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Nightwish  

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Nightwish are a Finnish metal band, who infuse their heavy-hitting sound with symphonic cutaways and choral backing vocals. They are known as much for their gaudy aesthetic as for their progressive, new age fusion of neoclassical and power metal.

Onstage, they adorn themselves with satin and red velvet, black, shin-length leather coats and silver trinkets, mascara and long, warlock-like locks.

Vocalist and keyboard player, Thomas Holopainen is frequently seen in his cabaret-esque top hat, and vocalist/bassist Marco Hietala is equally impressive, with a meticulously maintained double-platted beard.

Lead female vocalist, Floor Jansen, is partial to the odd bit of studded leather and, being classically trained as a soprano at the Dutch Rock Academy, can belt out operatic wails and death growls interchangeably.

Nightwish are some of the pioneers of the symphonic metal sub-genre, alongside Sweden’s Therion, the Netherlands’ Epica and Norway’s Theatre of Tragedy. They formed back in 1996 and lay the foundation for a new, classically-gilt sound that would take off in Scandinavia and across Europe in the 90s and into the 2000s with a new swathe of Nightwish-inspired bands appearing including the likes of Epica out of the Netherlands, Haggard out of Germany and Norwegian Leaves’ Eyes.

Typically of symphonic metal, their influences are expansive and literary, ranging from cinematic musical scores to nursery rhymes and fantasy novels by CS Lewis, JRR Tolkein and Steven King.

Their songwriting draws strongly on fantastical and mythological themes. “Elvenpath” off their debut, Angels Fall First (1997), and “Wishmaster”, the title track of their 2000 album contain an array of references to Tolkien and other fantasy writers, the latter also taking its title from the 1997 horror film directed by Robert Kurtzman and produced by Wes Craven. “FantasMic”, also off “Wishmaster”, is a tribute to Walt Disney and the animations to come out of Walt Disney Studios, amongst the broad list of references being Fantasia, The Little Mermaid, Snow White, The Lion King and Mulan, and the classic Mickey Mouse, Scrooge McDuck and Donald Duck.

Other songs touch on darker, perhaps more mature, themes. “She is My Sin” is about frustrated desire and lust, “The Kinslayer” refers to the 1999 Columbine High School massacre and “10th Man Down” deals with civil war.

Lyrically rich, classically trained and nerdily fulfilled, for those that aren’t diehard fans, Nightwish are much to be discovered. They are luminaries of symphonic metal with an impressive gambit of intriguing songs.

