rockstar nightclub tour reviews

Vegas Rock Star Nightclub Tour

About this experience.

• Non Refundable There is no return, refund or cancellation possible with this product
• Suitable for 1-15 Participants
• Private Tour
• Guided Experience
• Party like a rock star on the ultimate nightclub tour
• Transported in a deluxe party bus
• Visit the most exclusive nightclubs in Las Vegas
• No lines and no cover charges
• Drink as much as you like from the included open bar
• Unlimited Drinks onboard the Party Bus
• Cover charges to clubs
• Transportation by deluxe limo party bus between clubs

Not included

• Hotel pickup and drop-off
• Alcoholic drinks at clubs (available to purchase)

About this product

How long before the event do i need to book.

• You can book at any time before the event

Vouchers accepted in the following formats

Is an adult required for the booking.

• At least one adult or senior required per booking

Your Itinerary

Party like a rock star on the ultimate nightclub tour of Sin City. Las Vegas boasts some of the hottest clubs in the world, and the Vegas Rock Star Nightclub Tour is the only way to experience the best of this nightlife mecca in true VIP style. Meet your Rock Star VIP host at one of the city’s fun bars and get ready for the night of your life! You will be transported between hotels on a limousine party bus with bartender on board. When you’re on the bus, drink as much as you like from the included open bar! During the night, you will visit three of the hottest A-list nightclubs in Las Vegas. Don’t worry about cover charges or waiting in lines – this tour is VIP all the way! See below for details on clubs visited each night.These clubs represent the best of the best in Las Vegas nightlife! Please note: There is a fair amount of walking on this tour and nightclubs do not permit seating without the purchased of bottle service (not included). The first two stops are located within the same hotel which you will walk to, from there you will travel by the limousine party bus to the other locations.

Additional information

• Public transportation options are available nearby
• Suitable for all physical fitness levels
• Minimum age is 21 years
• Appropriate dress is required. No shorts, tennis shoes or swimwear. Heels or wedges must be worn by females for entry into clubs
• There is a fair amount of walking on this tour and nightclubs do not permit seating without the purchase of bottle service (not included).
• International Guests: Your passport will be required to enter night clubs. International citizenship IDs will not be accepted.
• Please note: If you choose to leave the tour early, a refund will not be processed.

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Vegas Rockstar VIP

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Vegas Rock Star Nightclub Tour

Las Vegas Pool Party Tour

Fremont Street Bar Crawl

Most Recent: Reviews ordered by most recent publish date in descending order.

Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

Vegas Rockstar VIP - All You Need to Know BEFORE You Go (2024)

VEGAS ROCKSTAR VIP

$99 VEGAS CLUB TOURS

1 ultra lounge 2 clubs w/ a party bus ride no line, no cover.

HOW IT WORKS

WE'VE GOT THE COMPLETE PACKAGE

Party at the 1st Nightclub

Meet at an Ultra Lounge...and then head into one of Vegas's premier Nightclubs!

Hop on the Party Bus

The tour features a party bus ride in between both Nightclubs. On the party bus, we provide complimentary beverages included with your ticket. Your hostess will be on board to entertain and bar back drinks.

Party at the 2nd Nightclub

Party at one of Vegas' premier clubs until the sun comes up if you so choose. Your hostess will escort you to skip the line...no cover charge!

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Rockstar Nightclub Tour Las Vegas Hen Nights

What's included.

• Entry to Las Vegas' hottest clubs

We don't need your final balance until 6 weeks before your event date.

Easy individual payments

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We even plant 1 tree per person

Minimum of 8 hens

All year round

Dress to impress

Must be over 21

• Your host will meet you at a premier Las Vegas lounge
• Hop aboard the party bus
• Which has its own bar and bartender
• Enjoy a few complimentary drinks
• Head to three of the hottest clubs in Vegas
• You'll have VIP access
• On what is a VIP night to remember

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"It's so stress-free and everything is arranged to your liking." - Roisin Mcallister

Sin City stakes its claim as one of the greatest places on the planet to party and it's very hard to disagree, especially when you're living the high life on board a VIP party bus that is serving you drinks, spinning tunes and taking you to some of the hottest clubs in town.

The Rockstar Nightclub Tour will see you partying like you've never partied before and best of all, everything is already taken care of, relinquished of all decisions you can just sit back and enjoy the ride. And it really is quite a ride. You really will be living like rock stars.

