutions and visitors should definitely check out the Garage Museum of Contemporary Art and while the eclectic exhibits may not always feature such incredible sights as a balloon-covered rider on a zebra; they certainly always succeed in pushing back the boundaries of art.

Pop-up exhibitions and festivals can be found from time to time in the park itself and there is an open-air theatre and numerous eateries alongside a plethora of leisure activities.

Whether it’s cycling, table tennis or yoga that you are after or beach volleyball and rowing, Gorky Park certainly has it. In winter, there is a huge ice rink for visitors to enjoy.

4. Bolshoi Theatre

The Bolshoi Theatre is the main theater in the country. The amazing opera and ballet performances it has put on over the centuries go a long way in explaining Russia’s rich history of performing arts.

While the Bolshoi Ballet Company was established in 1776, the theater itself was opened in 1825. The glittering, six-tier auditorium is lavishly and decadently decorated; it is a fitting setting for the world-class performances that take place on its stage.

Spending a night watching a performance of such classics as The Nutcracker or Swan Lake at the Bolshoi Theatre is sure to be a memorable experience and the beauty all around you only adds to the sense of occasion.

3. Moscow Kremlin

This famously fortified complex is remarkably home to five palaces and four cathedrals and is the historic, political and spiritual center of the city. The Kremlin serves as the residence for the country’s president. It has been used as a fort, and this fact is made clear by its sheer size. The Kremlin’s outer walls were built in the late 1400s.

Under Ivan III, better known as Ivan the Great, the Kremlin became the center of a unified Russian state, and was extensively remodeled. Three of the Kremlin’s cathedrals date to his reign that lasted from 1462-1505. The Deposition Church and the Palace of Facets were also constructed during this time. The Ivan the Great Bell Tower was built in 1508. It is the tallest tower at the Kremlin with a height of 266 feet (81 meters).

Joseph Stalin removed many of the relics from the tsarist regimes. However, the Tsar Bell, the world’s largest bell, and the Tsar Cannon, the largest bombard by caliber in the world, are among the remaining items from that era. The Kremlin Armory is one of Moscow’s oldest museums as it was established more than 200 years ago. Its diamond collection is impressive.

The Kremlin’s gardens – Taynitsky, Grand Kremlin Public and Alexander – are beautiful. The Kremlin has also served as the religious center of the country, and there is a tremendous number of preserved churches and cathedrals here. The collections contained within the museums include more than 60,000 historical, cultural and artistic monuments. Those who enjoy the performing arts will want to consider attending a ballet or concert at the State Kremlin Palace. Completed in 1961, it is the only modern building in the Kremlin.

2. Red Square

Lying at the heart of Moscow, Red Square is the most important and impressive square in the city. It is one of the most popular tourist attractions due to its wealth of historical sights and cultural landmarks.

Drenched in history, the huge square is home to incredible sights such as the Kremlin, St. Basil’s Cathedral and Lenin’s Mausoleum, among others. Consequently, it is not to be missed when in Moscow as it really is home to the city’s most stunning monuments.

It is here that many important moments in Russian history took place; the former marketplace has hosted everything from Tsar’s coronations and public ceremonies to rock concerts and Soviet military parades. Wandering around the massive square is a humbling experience and undoubtedly one of the highlights the city has to offer.

1. Saint Basil’s Cathedral

Located in the impressive Red Square, St. Basil’s Cathedral is gorgeous; its delightful spires appear as if out of a fairytale. The most recognizable building in the country, the cathedral is very much a symbol of Russia. No visit to Moscow is complete without having taken in its unique and distinctive features.

Ivan the Terrible ordered the cathedral’s construction in the mid-16th century, and legend holds that Ivan put out the architect’s eyes so that he would be unable to build another cathedral more glorious than St. Basil’s. Designed to resemble the shape of a bonfire in full flame, the architecture is not only unique to the period in which it was built but to any subsequent period. For various reasons, both Napoleon and Stalin wanted to destroy the cathedral but fortunately did not succeed.

Known for its various colors, shapes and geometric patterns, St. Basil’s Cathedral houses nine different chapels that are all connected by a winding labyrinth of corridors and stairways. On the lower floor, St. Basil’s Chapel contains a silver casket bearing the body of St. Basil the Blessed.

Throughout the cathedral are many beautiful murals, frescoes, wooden icons and other art works and artifacts. Outside the cathedral is a lovely garden with the bronze Monument to Minin and Pozharsky, who rallied an all-volunteer Russian army against Polish invaders during a period of the late 16th century known as the Times of Troubles.

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