Live reviews

When seeing Nightwish live, you are expecting to see the classic female vocals accompanied by the sweet gentle sounds of the orchestra with the soft piano notes in contrast with the heavily distorted guitars and the fast metal drum beats. The sound of all these instruments combined together creates the gothic atmosphere that everyone sees at a Nightwish concert. Strobe lighting with the fire shooting up and down followed by all the firework explosions is certain as the artists are trying to get the fans energetic and fired up ready for a spectacular show ahead of them. When going to a symphonic metal concert, judging by what I have seen of Epica, Withtin Temptation and Nightwish, the fans are energetically jumping around really enjoying themselves and learning to appreciate the music. Nightwish performs symphonic metal with grandiose female vocals. The string instruments and keyboard create the gothic atmosphere. Their music is known to be complex and layered and their approach is theatrical and operatic. It is “always very melodic with memorable choruses” says critic Chad Bowar. The music of Nightwish had been distinguished by the operatic vocals of Tarja Turunen but when she left Nightwish, they left behind their signature soprano or operatic sound. Now their style of vocals have changed as heard by their current vocalist Floor Jansen. Even though Nightwish’s music is centred around a female lead vocalist, they have done some form of variation by featuring some male vocals on their albums throughout all of their history. Something interesting about the experience I had at the Wacken Open Air Festival 2013 was that there was one unusual part where the bassist spoke about a letter that he or the band received about their anniversary and that they said something funny about that they liked sausages meaning romanticism because they were in Germany. The show itself was just simply outstanding and the highlight of the show was Floor Jansen’s supreme vocals that blew the roof off the stage. It was not just Jansen’s incredible singing ability but the entire line up and the way that the band played was astonishing and really rocked the place. They played with confidence and desire to impress the crowd and they succeeded in doing so with style and perfection. You could just see that they were true professionals with tons of experience when it came to playing with enormous crowds. All 82,000 fans would go ballistic whenever the bassist joined in with the singing which proved to be a great combination. They really knew how to get the fans up on their feet and scream and shout, especially with the melodies that they played. They were so beautiful and breath-taking that everyone’s jaws dropped and they were speechless by the end of the show including me because they were that amazing. Considering that this was my first time ever at a metal festival outside of England, this was an extremely unforgettable first experience and it will live long in the memory. I had always dreamed of seeing Nightwish ever since I first listened to them and this will go down as one of the best concerts that I have ever been to in my life. I really recommend other fans that have never seen them live before to check them out because they will never fail to impress with music of such quality. Symphonic metal lovers will all be amazed by how much of a superb show Nightwish can perform and how Floor Jansen’s vocals flatten all of you with shock of how talented and unbelievably awesome she is at singing. When the string instruments and the keyboard join in, it creates that marvellous gothic atmosphere which all gothic or symphonic metal lovers will adore. The entire ensemble itself is just a master class and they play so mouth wateringly well that it will wow anyone during a live concert of theirs. The special effects will add the extra boost of energy to the fans. The band are so good at doing what the special effects can do that no one could ignore their encouragement, it is almost like an order but a pleasant one.

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In a way, it’s important to go to a Nightwish concert with a different frame of mind and a very different set of expectations to what one would normally go to a gig with. When one goes to a rock show they’re usually expecting an event that prioritises atmosphere over a note-perfect recreation over what was on the record. This isn’t the case with Finland’s finest and countless other symphonic metal bands, and this isn’t because they’re playing it safe or that they don’t care about playing live, it means quite the opposite. The music that they have on the record is so intense, complex, and epic in the traditional sense of the word, that playing it live exactly as it is on record makes what was on the record sound even more exciting. They need a choir for some songs? They’ll get a choir for some songs. There’s a famous actor reading a monologue during the outro of their latest album opener? They’ll film the actor reading it and play it on the massive screens they have. They have moments of galloping, film-score inspired excitement, with dazzling heavy metal solos, operatic vocals and lyrics about battles between orcs and men? They’ll be perfectly recreated live, except louder and with pyrotechnics, and pyrotechnics make everything better. Yes, it sounds similar to the record, but that’s because, unlike The Libertines, these cats can actually play their songs. So no, a Nightwish gig is not your average rock show, in fact it has more in common with a Classical music concert, where a decent proportion of the show is spent marvelling at the technical ability of the people on stage. Of course, what’s also encouraged at a Nightwish show is singing, dancing, moshing and pyrotechnics, and all of those things, as we discussed earlier, make everything better. Even if you’re not a fan of symphonic metal, Nightwish are a band that anyone who likes the idea of music with an outrageous sense of scale can spend an evening with and love every moment of it.

I have experienced a lot of metal shows over the years. Experiencing Nightwish on their North American tour vaulted them near the top of my list. Their musicianship, stage presence, high energy, and dedication to the highest caliber audience experience was on full display.

They did several songs of the new album, Endless Forms Most Beautiful and several more from Imaginaerum. The Buffalo, NY crowd got warmed up by Delain and Sabaton, so by the time Nightwish took the stage the audience was fully engaged.

Shows at small venues like the Town Ballroom in Buffalo provide the setting for great sound when done right. Nightwish did the sound right. Floor's vocals were powerful, soaring; Tuomas's keyboards provide so much content in the music you may not believe it until experienced in person. Marco and Empuu's bass and guitars drive, grind, flourish, embellish, and move the musical flow. Kai's drumwork is outstanding and simply has to be seen and felt to be believed. Of course, Troy's mixture of pipes and whistles provide perfect punctuation to the driving beat.