The experience begins with your guide meeting you at a premier Las Vegas lounge and taking you to the waiting party bus. You'll be welcomed aboard by the bus's very own bartender (oh how good would life be if all buses had bars? It would certainly pep up the morning commute). It's a veritable nightclub on wheels. And yes, the drinks, the wheels and the good times will roll.

You'll then head to not one, not two but three top Vegas clubs with VIP entry, queue jump, pre-paid entry (once again less hassle for all the hens) to ensure you get even more time on the dance floor.

If you're heading to 'the entertainment capital of the world' this is a fantastic way to experience more nightlife and pack in more laughs to one evening. Your bus will cruise The Strip, taking in the Vegas lights, with a guide and bartender on hand to take care of all the bride-to-be's party needs. Let's roll!

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Please Note: We work with 1000s of suppliers across the UK & Europe so prices, availability, photos and specifics on our rockstar nightclub tour activity may vary depending on your preferred location and dates.

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Mitski Is a Mesmerizing Study in Movement, and in Pedal-Steel Pop, at L.A.’s Shrine: Concert Review

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

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Mitski is such a cerebral record-maker that I didn’t expect to be coming away from her 2024 shows making proclamations that I might have just seen the best- choreographed tour of the year. But it’s true: Her run of three shows at L.A.’s Shine Auditorium was the kind of unexpected, advanced study in movement that couldn’t possibly be guessed just from listening to her records — the latest and best of which was last year’s pretty heady “The Land Is Inhospitable and So Are We.”

Not that the 2024 Mitski setlist wouldn’t still come off just fine if she presented it in a more or less still-life format. This latest album is a departure for her, with music that feels big and orchestrated, a little bit classic-country, and fairly reverb-y, in what adds up to slightly spooky beauty. The songs sounds like they were meant to be played at the “Twin Peaks” roadhouse bar or, barring that un-reality, then in a really huge room, where the sound can bounce around a little and you aren’t quite close enough to crack the code of her stony facial expressions. The Shrine (where years ago she’d played the side Expo Hall, before moving up to the big room) felt like a perfect place to hear something this quietly magisterial and kind of old-school.

That rapt attention and appreciation didn’t seem at all mitigated, or Mitski-gated (sorry), by the fact that the singer sometimes delivered the oldies a little bit differently than they might have been expecting. That is to say, some of the material longtime fans are most familiar with was rearranged to skew closer to the style, or styles, of “The Land Is Inhospitable and So Are We.” Its genre could be described as modern Americana meets the ghost signal of a clear-channel megawatt station from the 1950s or ’60s. When I first heard the album, my thought was that I was so happy she’d ditched the producer of her previous album, 2022’s synth-poppy “Laurel Hell,” for some new genius; the punchline, of course, is that it’s the same guy, Patrick Hyland, as it almost always is. The two of them seem inhospitable to stasis, so they’ll probably switch it up again for the next album. But while they’re touring behind this one — with Hyland as her musical director as well as guitarist, naturally — they’re letting things cohere a little while they’re in this rich vein, while not being completely resisting having some of the “hits” be as indie or synthy as they always were in her catalog. It’s an ideal balance all around.

The extent to which they’re having fun with some of the rearrangements is best found in Mitski’s new take on “I Don’t Smoke,” a 10-year-old chestnut. If you look at some setlists, fans have marked it down as “I Don’t Smoke (Folk Version).” Well, no. It’s more like “I Don’t Smoke (Hoedown Version)” — far more determinedly country than anything on her latest album (or on Beyonce’s). That’s a big outlier in the set, but a welcome one. Plenty of other moments rely on Mitski’s Patsy Cline inclinations to a far subtler degree, although the amount of pedal steel, fiddle and accordion played by Nashville alt-country veteran Fats Kaplan, the ace in her seven-piece band, is telltale about where this round of influences lies. And if you don’t like the countrypolitan touches? No problem — there’s still a lot of familiarity in this set for any returning fans, whether she’s getting synthy early on with “Working for the Knife” or reviving her more twee rocker mode to close out the encore with “Washing Machine Heart.”

For the rest of the night, once the curtain is gone, the singer stays on a round, slightly elevated platform at center stage, where her props consist of… two wooden chairs, fitfully employed when she needs something to lie down and lean against, or stand atop like she might be jumping off a building. The second number, “Buffalo Replaced,” had her going through the robotic motions of alternately hiding her eyes with both hands and putting them out as a stop signal, something she maintained even during a long, awkward pause between songs and into the beginning of the next one, “Working for the Knife.” Suddenly, in that one, she dropped the peekaboo routine and was all about graceful fluidity, or the occasional go-go-girl pose. At one point she turned her back to the audience and let her hands, wrists and arms form wavelike motions, kind of like the dancer in Bob Fosse’s “The Aloof” number in “Sweet Charity.”

Much later, and much less gracefully, Mitski was down on all fours for, appropriately, the crowd favorite “I Bet on Losing Dogs.” When a performance can make you think of David Byrne, Roy Orbison, Bob Fosse and dog-man Iggy Pop, it’s obviously doing something right.

And this is before getting to the two most interestingly staged moments in the show. In her Billboard Hot 100 hit “My Love Mine All Mine” and on through to “Last Words of a Shooting Star,” shards of something — faux plexiglass? — descended on strings from the top of the stage on down to her platform, then dangled there for a while before finally ascending, one by one, as her touch commanded them to arise. Were we to take these jagged edges as a form of danger that could be commandeered only by the awesome psychic powers of Mitski… or beauty in brokenness… or just nifty-looking stagecraft in a show that otherwise dispenses with it? Probably 6,000 different 15-to-25-agers at the Shrine held 6,000 different interpretations, and the scattered old folks, too, but we were all taken with it.

But “Heaven” offered the sweetest moment, when Mitski danced, arm in arm (sort of), with the white beam of an overhead followspot. That’s probably not as easily choreographed as it looks. (What was it they said about Ginger Rogers, that she did everything Fred Astaire did, but backwards and in heels? Mitski did everything the spotlight did, but backwards and comprised of physical matter.)

And she did. No, it assuredly wasn’t a concert designed to wrap up her adoring hordes in warm fuzzies. But as a highly theatrical show that still maintained the sense of a real, cool, warm person animating all that minimalist artifice, it ironically felt kind of… could this be the right word?… hospitable.

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At Tampa concert, Madonna reminds us why she’s the queen

• Maggie Duffy Times staff

TAMPA — She kept us waiting for hours in Amalie Arena.

But once Madonna took the stage a full two hours past the start of the 8:30 p.m. show, that didn’t matter. For the next two hours, the Queen of Pop showed us why she owns the title, and the multi-generational crowd gave back just as much energy.

DJ Mary Mac 5 Star set the vibe with a lively set. Then Bob the Drag Queen, dressed up like Marie Antoinette, got the crowd even more hyped as he introduced Madonna.

The singer’s Celebration Tour includes hits from the past four decades — the entirety of Madonna’s career — and features a troupe of dancers surrounding Madonna and working the stage, which has a long runway and elements suspended from the ceiling. Screens flash video montages of photographs, artwork, scenes of New York City.

The tour was postponed last summer after Madonna suffered a severe bacterial infection that led to her being in a medically-induced coma for 48 hours . It’s pretty impressive that she’s bounced back relatively quickly.

After performing “Nothing Else Matters” — a song about how having children changed her life — alone on the stage, she was joined by dancers dressed as early 1980s punks for “Everybody” and “Into the Groove.”

Next, Madge grabbed an electric guitar and took us back to the iconic New York City punk club CBGB, where she first performed “Burning Up.”

Then she addressed the audience, saying that the show is the story of her life and she wanted us to “feel all the feels.”

“And really Tampa, I’m only here every 40 years, so you should appreciate it,” she said, referring to the fact that she’s only performed here once, in 1985.

She was accompanied by a person wearing a blank face mask throughout the show, who represented a younger version of herself that has stuck with her through the years. She gave herself a hug and reminded us to not forget where we came from.

“This isn’t a pop show, it’s more of a retrospective,” she said. “It’s performance art.”

Indeed. During “Open Your Heart,” there were nods to the memorable music video featuring a peepshow, and then “Holiday” took us to a New York City nightclub, where the party reached a dizzying height, then took a heartbreaking turn as dancers started to fall to the ground. The refrain “Holiday” repeats as a haunting echo.

This leads to a segment honoring those who were lost to AIDS, accompanied by montage of their photographs while she performed “Live to Tell.” It begins with a photo of former Tampa Bay resident Martin Burgoyne .