One thing you feel is how truly heavy these guys are. Their performance epitomizes the best of what symphonic metal can be. Their songs have passages of power cords and backbeat that are relentless. Combine that with a theatrical flair, feminine lead vocals, and a tightness to envy and you've got something well worth the price of admission. Two solid hours of metal bliss.

See, hear, and feel Nightwish first hand. Make the trip. You will not be disappointed.

I last saw Nightwish in 2005 in what turned out to be original singer Tarja Turunen's last tour. Her replacement, Annette Olsen never really clicked with me although the two albums she recorded with them are pretty good. however that has all changed for me with the arrival of Floor Jansen, someone I am familiar with from one of her previous bands, After Forever.

From the fist moment Nightwish started their show at a sold-out Wembley Arena it was obvious this was going to be a very special night. From the opening song 'Shudder Before the Beautiful' to the closing 'The Greatest Show on Earth', which they performed the first three parts complete with an appearance from Professor Richard Dawkins who contributes spoken word on the album, it was simply stunning.

A very impressive, and fully utilised, moving light show was supplemented with screens, fireworks, and flames, to provide a spectacular show. Everyone in the band looked to be having the time of their lives, always something I look for as a band "going through the motions" is always easy to spot, with great interaction between them and the crowd.

Personal highlights for me were 'Ghost Love Score' and 'The Poet And The Pendulum' but overall it was as near to a perfect gig as I have ever seen.

-1 out of 10.

They changed the start time some weeks before the gig so that meant I couldn't make it in time and missed Amorphis.

Next up, despite the tickets saying we could take bottles of water in, the door staff insisted that we remove the lids from our water bottles. We had to carry two open water bottles around the arena. I can only imagine what imaginary "threat" this measure was designed to counter.

The sound for Arch Enemy was absolutely terrible. All I could hear (and feel!) was a smashing low frequency rumble. All the detail, even the kick pedal on drums, was drowned out. Vocals and guitar never had a chance of being heard. I've never heard such a complete and total fuckup on sound. I'd have walked out of it wasn't for

Nightwish's performance was good but the sound still wasn't great - lots of bass and ear splittingly loud. It's not like I'm a stranger to loud gigs but this was something else. Ear plugs helped but it was still _really_ loud. It was much better than for Arch Enemy though, so it didn't completely spoil the performance.

Overall, disappointed. I had the cheaper tickets (£40 a pop) and I'll be hassling Gigantic for a refund. I can only imagine what the £110 ticket holders were thinking.

It was my first time watching Nightwish and it will definitely not be the last! What a show! What a feeling! What an experience!

While I did not know half the songs, because I've mostly heard old Nightwish material, back form when I was 15, 16 and 17, I was not the least disappointed, because the sound - the voice - that Nightwish creates together, is simply amazing. I felt like I was in a fantasy world, both happy, sad and hopeful, and it was a beautiful combination. It wasn't too slow, or fast, just a perfect mix of powerful songs, amazing fire effects, strong pictures, wonderful animation sprinkled with hope for our world and the people living here.

When they played some of my favourites, Wishmaster and Ghost Love Score, I got so happy because they mean a lot to me, and because I recognize them. And when they played My Walden, Shudder Before The Beautiful and Storytime, I was equally enchanted, even though I didn't know these songs. Because apparently, that is something Nightwish masters. And they do it very, very well.

Nightwish, a symphonic rock experience as opposed to a simple gig. The band are one of Finland's most internationally celebrated exports as they have achieved commercial success across Europe. They also have a cult-like fan base in the UK and during their last tour the demand to see them was huge.

Beginning with an introduction by the classical Hans Zimmer, the tone is set and the audience applaud loudly as they walk onstage and take to the vast array of instruments. The classical and the conventional instruments sit well together and blend wonderfully during a melange of 'Storytime' and 'Dark Chest of Wonders'.