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The segment culminates with an emotional “Like A Prayer,” with dancers’ bodies morphing into poses of Jesus Christ during crucifixion and other feats of physicality. There’s a nod to Prince here — who had played guitar on the original track — with a guitarist wearing a purple-patterned suit and a sample of the spoken intro of “Let’s Go Crazy.”

Madonna has always been a strong and vocal advocate for the LGBTQ+ community, and this concert was a big kiss to it. Ballroom culture was celebrated in a joyful segment during “Vogue,” which featured her daughter Estere as the DJ. Dancers walked the runway

to be judged by Madonna and guest Monét X Change.

It wouldn’t be Madonna if there wasn’t a steamy sexual element, and that came with sensual choreography on “Erotica,” “Justify My Love” and “Hung Up,” then turned almost remorseful with “Bad Girl,” on which her daughter Mercy plays the piano.

Things took a tender turn with “Mother and Father” that she dedicated to her mother, who died when she was very young. A photo of her was on a screen, as was the photo of her adopted son David’s mother, who died in childbirth. David also accompanies on guitar.

Among her many costume changes, Madonna went Western chic and played “Express Yourself” on her guitar, which she slung over her back for “La Isla Bonita.” She donned a silver bodysuit and long pink wig as she flew over the stage in a square for “Ray of Light.”

A dedication to Michael Jackson came with a “Billie Jean”/ “Like a Virgin” mashup, with dancers dressed like the duo silhouetted on a screen.

Madonna has dealt with the pressures of celebrity’s obsession with youth, which is alluded to with sound bites of her saying “to age is a sin” and “the most controversial thing I’ve ever done is to stick around.” At age 65, people may expect her to act or dress a certain way. But instead, she reminds us what a trailblazer she is during “B---- I’m Madonna,” with dancers dressed in her most iconic looks through the years.

Whatever you do, don’t expect Madonna to stop.

Setlist for Madonna’s Tampa show

It’s a Celebration (Bob the Drag Queen intro)

Nothing Really Matters

Into the Groove

Open Your Heart

Live to Tell

Like a Prayer

Living for Love

Justify My Love

Human Nature

Crazy for You

The Beast Within

Die Another Day

Don’t Tell Me

Mother and Father

Express Yourself

La Isla Bonita

Don’t Cry for Me Argentina

Bedtime Story

Ray of Light

Billie Jean / Like a Virgin

B---- I’m Madonna

Celebration (outro)

Maggie Duffy is an art and dining reporter, covering Tampa Bay’s arts scene and the next new place to eat. Reach her at [email protected].

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ELECTROSTAL HISTORY AND ART MUSEUM: All You Need to Know BEFORE You Go (with Photos)

• (0.19 mi) Elektrostal Hotel
• (1.21 mi) Yakor Hotel
• (1.27 mi) Mini Hotel Banifatsiy
• (1.18 mi) Elemash
• (1.36 mi) Hotel Djaz
• (0.07 mi) Prima Bolshogo
• (0.13 mi) Makecoffee
• (0.25 mi) Amsterdam Moments
• (0.25 mi) Pechka
• (0.26 mi) Mazhor

Sights of Elektrostal: the history of the city, what to see, photos and reviews

Table of contents:, history of the city, attractions, engineering plant, church of the righteous john of kronstadt, city recreation and culture park, cinema gallery, avangard paintball club.

2024 Author : Harold Hamphrey | [email protected] . Last modified: 2023-12-17 10:06

Elektrostal is a fairly large industrial city, which is located near the Vokhonka River and almost 40-50 km from the eastern part of Moscow. There are a lot of powerful factories here, where many residents of Elektrostal work. They are perfectly combined with the most beautiful green boulevards, streets and parks, bright lawns and flower beds that adorn almost the entire town. It is picturesque due to amazing reservoirs and forests. It is worth learning more about the main attractions of Elektrostal, photos of which are in the article.

The city was founded in 1916 thanks to the construction of a metallurgical plant. Previously, this place was the natural boundary of Calm. To start construction, the labor of local peasants was used. In the middle of 1925 herebuilt the first railway line that connected Elektrostal with Moscow. After the onset of 1938, the village turned into a separate city.

It is noteworthy that during the Great Patriotic War, the Electrostal plants produced ammunition that was needed for victory. In particular, it is worth noting the production of the legendary Katyushas.