The audience reacts in different ways as at parts you feel like you are at a rock show and others it is like watching a classical composer. The band build a great rapport with the audience and put them at ease so the applause come more naturally during 'Ghost River' and 'Ever Dream'. By the final dreamy tones of 'Last Ride of the Day', the audience are in total awe of these talented instrumentalists.

This is the kind o concert the dreams are made of. First a support band I wanted to see as much as Nightwish: Amorphis. What I great show! Then other support band I didn't know that well because their sound is not my style but that gave a such great show that I became a fan. That band is Arch Enemy and gave a true great show. Even if much of the crowd didn't seem to understand what was going on since they were more into more slow bands.

And then Nightwish with a great sound. Not the kind of sound you have in the albuns but a true powerful and 100% metal sound, the kind of sound that is headbangable to the most.

In the end the music, the pyro, the whole atmosphere gave us a concert to remember, and to forget the less great albuns from other times. Sadly some old songs were left out of the set, mainly the hit Wishmaster.

I've been hanging out to see these guys for years. I missed the last time they were in Melbourne and had been kicking myself ever since. I even wrote to them in early 2014 to ask when they were coming back. To my surprise they answered and said to sit tight and they'd definitely be back. The wait was worth it. Almost 2 hours straight through, no bullshit encore and a kick-ass show from start to finish. The band were obviously having a great time and were equally enthusiastic to make sure everyone in the crowd did the same. It's a pity the Melbourne noise curfew meant they had to stop on the button of 11PM. Now I just have to wait til they're back again. One last thing: You can't review this show without giving the support band Taberah a huge wrap too. If they're playing in your neck of the woods don't miss them.

Seen last night in Toulouse. Wonderful show! Perfectly played, great sound but most of all, very thoughtful and supportive.

They even played an older song as a tribute to the enduring spirit we should stick to. All the song had a different meaning last night and the leitmotiv "We were here" meant far more than originally intended.

The show was intense but fun also. Musicians were obviously pleased to play for us and were enjoying it all the way. Emppu was playing tricks on everyone, even undoing the shoe laces of the drummer in the end.

In short: great show, musically excellent, great pyros and very emotional. Every thing you wish for in a show.

note: Floor is wonderful.

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Nightwish announce US tour for 2022

Nightwish announce a run of 10 dates across North America for 2022 with Beast In Black as special guests

Symphonic metal veterans Nightwish have announced the North American leg of their current world tour. The run of US dates are set to commence from early summer 2022.

The tour will mark the Finnish outfit's long-awaited return to the US and Canada after four years, as they continue to support their latest album Human :||: Nature, released in 2020.

Joining the Floor Jansen-fronted group on the road will be power metallers Beast In Black. Set to kick off on May 4 in Toronto, the pair of bands will be making stops in Montreal, Lowell, New York, Silver Spring, Chicago, St. Paul, Denver, and San Francisco, before reaching Los Angeles for two final shows on May 20 and May 21.

Earlier this year, keyboard player and mastermind Tuomas Holopainen opened up about the future of Nightwish, following the departure of bassist and co-vocalist Marko Heitala in 2021. When questioned to elaborate on a statement made in 2019, where he announced that Nightwish would come to an end if another member was to leave, Holopanien told Metal Hammer , “That’s how I felt back in 2019, and that’s also how I felt when Marko left. I take my words back when it comes to that. But if it would be Floor [Jansen, vocalist] leaving, that’s it, it’s the end of Nightwish. Absolutely, 100%.”

Check out the tour dates below and find tickets on Nightwish's website.

Nightwish US tour dates 2022

May 04: Toronto History, ON May 06: Montreal Mtelus, QC May 07: Lowell Tsongas Arena, MA May 08: New York Terminal 5, NY May 10: Silver Spring The Fillmore, MD May 12: Chicago Radius, IL May 13: St. Paul, The Fillmore, MN May 15: Denver Mission Ballroom, CO May 18: San Francisco The Warfield, CA May 20: Los Angeles The Wiltern, CA May 21: Los Angeles The Wiltern, CA

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Liz works on keeping the Louder sites up to date with the latest news from the world of rock and metal. Prior to joining Louder as a full time staff writer, she completed a Diploma with the National Council for the Training of Journalists and received a First Class Honours Degree in Popular Music Journalism. She enjoys writing about anything from neo-glam rock to stoner, doom and progressive metal, and loves celebrating women in music.

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Nightwish Announce 10-Date North American 2022 Tour With Beast in Black

Symphonic metal masters Nightwish are plotting their return to North America with a 10-date tour booked for May of next year as the veteran Finnish band continues to support their latest album,  Human :||: Nature .

The run, which also features special guest Beast in Black , marks Nightwish's long-awaited return to the United States and Canada after what will be a four-year absence by the time the first show is underway on May 4 in Toronto, Ontario. Despite a prolonged period of time between North American tours, this upcoming jaunt will only be hitting select cities with three of the 10 shows taking place in California, including back-to-back nights in Los Angeles to cap it off.

While Nightwish will be touting their ambitious 2020 full length, power metal mavens Beast in Black, also from Finland, will be out in support of this year's  Dark Connection , their third album.

See the complete list of dates below. For tickets, head to Nightwish's website .

Nightwish 2022 North American Tour Dates

May 04 — Toronto, Ontario @ History May 06 — Montreal, Quebec @ Mtelus May 07 — Lowell, Mass. @ Tsongas Arena May 08 — New York, N.Y. @ Terminal 5 May 10 — Silver Spring, Md. @ The Fillmore May 12 — Chicago, Ill. @ Radius May 13 — St. Paul, Minn. @ The Fillmore May 15 — Denver, Colo. @ Mission Ballroom May 18 — San Francisco, Calif. @ The Warfield May 20 — Los Angeles, Calif. @ The Wiltern May 21 — Los Angeles, Calif. @ The Wiltern

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NIGHTWISH Announces 2022 North American Tour

Beast In Black will open all the shows.

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Nightwish Announce 2022 North American Tour

The veteran Finnish symphonic metal band will kick off the outing in early May

Celebrated symphonic metal act Nightwish have announced a 2022 North America tour in support of their latest album, Human :||: Nature .

The Finnish band will kick off the 10-date run May 4th in Toronto, and wrap up with a two-night stint May 20th and 21st at The Wiltern in Los Angeles. Beast in Black will support the full run, with tickets available here .

The dates are part of Nightwish’s Human :||: Nature world tour, so expect to hear plenty of fresh material off the new album, as well as some classics. Human :||: Nature marked the band’s ninth studio album and arrived in April 2020.

In related news, former Nightwish vocalist Anette Olzon released a new solo album, Strong , last month, and will be featured in Heavy Consequence ‘s “Beyond the Boys’ Club” column later this month. Original Nightwish singer Tarja Turunen was also also recently featured in Beyond the Boys Club.

Nightwish’s current vocalist is Floor Jansen officially joined the band in 2013. Human :||: Nature  is the band’s second album with Jansen, following 2015’s Endless Forms Most Beautiful .

See the dates and promo video for Nightwish’s 2022 tour below.

Nightwish 2022 North American Tour Dates: 05/04 – Toronto, ON @ History 05/06 – Montreal, QC @ Mtelus 05/07 – Lowell, MA @ Tsongas Arena 05/08 – New York, NY @ Terminal 5 05/10 – Silver Spring, MD @ The Fillmore 05/12 – Chicago, IL @ Radius 05/13 – St. Paul, MN @ The Fillmore 05/15 – Denver, CO @ Mission Ballroom 05/18 – San Francisco, CA @ The Warfield 05/20 – Los Angeles, CA @ The Wiltern 05/21 – Los Angeles, CA @ The Wiltern

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Human. :||: nature. world tour, nightwish at lemonsoft stadion, vaasa, finland.