A new stage for the factories of the city began after the invention of atomic weapons. The local plant was on the list of the main production facilities of the nuclear industry. This led to the fact that in 1954 the production of fuel was launched, which was used for the operation of nuclear power plants.

In 1963, the cultural center "October" was built, and this was done by the masters of the Novo-Kramatorsky plant, named after Stalin. It featured a spacious auditorium that could seat more than 850 people, as well as a unique revolving stage for actors to change scenery in seconds.

At different times, eminent creative groups performed in this cultural center, as well as the Beryozka ensemble, famous at that time. It is noteworthy that even in our time the cultural center is actively functioning, and the square in front of it is considered the most beautiful place in Elektrostal with fountains operating in the summer. In mid-2013, it received the status of a city of labor and military glory.

There are many numerous monuments in the city that tell about the history of this amazing place: a monument to Nikolai Vtorov -the founder of the famous plant "Elektrostal" near the House of Culture, a monument to Tevosyan - the chief engineer, monuments to M. Gorky and K. Marx, a sculpture "Steelworker", a monument to Korneev - Hero of the Soviet Union, as well as a memorial and a monument to soldiers who died in Afghanistan and on North Caucasus.

This is a fairly large and old factory in the city that specializes in the production of fuel for local gas stations. The plant is part of the structure of the company FC "TVEL" of the state corporation "Rosatom". The General Director of the enterprise is O. L. Sedelnikov.

This plant produces nuclear fuel, which is used by many nuclear power plants, transport power plants and research reactors, not only in Russia, but also in other European countries. The company has quality certificates OHSAS 18001, ISO 14001, ISO 9001.

The museum of the plant presents its history, shows old photographs of the streets of the city, there are achievements of workers, as well as photos of significant people, there are many of the most interesting models produced at the machine-building plant. It also stores presentations showing the principles of the enterprise.

This temple - a landmark of Elektrostal - is a single-dome centric church, which is made in the style of Byzantine times. It was erected in the 20th century, in the immediate vicinity of St. Andrew's Church. The temple was designed by T. V. Trubnikov and V. A. Drozdov, according to the developments of which the iconostasis and interior were exactly designed.

The church plays the role of a baptismal church and belongs to the Moscow diocese. The main shrines of the church are the most ancient and valuable icons of Nikandor Gorodnoyezersky and the Great Martyr Panteleimon. In addition, particles of the relics of saints are kept here. Divine services are held in the temple only during religious holidays.

The local park - a landmark of Elektrostal is an ideal place where everyone can stay alone with nature, ride numerous attractions, and also spend time playing slot machines. The park is especially popular in the summer - it is full of families, youth companies and couples in love.

Especially for the summer in 2013, the park was re-planned, which made it possible to accommodate more modern entertainment and interesting playgrounds for young visitors. Swimmers will love the dragon and swans, and trampolines have been installed for more active children.

It is noteworthy that the prices in the local park are quite affordable: the cost of a ticket for various attractions ranges from 30-100 rubles. Today it is called "Wonder Park", and it is divided into a quieter "Quiet Alley" and "Entertainment Alley", where there is an inexpensive cafe, a summer stage, and also quite a lot ofattractions.

This cinema is very popular, so it can be called a landmark of Elektrostal. It is located in the shopping center "Elgrad" and consists of 5 spacious halls that can accommodate more than 800 people. To show 2D and 3D films, only modern equipment is used: Dolby Digital Surround EX and MasterImage acoustics, as well as huge screens with a special coating. In all cinema halls, very comfortable conditions for visitors were created: climate control and soft chairs.

In the foyer of the Cinema Gallery there is a play area, a fairly spacious cafe, fast food establishments (Suneki, Tashir-pizza, Rostiks, Kebab-tun, etc.) and popcorn- bar. This is an attractive local leisure center, where the residents of Elektrostal are shown all the latest cinema.

This is a whole complex where you can spend your free time pleasantly and profitably. In addition to the playgrounds, which are fully equipped for playing laser tag and paintball, guests are invited to visit a local cafe where delicious home-cooked dishes are prepared, a banquet menu, karaoke, as well as a relaxing sauna with a warm font.

What do tourists who have visited the city say? It is not tourist, but industrial. Attractions are quite specific, but overall interesting. Tourists were pleased with low prices.

Looking at the photo of the sights of the city of Elektrostal, you may want to go there and spendunforgettable weekend.

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