• 7 Days to the Wolves
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Nightwish at Rantakenttä, Kitee, Finland

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• Last Ride of the Day
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Nightwish at LOUD PARK 23 Osaka

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No New MOONSPELL Album Until Late 2025 Or Early 2026

In a new interview with Finland's Chaoszine , vocalist Fernando Ribeiro of Portuguese goth overlords MOONSPELL spoke about a possible follow-up to the band's 2021 album "Hermitage" . He said (as transcribed by BLABBERMOUTH.NET ): "When it comes to new music, first I have to answer myself the question, do people care about new music or it's just the band that care? I don't have an answer that allows me to make up my mind. Yeah, because now MOONSPELL is at this stage, we did a lot of music, we did a lot of different music, and we could live from our legacy from for the next years. We can do a 'Wolfheart' [30th-anniversary] tour in 2025, we can do an 'Irreligious' [30th-anniversary] tour in 2026 and so forth, we could do a 'Sin/Pecado' [30th-anniversary] tour in 2028."

He continued: "We love to do new music, but we have to wait because I don't think we're gonna have a new album before 2025 or '26, even. It's something that we are really talking within the band. I wrote a lot of lyrics, I had a lot of ideas. I threw them out, I picked them up, so it's this kind of process. And why? Because it has to be a really fucking special album. It cannot be [done on] an automatic pilot. That's not what you should do in the scene. In the scene you should go along the flow, like, 'Let's make a new album. Let's get a new tour,' and people will follow along. But I think this time around we're gonna take our time. I think we bought our time, and it was very pricey. So, this time around, I think new music for MOONSPELL only late 2025 or 2026."

In the spring of 2023, MOONSPELL completed the "American Full Moon" 30th-anniversary trek.

Two years ago, MOONSPELL canceled its summer 2022 North American tour due to "unsolvable logistic and transportation problems".

In September 2022, MOONSPELL released a very special Blu-ray/DVD and album, a live performance of their latest studio album, "Hermitage" , with "From Down Below - Live 80 Meters Deep" via Napalm Records .

MOONSPELL 's 13th studio album, "Hermitage" , was released in February 2021 via Napalm Records . The LP was recorded, mixed and mastered by Jaime Gomez Arellano ( PARADISE LOST , PRIMORDIAL , GHOST , SÓLSTAFIR ) at the Orgone Studios in the U.K.

In 2020, MOONSPELL parted ways with original drummer Miguel "Mike" Gaspar and replaced him with Hugo Ribeiro (no relation to Fernando Ribeiro ).

Three years ago, Fernando told Consequence about recording "Hermitage" during the pandemic: "Social distancing wasn't decreed by law, and it's strange because all of Portugal is 10 million people so it was bizarre just seeing structures without people in the cities. We started demoing in 2017, and it wasn't at all about a pandemic. It was more an album about the polarization and atomization of the world — we're all fragments and cannot agree on anything. Especially with social networks, it felt like the authenticity was going away. It was about connectivity, but there were not enough connections.

"For MOONSPELL , we do have a process and it relies on us sitting down, when we could sit down, and talk together. It's about sitting down with the songwriters Ricardo [ Amorim ] and Pedro [ Paixão ]. For MOONSPELL , it's not about jamming in a room and then writing about it. When I sit down with the people who are going to write the music and tell them what it's going to be about, that's the start of MOONSPELL painting the canvas. Giving them this information, the music became more melancholic, less layers and more texture.

"When the COVID pandemic came, we were scheduled to record the album in the U.K. We were in anguish sometimes, because we would have our suitcases ready and went to the airport and Portugal was blacklisted, so we had to just be smart and take a window of opportunity to go to the U.K. We couldn't have the whole band together because of COVID restrictions. Everyone lived through the struggle of cancelations and postponements, but I have to say recording was enjoyable. I felt very privileged to be able to even go to the U.K. and record an album. The studio was in the countryside and it was so isolated and it was perfect to record 'Hermitage' ."

Photo credit: Rui Vasco

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